Art and decoration

Magical Realist Kettle and Jug Still Life by Ferdinand Vercnocke, oil on canvas, Belgium, mid-20th century. This still life by Belgian painter Ferdinand Vercnocke presents a carefully composed interior scene imbued with a quiet, timeless atmosphere. The composition features a copper kettle and copper pan, a glass wine jug, and a small pewter oil lamp, arranged on terracotta floor tiles against a textured wall.

Executed in oil on canvas, the painting exemplifies Vercnocke’s distinctive magical realist approach. Everyday objects are rendered with meticulous clarity and material sensitivity, yet the scene transcends simple realism through its controlled lighting, stillness, and contemplative mood. The warm glow of copper, the translucency of glass, and the muted metallic surface of the oil lamp are handled with refined precision.

The restrained architectural setting and balanced composition evoke a medieval or timeless interior, emphasizing silence and introspection rather than narrative action. Such qualities are characteristic of Vercnocke’s work, in which domestic objects become carriers of atmosphere and symbolic presence.

Ferdinand Vercnocke is known for his refined, symbolist-inflected realism, often described as magical or metaphysical. His oeuvre includes still lifes, interiors, and figurative compositions that combine technical mastery with a subdued sense of mystery. This work represents a strong example of his mid-20th-century production.
Dimensions Frame: Height 52,5 Width 63 cm. Visual: Height 38 Width 48,5 cm.

Set of 4 Mid-Century Dutch Design Teak Dining Chairs by Thereca. The Netherlands, 1960s. Elegant set of four Dutch mid-century modern armchairs produced by Thereca in the 1960s.
These chairs are crafted from solid teak and feature refined wooden armrests paired with a slender metal frame, creating a sophisticated balance between warmth and lightness.

The seats and gently curved backrests are upholstered in a rich green fabric, which enhances the natural tone of the teak and gives the set a calm yet distinctive modernist character. The open construction and well-proportioned silhouette are typical of high-quality post-war Dutch design, combining functionality with understated elegance. The set is in a very well preserved condition.

A versatile and highly decorative set, ideal for use around a dining table, in a meeting or conference setting, or as statement seating in a refined residential or professional interior. A strong example of authentic mid-century modern design from the Netherlands.

Charming set of two vintage kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. The seats and backrests are finished in white Formica featuring a subtle soft-grey striated pattern, creating a refined, lightly textured appearance rather than a flat white surface.Both seat and backrest are neatly finished with a black rim, providing a crisp graphic contrast that is characteristic of mid-century Dutch kitchen furniture. The chairs stand on a chromed tubular steel frame, combining durability with a clean, timeless silhouette.These chairs are typical examples of Brabantia’s well-designed everyday furniture, originally intended for kitchen or dining use, but equally suitable for modern interiors seeking authentic mid-century character.The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 79 Width 38,5 Depth 46 Seating height 46 cm.

Substantial and heavy patchwork leather pouf, attributed to De Sede. Crafted from high-quality leather panels stitched in compartments, creating a sculptural and tactile presence.
Exceptionally well preserved and perfectly suited as a companion piece to iconic De Sede sofas such as the DS-11. Dimensions: Height 32 cm, Width 65 cm, Depth 65 cm

An especially charming and visually playful set of six vintage kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. This set stands out for its deliberately varied composition, featuring a harmonious mix of colours and finishes: white, cream, orange, red, woodlook, and a darker rosewood-style woodgrain.

All chairs share the same classic Brabantia design language — Formica seats and backrests with black edging, combined with sturdy chrome tubular steel frames — ensuring visual coherence despite the colour variation. The result is a lively yet balanced ensemble, perfect for those who enjoy character, individuality, and a relaxed, eclectic look around the kitchen or dining table.

Rather than a uniform set, this group celebrates variation and personality, making it ideal for creative interiors, family kitchens, or informal dining spaces where warmth and originality matter more than strict symmetry.

The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 79 Width 40 Depth 48 Seating height 44 cm.

Vintage Foldable and Mobile Chrome Steel 3 Faux Wood Layers ‘Dinett’ Serving Trolley by Gerlinol, Germany, 1970s. This elegant and highly functional serving trolley features a chrome-plated tubular steel frame combined with 3 layers of faux wood laminated surfaces, characteristic of practical German design from the 1970s. This variant is relatively rare.

The trolley is equipped with two foldable side panels, allowing for multiple configurations:

• fully opened on both sides as a generous dinette or serving trolley,

• opened on one side only, making it ideal as a slim side table placed against a wall,

• or fully folded down, transforming into a compact unit that can easily be stored when not in use.

Mounted on original castors, the trolley is fully mobile and can be moved effortlessly, making it particularly suitable for flexible interiors and smaller living spaces. When folded, it occupies minimal space while retaining its sculptural, modernist appearance.

A versatile and clever design object that works equally well as a serving trolley, bar cart, breakfast table, side table or occasional workspace. Dimensions: Height 88 Width 66 Depth 41,5 cm.

This charming adjustable mid-century desk and night lamp, model 8802, was produced by Bahag AG in Germany during the 1970s. The lamp features a clean, geometric design with a softly rounded, cube-shaped base in white, paired with a telescopic chrome arm that allows the height to be easily adjusted. The lamp head is fully rotatable, offering flexible light direction for various uses, from bedside lighting to desk or reading light. Designed to fold down into a compact form, the lamp was conceived as a practical and space-saving solution. A switch located on the base allows the light to be adjusted in two brightness levels, adding to its functional appeal. Minimal, intelligent, and distinctly utilitarian, this lamp is a fine example of German functional design from the 1970s. The lamp is in fully functional and very well preserved vintage condition. Dimensions: Height: 27 - 44 cm, Width: 7 cm Depth: 21 cm

Vintage Brutalist Organic Murano Glass Bowl, Italy 1960s. A striking Murano glass bowl/ashtray featuring a vivid gradient from green to amber-brown. It's sculptural biomorphic silhouette is accented by four deep notches that function as cigarette rests or bod decorative contours. It reflects the region's renowned glassmaking tradition while leaning into an almost brutalist aesthetic through its weighty form and expressive folds. The glass shows characteristics associated with Murano production, including rich color saturation, heavy weight, smooth hand-finished edges and an organic free-form design typical of mid-century Italian decorative glass. This piece of glass art is in an excellent preserved condition; no chips or cracks observed. Dimensions: Height 7 Width 17 Depth 17 cm.

Large and luxurious ultra comfortable lounge chairs manufactured by the renowned producer Durlet in the 1970s. This quality set is upholstered in a well preserved patinated chocolate brown leather. The Belgium manufacturer Durlet is well-known for its high quality furniture. At some spots there is some visible damage in the leather of the seating. Furthermore both chairs are in a well-preserved condition. The nice patine is accordingly its age and use. Dimensions: Height: 75 cm, Width: 90 cm, Depth: 85 cm, Seat height: 42 cm, Armrest height: 45 cm, Quantity: 2

Solid brass square coffee table with smokey glass top. This very decorative coffee table is attributed to Peter Ghyczy and manufactured in the 1970s. It is in a very well preserved vintage condition, with some non disturbing wear consistent its age and use. Dimensions: Height: 45 cm, Width: 74 cm, Depth: 74 cm, Quantity: 1

Dutch Design coffee table designed by the famous cabinet maker Fristho for Topform in the Netherlands around the 1960s. The table has solid rosewood legs and the top is made of wood with rosewood veneer. The tabletop of this piece features a very nice wood structure. Although the top shows some non disturbing signs of use, this large coffee table can be considered as a charming and warm piece of furniture that still remains in a well preserved vintage condition. Dimensions: Height: 40 cm, Width: 154 cm, Depth: 52 cm, Quantity: 1

Vintage Opalina Fiorentina Glass Rose Vase with Sculpted Edge Attributed to Stelvia. Italy, 1960s. This elegant opaline glass rose vase was produced in Italy during the 1960s and stands 25 cm. high. Executed in softly translucent opaline glass, the vase features a slender baluster form with a sculpted, scalloped rim that adds a delicate decorative accent. The refined proportions and subtle milky sheen are characteristic of Italian mid-century glass, combining classical elegance with restrained modernity. A graceful and timeless decorative object. The vase is labeled en still in very good vintage condition. Dimensions: Height 25 Diameter: Top 6 Opening 2 Belly 8 cm

Very nice pair of Dutch design minimalistic cubic armchair / sidechair made of solid pinewood. Designed by Ate van Apeldoorn for Houtwerk Hattem. The Netherlands, 1960s. This set of robust armchair features beautifully stitched seat and backrest made of beautiful patinated camel colored leather. Dimensions: Height: 78 cm, Width: 62 cm, Depth: 48 cm, Seat height: 50 cm, Armrest height: 67 cm, Quantity: 2

Geborgenheid (Shelter / Inner Protection) – Ferdinand Vercnocke, Belgian School, signed 1959. Oil on canvas.
Belgian painter Ferdinand Vercnocke is known for his symbolic, surrealist-influenced figurative compositions in which psychological depth, metaphysical symbolism, and refined technical execution converge. His work belongs to the tradition of European post-surrealist symbolic realism, combining narrative clarity with inner, spiritual meaning.

Geborgenheid presents a monumental symbolic composition centered on a maternal figure holding a child, constructed as an archetypal image of protection, safety, and inner shelter. The central female figure is rendered frontally with calm stillness and psychological presence, functioning not as a portrait but as a symbolic embodiment of care and containment. The child, held close to the mother’s face, reinforces themes of vulnerability, trust, and emotional dependence.

The surrounding environment introduces layered symbolic elements: a Buddha-like sculptural presence, ritualistic architectural forms, and structured golden objects, creating a metaphysical spatial framework that suggests spiritual guardianship and transcendental protection. These elements operate as symbolic architecture rather than narrative background, transforming the scene into an inner landscape of psychological and spiritual meaning.

In the foreground, the inclusion of a porcelain jug and cup introduces a domestic still-life element, grounding the metaphysical symbolism in everyday human ritual and intimacy. This contrast between the sacred and the domestic is characteristic of Vercnocke’s visual language, where inner life, spirituality, and human experience coexist within a single symbolic structure.

The work exemplifies Vercnocke’s distinctive artistic approach: a controlled, serene surface concealing a complex symbolic system, merging figurative surrealism, allegorical realism, and metaphysical symbolism. Geborgenheid stands as a contemplative meditation on inner safety, spiritual protection, and psychological containment, expressed through a refined symbolic composition of timeless character. Dimensions Frame: Height 92 Width 82 cm. Visual: Height 79 Width 69 cm.

Iconic 'Lucifer' Wall Sconce by Raak Holland, The Netherlands 1960s. The 'Lucifer' exemplifies the brand's signature blend of minimalism and architectural clarity. It's clean geometric form and precise light control make it a striking yet understated design piece, reflecting the innovative spirit of mid-cewntury Dutch lighting design. Dimensions: TH 39, Shade: H 32 DM 13 cm

Striking Fat Lava ceramic wall tile by Ruscha Keramik, produced in West Germany during the 1960s. The tile features a powerful rearing red horse rendered in bold relief against an intense deep azure blue (Azurblau) ground. The surface is finished in Ruscha’s characteristic powdery, lava-textured matte glaze, giving the blue an exceptional depth and velvety saturation. With its substantial thickness and architectural scale, this piece reads unmistakably as a statement wall object rather than decorative wall pottery. The dynamic contrast between the sculptural red horse and the richly textured blue field is a hallmark of Ruscha’s strongest figurative designs. This piece is in excellent condition, no damage observed. Ruscha was one of the leading manufacturers of architectural and sculptural wall ceramics within the West Germany Pottery movement. Their figurative wall tiles—especially animal motifs—are among the most sought-after works from their production, valued for their bold relief, expressive glazing, and strong graphic impact. The Azurblau glaze seen here is particularly prized: a deeply saturated, matte blue that intensifies contrast and elevates the sculptural quality of the relief. Dimensions: H 42 W 23, Thick 3 cm

Charming small rectangular enamelled copper dish with rounded corners, decorated in a playful abstract composition of deep blue, green, yellow and red on a black speckled copper ground. The glossy enamel surface shows lively colour contrasts and painterly transitions, typical of mid-century Italian enamel work. The compact size suggests use as a pin dish, ring tray or small decorative object. Unmarked, but stylistically consistent with Italian enamel studios active in the post-war period. This small decorative item is inna very well preserved vintage condition. Dimensions: Height 1 Width 10 Depth 7 cm.

A refined Mid-Century pendant lamp featuring an amber-colored glass globe with a distinctive diamond-patterned texture. Inside the outer shade, a transparent ribbled glass inner cylinder softly diffuses the light, creating a warm and atmospheric glow. The combination of textured amber glass and the inner frosted element gives the lamp both visual depth and functional elegance, typical of European lighting design from the 1960s. When illuminated, the layered glass structure produces a rich, inviting light effect, while unlit it remains a strong sculptural presence. Presented in very good vintage condition, with well-preserved glass and only minimal signs of age-related wear. An elegant and versatile Mid-Century lighting piece, suitable for use in a living space, hallway or above a dining table. Dimensions: Diameter globe: 30 cm

Exceptional large rectangular enamelled copper tray by Studio Laurana,, Pesaro Italy, 1960s. Including signature and brand label. The slightly concave form with softly rounded corners is finished in transparent enamel layers in warm amber and deep green tones, enriched with vivid hand-applied red and blue dot accents. Subtly visible in the base is an abstract fish-like motif, emerging through the layered enamel and engraved copper texture. The surface shows fine linear tooling marks beneath the enamel, giving depth and movement to the composition—typical of Studio Laurana’s expressive mid-century work, where craft, colour and symbolism intersect. Produced in Italy by Studio Laurana, known for high-quality mid-century enamel work on copper. Their pieces are characterised by transparent colour fields, engraved substrates, and playful accent colours—often incorporating abstract natural themes such as fish and organic forms. Dimensions: approx. Height 8,5 Width 43 Depth 27 cm

Stunning rectangular beautifully G shaped gold plated coffee- sidetable from Dewulf Selection by Belgo-Chrom. Featuring on the bottom level a smoked mirror glass top and on the upper level a transparant massive glass table top. The frame of this mid-century G-Table is 23-carat gilded, which is marked underneath the frame with brief maintenance instructions. A very eye-catching minimalistic design from the 1970s. Dimensions: Height: 38 cm, Width: 120 cm, Depth: 75 cm

Louis van Teeffelen Dutch Design Pelican Arm Chair in Solid White Painted Teakwood and Black Leatherette. Produced by Webe in the 1960s inThe Netherlands. Teak wooden frame is painted white. The seating and backrest is upholstered with black leatherette. The seating comfort is great and the condition of the chair is good, but shows some wear on the leatherette and the painted wood. It is up to the new owner to choose whether to restore the chair and opt for new upholstery or to cherish the chair’s vibrancy and just use it as is. Dimensions: Height: 74 cm, Width: 63 cm, Depth: 70 cm, Seat height: 37 cm, Armrest height: 66 cm, Quantity: 1

This elegant table lamp by Putzler, produced in Germany in the 1970s, features a solid crystal glass cube with a sculptural recessed center designed to hold the light source. The heavy crystal construction creates beautiful reflections and depth, especially when used with a mirrored or reflector bulb, which produces a warm, atmospheric glow without glare. Compact yet visually striking, the lamp functions as both a refined light object and a sculptural accent. A timeless piece of German design, ideal for use on a shelf, side table, or bedside. The lamp is in a very good condition. The crystal glass cube shows no cracks or chips. The lamp is fully functional and has been rewired in the meantime, ready for immediate use. Dimensions: Height: 10 cm, Width: 10 cm, Depth: 10 cm

Large Ceramic Black Fat Lava Vase with Brilliant Azur Blue and Orange Enamel Accents, West Germany 1970s. This large ceramic vase was produced in West Germany during the 1970s and stands 38 cm high. It features an expressive Fat Lava glaze with a richly textured, volcanic surface, combined with vivid red and turquoise glaze bands that flow naturally across the form. The layered glazing creates strong contrast and depth, emphasizing the tactile character typical of classic West German Fat Lava ceramics. The vase is in an excellent condition. Dimensions: Height 38 Diameters: Opening 10 Belly 20 cm

Portrait of a young woman (Lolita) by Vandersyde. Printed canvas in wooden frame, 1970s. This work, titled Lolita, is a mid-20th-century decorative portrait reproduced on canvas and presented in a wooden frame with subtle golden rim. The image depicts a young woman in a stylized, idealized manner, characteristic of popular portrait imagery from the 1960s–1970s.

The subject is shown in a half-length pose, with softly modeled features, dark hair, and pronounced eye makeup, evoking a romanticized, slightly exotic aesthetic. The color palette is warm and muted, with olive greens, soft browns, and golden skin tones contributing to a nostalgic atmosphere. The background suggests foliage or a painterly interior.
Dimensions Frame: Height 78 Width 68 cm. Visual: Height 57 Width 48 cm.

Large Mid-Century Design Rosewood Veneer Rectangle Coffee Table with Aluminium Trim, 1960s. Large mid-century modern rectangular coffee table featuring a rosewood-veneered top with rich, expressive grain. The tabletop is subtly detailed with a narrow aluminium edge trim along the short ends, adding a refined graphic accent and a distinctly 1960s character.

The clean-lined silhouette and generous proportions emphasize functionality while allowing the natural warmth of the veneer to take center stage. Slender legs support the design with understated elegance, resulting in a balanced and timeless composition.

A strong yet restrained example of mid-century design, well suited to both modern and classic interiors. Condition note: Minor imperfection on one corner. Dimensions: Height 44 Width 150 Depth 60 cm.

Authentic 1950s industrial chairs with a softly painted grey metal frame combined with plywood seats and backrests in a subtle soft blue tone. The set consists of two matching pairs, with slight variations in the seat and backrest shapes, which together create a coherent and visually balanced ensemble. This kind of mixed-but-compatible configuration is typical for utilitarian seating from the period and works particularly well around a kitchen or dining table.

The chairs show visible signs of use, including wear to the grey-painted frames and surfaces, consistent with age and honest daily use. Structurally sound and stable, retaining their original industrial character and mid-century appeal. Dimensions: Height 82 Width 40 Depth 50 Seating height 44 cm.

Domus Magazine July / August 192 Number 740 - Monthly Review of Architecture Interiors Design and Art . Original vintage issue of Domus, the renowned Italian architecture, interior design and art magazine. Domus is internationally respected as a Monthly Review of Architecture, Interior Design and Art, and is known for its influential role in documenting international architectural and design developments. Issues from the 1980s reflect a dynamic decade marked by post-modern architecture, experimental design approaches, and an expanding international perspective. Content typically includes contemporary architectural projects, architectural theory, interior and product design, urban planning, and artistic movements of the period, presented through critical essays, drawings and high-quality photography. Highly sought after by collectors, architects, designers and scholars, especially vintage issues no longer in print. A significant reference document illustrating architectural and design culture of the late 20th century. Original Italian/English edition. In well preserved vintage condition consistent with age and use.

A truly delightful vintage child’s chair, very likely produced by Brabantia, featuring a classic mid-century design with thoughtful details and excellent craftsmanship.

The chair has a light blue Formica tray, softly rounded and edged, perfectly complementing the overall light and friendly appearance. The seat and backrest are upholstered in leatherette with a charming floral pattern: a cream-coloured base with soft blue roses and light green foliage, giving the chair a gentle, almost nostalgic look.

The structure is made from a chrome tubular steel frame, sturdy yet elegant, with a well-balanced construction that includes a footrest and integrated tray—both practical and visually pleasing. The proportions and materials are typical of quality European children’s furniture from the mid-20th century. Dimensions: Height 98 Width 49 Depth 65 Seating height 13 cm.

Striking vintage oval wall mirror featuring a thick sculptural frame of textured sugar glass, internally illuminated to create a warm, atmospheric halo of light around the mirror surface. The deeply cast glass displays an organic, crystalline relief pattern, characteristic of high-quality European decorative glass from the mid-20th century. When illuminated, the translucent glass emits a soft amber glow, dramatically enhancing the sculptural depth of the frame while remaining elegant and restrained. The oval mirror plate sits flush within the glass surround, creating a refined contrast between the smooth reflective surface and the rugged, almost ice-like texture of the frame. This type of illuminated mirror reflects the golden era of mid-century interior design, where lighting, glass, and sculptural form were merged into functional art objects. Often associated with Italian, German, or Scandinavian production from the 1960s–1970s, such pieces were designed for upscale interiors, boutique hotels, and modernist homes. The mirror is fully functional, professionally tested, and in very good vintage condition, with only minimal age-appropriate wear. A rare and highly decorative statement piece, equally suited for living spaces, entry halls, bedrooms, or design-focused commercial interiors. Dimensions: Height 68 Width 56 Thick 7,5 cm.

Charming set of three vintage design kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. The chairs feature Formica seats and backrests in a vibrant orange tone, characterized by an irregular striated pattern that gives the surface depth and movement rather than a flat, uniform color.

This subtle variation in the orange coloration enhances the lively mid-century character of the set. The Formica elements are finished with a black edge trim, while the chairs rest on chromed tubular steel frames, reflecting Brabantia’s solid, functional approach to everyday kitchen furniture in the postwar period.

A playful yet well-balanced set that works beautifully in kitchens, dining areas, or creative interiors seeking an authentic mid-century accent.

The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character.
Dimensions: Height 78 Width 37 Depth 46 Seating height 46 cm.

Round vintage dining table with a warm wood veneer finish, designed with a central extension leaf that transforms the table into an elegant oval shape. A practical and versatile piece, suitable for everyday kitchen use as well as larger gatherings. The table stands on slender tapered wooden legs and has a balanced, understated mid-century appearance that fits easily into a variety of interiors. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 73 Width 136/105 Depth 105 Seating height cm.

Very elegant, exclusive and rare showpiece for the real lover of vintage art. Minimalist designed in the 1980s in an inverted U-shape with the top and legs inlaid with long, slender mirror strips on the front. The condition of the table can be considered as very well preserved taking into account its prior life with some minor non disturbing wear consistent its age and use. A real eye-catcher in a hallway or as a wall object to display decorative eclectic art. Dimensions: Height: 85 cm, Width: 120 cm, Depth: 30 cm, Quantity: 1

Domus Magazine April 1993 Number 748 - Monthly Review of Architecture Interiors Design and Art . Original vintage issue of Domus, the renowned Italian architecture, interior design and art magazine. Domus is internationally respected as a Monthly Review of Architecture, Interior Design and Art, and is known for its influential role in documenting international architectural and design developments. Issues from the 1980s reflect a dynamic decade marked by post-modern architecture, experimental design approaches, and an expanding international perspective. Content typically includes contemporary architectural projects, architectural theory, interior and product design, urban planning, and artistic movements of the period, presented through critical essays, drawings and high-quality photography. Highly sought after by collectors, architects, designers and scholars, especially vintage issues no longer in print. A significant reference document illustrating architectural and design culture of the late 20th century. Original Italian/English edition. In well preserved vintage condition consistent with age and use.

Charming mid-century industrial chairs featuring plywood seats and backrests combined with slender painted metal frames. This set of four consists of chairs with slightly different shapes, which gives the ensemble a lively, playful character. The colour palette—ranging from soft salmon and red tones to cream and light blue—is well balanced and works surprisingly harmoniously together.

Compared to similar sets, this one stands out for its better-preserved paintwork and frame condition, with only light, honest signs of use consistent with age. A cheerful and authentic set, ideal for a kitchen, studio or informal dining space. Dimensions: Height 75 Width 39 Depth 48 Seating height 44 cm.

Mid-Century High Quality Sitag Ocean Blue Leather Executive Desk Chair. Switzerland, 1970s. Sublime high quality modern office/desk chair manufactured by Sitag, Switzerland in the 1980s. The chair features a hard plastic black shell with a soft deep ocean blue leather upholstery and a black stainless steel swivel base. This distinguished chair which is labeled, offers a modern flair and comfortable seating to any space. Dimensions: Height: 90 cm, Width: 53 cm, Depth: 70 cm, Seat height: 48 cm. Quantity: 1 (Only one available. )

Vintage Foldable and Mobile Chrome Steel 2 Floral Decorated Layers ‘Dinett’ Serving Trolley by Gerlinol, Germany, 1970s. This elegant and highly functional serving trolley features a chrome-plated tubular steel frame combined with 2 layers of nicely floral decorated laminated surfaces, characteristic of practical German design from the 1970s. This variant is relatively rare.

The trolley is equipped with two foldable side panels, allowing for multiple configurations:

• fully opened on both sides as a generous dinette or serving trolley,

• opened on one side only, making it ideal as a slim side table placed against a wall,

• or fully folded down, transforming into a compact unit that can easily be stored when not in use.

Mounted on original castors, the trolley is fully mobile and can be moved effortlessly, making it particularly suitable for flexible interiors and smaller living spaces. When folded, it occupies minimal space while retaining its sculptural, modernist appearance.

A versatile and clever design object that works equally well as a serving trolley, bar cart, breakfast table, side table or occasional workspace. A fine example of functional vintage German design, combining mobility, adaptability and timeless aesthetics. Dimensions: Height 78 Width 67 Depth 41,5 cm.

This exceptional brutalist pendant lamp, model 6407, was designed by Svend Aage Holm-Sørensen for Holm Sørensen, Denmark, during the 1960s. The lamp is crafted entirely from brass and features a highly expressive, sculptural form. The shade consists of layered cylindrical elements with irregular, organically burned edges, achieved through a process of cutting and welding the metal. The raw, flame-like contours reveal warm copper tones beneath the brass surface, creating a dramatic contrast and emphasizing the lamp’s handcrafted, brutalist character. When illuminated, the lamp produces a rich, atmospheric glow, with light reflecting off the textured metal and glowing subtly through the cut edges. The result is a powerful yet intimate lighting effect, making the piece both a functional light source and a striking sculptural object. This model exemplifies Holm-Sørensen’s experimental approach to materials and form, and stands as a strong example of mid-century Scandinavian brutalism. The lamp is in a very well preserved vintage condition. The brass shows natural patina and surface variations consistent with age and the brutalist manufacturing process. As with all vintage seating, they may show light signs of use, which add to their authentic character.
Dimensions: Height: 35 cm, Diameter Foot: 29 cm

Elegant Vintage Brass and Smokey Glass Rectangular Italian Design Tray Hollywood Regency Style Designed by Umberto Mascagni, Italy 1970s. Elegant piece combining gilt metal frame and smoked glass surface. Perfect for cocktails, decorative display or as a classy bar-accessory. Dimensions: Height 3 Width 40 Depth 25 cm.

Vintage Magazine Table with Ceramic Tile Top and Woven String Rack, 1960s. A vintage magazine table featuring a black metal frame with an integrated magazine rack formed from woven transparent cord. The lower sling creates a flexible, hammock-like holder for books and periodicals, lending the piece a playful and functional character. The square tabletop is decorated with alternating black and white ceramic tiles arranged in a graphic checkerboard pattern, adding a bold visual accent. Compact and lightweight in construction, the table reflects the informal, experimental spirit of mid-20th century interior design. Presented in good vintage condition, with visible wear to the metal frame and tiles consistent with age and use. A charming and practical accent piece for a relaxed, eclectic interior. Dimensions: Height 50 Width 49 Depth 30 cm.

Sculptural stainless steel cooler / ice bucket in a playful postmodern design, featuring a rounded conical body pierced with stylised geometric human figures around the rim. The piece stands on three brass conical feet, giving it a light, architectural presence. The combination of polished steel, graphic cut-outs and brass tripod base strongly recalls Italian design language of the 1980s, particularly work associated with Alessi, though this example is unmarked and not attributed to Alessi. It’s in Good vintage condition; surface wear and patina consistent with age, structurally sound. European manufacture, circa 1980s. The humorous figurative cut-outs and mixed-metal construction place this firmly within late-modern / postmodern domestic design, a period influenced by Italian radical design but widely interpreted by other European makers. Dimensions: Heighgt 23,5 Diameter 21,5 cm

Set of four mid-century modern danish design dining chairs, model 84 by Niels Otto Moller. Manufactured by J.L. Moller Mobelfabrik, Denmark, 1960s. The solid beech wooden frame is newly upholstered with a high quality subtle greyish blue velvet fabric. The branded set is in a very good vintage condition, with minor wear consistent its age and use. Height: 76 cm / 29,9 inch, Width: 50 cm / 20 inch, Depth: 50 cm / 20 inch, Quantity: 4

Exceptional large oval porcelain serving platter in the China Aster pattern, produced by Minton, England, late 19th century. This branded platter is decorated in rich cobalt blue on a white ground using transferware, featuring stylised floral motifs arranged rhythmically along the rim and central field. The platter is notable for its monumental size and refined Victorian ornament, reflecting Minton’s high standards in decorative tableware intended for both domestic use and formal presentation. Condition: No visual damage, stable hairline crack, not through; structurally sound with age-related wear. Founded in Stoke-on-Trent, Minton was one of England’s most prestigious porcelain manufacturers. The China Aster pattern belongs to Minton’s late-Victorian production, combining fashionable East Asian–inspired floral design with industrially advanced transfer printing. Large-format serving pieces like this were produced in smaller numbers and are especially sought after today. Dimensions: Length 53 Width 42 Height 4,5 cm.

This ingenious telescopic lamp, often referred to as a Lampette, was produced by Eichhoff Werke in Germany during the late 1960s to early 1970s. Designed as a highly functional and portable light, the lamp features a telescopic metal arm that can be smoothly extended or retracted, allowing for adjustment in both height and reach. The adjustable lamp head can be rotated, making the lamp suitable for use as a desk lamp or, alternatively, as a small hanging light. When folded, the lamp becomes compact and easy to transport, originally conceived as a travel or multi-purpose lamp. Finished in black with a combination of metal and hard plastic elements, the design has a distinctly technical and minimalist character, reflecting the functionalist approach of German design from this period. A clever, refined, and versatile lighting object with strong mid-century appeal. The lamp is fully functional and is in a very well preserved vintage condition, with minor signs of wear consistent with age and use.
Dimensions: Height: 22 - 47 cm, Diameter: 7,5 cm

Set of 2 original vintage issues of Domus Magazine, dating from 1986. This bundle includes the following issue numbers: 676 and 678. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Set of Two Baby Blue Vintage Design Brabantia Kitchen Chairs, manufactured in the Netherlands in the 1960s. This elegant formica set of chairs features a chromed steel slim frame and is in a good vintage condition with minor wear  consistent its age and use. The set fits perfectly in a small kitchen space. Dimensions: Height: 80 cm, Width: 38 cm, Depth: 43 cm, Seat height: 45 cm, Quantity: 2

Impressive large-format vintage carpet featuring a classic Persian-inspired composition, dominated by deep red and rich navy-blue tones. The design is centered around an elegant floral medallion, surrounded by a densely patterned field and framed by a multi-layered border with traditional floral and geometric motifs.

The colour palette is warm and balanced, with ivory, ochre and soft blue accents adding depth and refinement. The symmetry, precision of the pattern and regularity suggest a high-quality workshop or factory production, rather than tribal weaving, typical for decorative Persian-style carpets produced in the mid-to-late 20th century.

With its generous proportions, this rug works exceptionally well as a statement piece in larger interiors such as living rooms, lofts or dining spaces.

Professionally cleaned and presented in good vintage condition, with normal age-appropriate wear only.

Dimensions: approx. 260 × 280 cm

This elegant ceramic sculpture of a woman holding a stylised flower was hand-crafted in Belgium by Rogier Vandeweghe during the 1960s — a period when he was producing expressive, sculptural work under the Perignem and Amphora names. Standing 48 cm tall, the piece is distinguished by its refined, elongated form and tranquil facial expression, combining figurative artistry with mid-century modern sensibilities. The surface features nuanced glazing in earthy tones and subtle contrasts that enhance the tactile quality of the ceramic. The floral motif adds a lyrical touch, while the overall silhouette feels both timeless and deeply rooted in studio pottery tradition. Vandeweghe’s ceramics are known for their handcrafted character, unique forms, and variations in glaze — qualities clearly expressed in this sculpture. It offers a strong decorative presence whether displayed alone or as part of a curated interior collection. It’s in an excellent vintage condition. Dimensions: Height 48 Width 18 Depth 16 cm

Mid-Century Danish Modern Design Oval Teak Coffee Table with Sculptural Pedestal Base, 1960s. Appealing Danish mid-century modern design coffee table from the 1960s, featuring a generously proportioned oval top executed in teak veneer with a rich, warm grain. The thick tabletop has a confident, sculptural presence and softly rounded edges, emphasizing the solid and timeless character of the design.

The table is supported by a bold pedestal base crafted from solid wood, with elegantly angled legs that display the organic, architectural language characteristic of mid-century Danish design. The harmonious balance between the substantial top and the sculptural base creates a powerful yet refined silhouette.

A strong and atmospheric example of Scandinavian modernism, offering both visual impact and everyday functionality — an inviting centerpiece for a living space with an appreciation for authentic mid-century design. Dimensions: H 46,5 W 126 D 65 cm.

Iconic ‘Kilkis’ leather lounge chair designed by Titina Ammannati and Giampiero Vitelli for Brunati. Upholstered in black leather, this Italian design features an extendable lower section that transforms the chair into a full relaxation lounger. The chair includes an attachable side table mounted to the armrest, enhancing both comfort and functionality. Dimensions: Height 90 cm, Width 90 cm (110 cm incl. side table), Depth 100 cm (120 cm extended), Seating Height 37 cm, Arm Rests 45 cm

Rare set of four Iva solid wooden dining chairs designed by Roberto Pamio and Renato Toso for Stilwood. Produced in 1972, these chairs are crafted from ash wood and feature a bold Brutalist silhouette with refined Italian detailing. The set is in excellent vintage condition with minimal signs of use, making it highly collectible. Dimensions: Height: 77 cm, Width: 49 cm, Depth: 43 cm, Seating Height: 43 cm

Mid-century Modern Black Rectangle Wall Mirror by Josef Frank Svenskt Tenn, 1950s. A rare mid-century wall mirror designed by Josef Frank for Svenskt Tenn. The piece features a very slim minimalist black-finished bezel surrounding a rectangular mirror with rounded corners. Mounted on a solid wooden reverse panel and held in place with small brass clamps. The restrained profile and neat brass fittings give it al suble, Scandinavian modern look- elegant,sculptural and pared-back. Dimensions: H 47,5 W 36,5 Thick 2 cm.

This vintage ceramic vase was produced by Jasba in Germany during the 1950s–1960s. The vase features a refined, slightly tapered form with small applied handles and a beautifully textured petrol blue to blue-green glaze, subtly mottled and softly glossy. Decorative brown detailing around the shoulder and base adds depth and contrast to the cool-toned glaze, giving the piece a calm yet characterful appearance. The balanced proportions and restrained ornamentation make it a classic example of mid-century German studio ceramics. This object is in excellent condition. Dimensions: Height: 31,5 Diameters: Top 12,5 Belly 18 cm

Attractive set of two vintage design kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. The chairs feature Formica seats and backrests in a richly textured red marbled pattern, showing subtle tonal variations that give the surface depth and visual movement.

Both seat and backrest are finished with a clean black edge trim, providing a sharp contrast to the vibrant red surface. The chairs are supported by chromed tubular steel frames, characteristic of Brabantia’s solid and functional mid-century kitchen designs.

A compact yet expressive set — perfect as a small dining set, kitchen accent chairs, or as statement seating in a playful mid-century interior.

The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character.
Dimensions: Height 78 Width 36,5 Depth 46 Seating height 46 cm.

Guardian of the Inner Realm – Unknown Artist, Belgian School, 1960s–1970s. Mixed Media on Canvas. This monumental abstract-figurative composition depicts an elongated, frontal human figure constructed through powerful black linear structures and fragmented geometric planes. The face emerges from a dense network of angular lines and layered textures, combining cubist fragmentation with expressive symbolism.

Metallic gold and silver tones introduce a luminous, icon-like presence, evoking sacral and Byzantine visual traditions, while the dominant black contours impose a strong graphic authority over the composition. The symmetrical vertical structure, piercing eyes, and elongated proportions create an archetypal figure that transcends individual identity, functioning instead as a symbolic presence.

Positioned between abstraction and figuration, the work reflects the influence of post-war European expressionism and post-Cobra visual language, merging modernist formalism with spiritual and metaphysical themes. The surface texture and layered materiality enhance the psychological depth and symbolic intensity of the image.

This work belongs to the tradition of sacral expressionist abstraction within mid-20th-century Belgian art, where religious iconography, archetypal symbolism, and modernist abstraction converge into a powerful, timeless visual language.. Dimensions Frame: Height 111 Width 86 cm. Visual: Height 89,5 Width 64,5 cm.

This vintage ceramic wall plaquette is a distinctly Belgian decorative piece, rooted in the applied-arts tradition of the 1970s, where craft, symbolism, and architecture often intersected. The relief depicts a stylised female figure standing in the sun, her arm raised as if shielding her face or greeting the light. She is surrounded by organic, flowing forms that can be read as grain, foliage, or wind-blown vegetation, reinforcing themes of nature, fertility, and craftsmanship. The composition is calm yet expressive, with strong vertical movement and a gently sculpted surface. The colour palette is restrained and harmonious: soft yellow, muted olive green, beige, and warm earth tones, finished in a matte glaze that enhances the sculptural relief rather than reflecting light. This matte finish is typical of Belgian and Northern European decorative ceramics of the period, favouring tactility over gloss. At the lower section, a shield bearing the inscription “Kamer van Ambachten en Neringen” (Chamber of Crafts and Trades) firmly anchors the piece in a Belgian institutional or commemorative context. Such plaques were often commissioned for guild halls, public buildings, exhibitions, or as honorary or commemorative wall pieces celebrating craftsmanship and trade. A quietly powerful Belgian ceramic wall plaquette with symbolic imagery, matte glaze, and strong period character which is in an excellent condition. Best appreciated as a standalone decorative object or within a collection of European mid-century architectural ceramics. Dimensions: Height 31,5 Width 15,5 Thick 2 cm.

Set of two movable bamboo and rattan garden lounge chairs with wooden wheels, inspired by Italian Riviera leisure furniture. Such chairs were popular in the mid-20th century for garden, terrace and seaside use. Highly decorative pieces with strong visual appeal. Each chair features a bamboo frame with integrated wooden wheels and handgrips, designed for easy respositioning. The chairs show some wear and signs of use, consistent with its age. Offered as a pair. Dimensions: Height 96 cm, Width 72 cm, Depth 180 cm, Seating Height 40 cm, Arm Rests 49 cm

Vintage Design Foldable and Mobile Chrome Steel 2 Faux Wood Layers ‘Dinett’ Serving Trolley by Gerlinol, Germany, 1970s. This elegant and highly functional serving trolley features a chrome-plated tubular steel frame combined with 2 layers of faux wood laminated surfaces, characteristic of practical German design from the 1970s.

The trolley is equipped with two foldable side panels, allowing for multiple configurations:

• fully opened on both sides as a generous dinette or serving trolley,

• opened on one side only, making it ideal as a slim side table placed against a wall,

• or fully folded down, transforming into a compact unit that can easily be stored when not in use.

Mounted on original castors, the trolley is fully mobile and can be moved effortlessly, making it particularly suitable for flexible interiors and smaller living spaces. When folded, it occupies minimal space while retaining its sculptural, modernist appearance.

A versatile and clever design object that works equally well as a serving trolley, bar cart, breakfast table, side table or occasional workspace. A fine example of functional vintage German design, combining mobility, adaptability and timeless aesthetics.
Dimensions: Height 78 Width 64 Depth 41,5 cm.

A refined mid-century cylindrical vase from Flora Gouda Holland, model "Madrid". The piece features a high-gloss, multitone glaze in warm, earthy golden/yellow-brown hues with subtle colour variation and a satiny sheen. The simple, architectural cylinder form is classic Gouda plateel—sculptural yet domestic—and the dense, glossy glaze highlights the hand-finished surface. This vase makes a bold, timeless accent in both vintage and contemporary interiors.

Flora (Plateelbakkerij Flora) was one of the recognized Gouda potteries producing decorative plateel and vases in the Netherlands during the mid-20th century; Flora pieces are commonly found under the marks "Flora Gouda Holland" and were produced in many decorative series, including the Madrid series. Sources and marketplace listings place Madrid pieces in the mid-century production run (variously dated in different listings between the 1950s and 1970s).

Minimalistic Paul Nagel Teak and Steel Teatrolley. Germany, 1950s. This beautiful foldable and mobile teak trolley on a minimalistic steel base, was designed by Paul Nagel, Germany in the 1950s. Nice details are the strapped leather handgrip leather and the elegant brass wheels. Fits very well in a minimalistic oriented interior. Dimensions: Height 69 Width 68 Depth 46 cm.

Mid-Century Italian Design lounge chairs designed by Titina Ammannati and Giampiero Vitelli for Brunati. Upholstered in smooth black leather and executed in full leather construction, this chair combine generous seating comfort with strong sculptural form. The design is bold yet elegant, characteristic of high-end Italian furniture from the 1970s. This lounge chair is in a very well preserved vintage condition and is a powerful statement for a design-focused interior. Dimensions: Height 65 cm, Width 90 cm, Depth 80 cm, Seating Height 40 cm

Mid-Century Scandinavian design lounge chair. Manufactured by G-Möbel in the 1960s in Sweden. Very comfortable chair with solid wooden frame and dark brown leather upholstery. The leather shows a nice patina. Dimensions: Height: 110 cm, Width: 78 cm, Depth: 78 cm, Seat height: 46 cm, Armrest height: 58 cm, Quantity: 1

Small Square Ceramic Matte and High Gloss Glazed Tile with Greek Child, 1960s. Dimensions: H 11 W 11 Thick 0,6 cm.

Elegant mid-century dressing table from the renowned Fresco series by G Plan, designed by Victor Bramwell Wilkins in the 1960s. It featuress also a cabinet and wide 'floating' mirror. Crafted in richly grained teak, this iconic piece features the characteristic floating top, solid teak edges and sculpted handles that define the Fresco line.
The integrated drawer layout offers generous storage, including a concealed central drawer, while the original teak-framed mirror completes the refined composition. Inspired by Scandinavian design principles, this piece is celebrated for both its timeless aesthetics and exceptional durability.
Dimensions: Height 73 cm (125 cm incl. mirror), Width 144 cm, Depth 46 cm

Set of 3 original vintage issues of Domus Magazine, dating from 1985. This bundle includes the following issue numbers: 664, 665 and 667. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

This large ceramic vase, model 284/47 was produced in West Germany during the 1970s and features a tall, sculptural form with a richly glazed high-gloss surface in warm chocolate brown and golden tones. The flowing, layered glaze pattern creates depth and subtle movement, giving the vase a refined yet bold presence. Its elongated shape and lustrous finish make it a strong decorative object and a fine example of classic West German pottery. The vase is in very good vintage condition. Dimensions: Height 47 Diameters: Top 12,5 Opening 10 Belly 22 cm

Original Lamino lounge chair by Yngve Ekström. Originally designed in 1956 for Swedese. Executed with a black laminated wood frame and black leather upholstery. Known for its exceptional seating comfort and elegant Scandinavian design. The chair is in good vintage condition with minor wear consistent with age. Dimensions: Height 105 cm, Width 65 cm, Depth 72 cm, Seating Height 42 cm, Arm Rests 55 cm

Set of four vintage design kitchen chairs manufactured by Brabantia in The Netherlands, dating from the 1960s. The chairs feature white Formica seats and backrests with a subtle linen-textured crosshatch pattern, giving the surfaces a refined and slightly textile-like appearance.The Formica elements are finished with a black edge and a narrow silver-colored trim, adding a clean graphic accent to the design. The seats are combined with chromed tubular steel frames, characteristic of Brabantia’s functional and durable kitchen furniture from this period.A well-balanced and elegant mid-century set that works equally well in vintage, modern, or minimalist interiors, offering both practicality and understated visual interest.The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 78 Width 40 Depth 48 Seating height 44 cm.

This vintage Italian bedside/table lamp was designed by Giuseppe Ostuni for O-Luce in the 1950s, and stands as a beautiful example of mid-century modern lighting. Featuring a brass frame and an orange lacquered metal shade, the lamp combines functional adjustable design with refined elegance. A classic piece from one of Italy’s most influential lighting designers, perfect for collectors and fans of Italian modern design. Total dimensions: Height: 38 cm, Width: 17 cm, Depth: 26 cm Shade: Length 21,5 Diameter 15 cm

This vintage Italian bedside/table lamp was designed by Giuseppe Ostuni for O-Luce in the 1950s, and stands as a beautiful example of mid-century modern lighting. Featuring a brass frame and an orange lacquered metal shade, the lamp combines functional adjustable design with refined elegance. A classic piece from one of Italy’s most influential lighting designers, perfect for collectors and fans of Italian modern design. Total dimensions: Height: 38 cm, Width: 17 cm, Depth: 26 cm Shade: Length 21,5 Diameter 15 cm

Rectangular vintage kitchen table with a solid beechwood frame and straight wooden legs, topped with a fresh lemon-yellow Formica tabletop finished with a black rim. A simple and practical mid-century kitchen table with a cheerful custard-yellow tone that brings light and colour to a kitchen or breakfast area. Honest, straightforward design typical of everyday Dutch post-war interiors. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 74 Width 90 Depth 50 cm.

Nina on Holiday by Kees Salentijn, Screenprint (Silkscreen) on paper nr. 277/500. The Netherlands, 1970s. This screenprint by Dutch artist Kees Salentijn is part of the artist’s graphic oeuvre from the 1970s, a period in which he explored figurative imagery through experimental printmaking techniques. As Salentijn is a Dutch artist, the original title is appropriately presented here as 'Nina op Vakantie'.

Salentijn is recognized for his experimental use of materials and techniques, as well as for drawing inspiration from Southern European culture, particularly Spain. His work often combines figurative representation with a relaxed, narrative atmosphere, capturing moments of leisure, travel, and everyday observation.

Executed as a silkscreen (screenprint), the composition demonstrates clear, layered color application and graphic clarity characteristic of the medium. The female figure is rendered with a balance of stylization and recognizability, conveying a sense of ease and informality consistent with the theme of travel and vacation.

The print is signed in pencil by the artist and bears an edition number, indicating its place within a larger but finite print run. Such signed and numbered screenprints represent a significant and accessible part of post-war Dutch graphic art, appealing to collectors of modern prints and works on paper. Dimensions Frame: Height 61 Width 51 cm. Visual: Height 38 Width 29 cm.

This is a lively and well-balanced mixed set of six vintage Brabantia kitchen chairs, combining different wood-grain Formica finishes with a striking black leatherette example. Although each chair has its own character, together they form a surprisingly harmonious and cheerful ensemble.

The set features a variety of warm wood-look Formica tones, ranging from lighter honey shades to deeper, richer wood grains, paired with one black leatherette chair that adds contrast and a slightly graphic touch. All chairs share the classic Brabantia tubular steel frames, giving the set a strong visual coherence and the solid quality Brabantia is known for.

What makes this set special is exactly that mix: it feels collected rather than matched, playful rather than rigid. Perfect for a kitchen or dining area where uniformity is less important than atmosphere, personality, and vintage charm. Dimensions: Height 81,5 Width 38 Depth 47 Seating height 46 cm.

Blue Village Scene by W. Scheijgrond, acrylic on board, Netherlands (attributed), mid–late 20th century. This figurative painting, made by W. Scheijgrond, presents a compact, lively village scene rendered predominantly in blue tones and primary colors. The composition is built from a mosaic of small color planes that together form rooftops, modest houses, tiny figures and flowering patches — a hybrid of figurative representation and near-abstract color patchwork. The overall effect is playful and decorative: small human presences and floral accents animate a gently undulating village landscape.

The artist’s handling is confident yet economical: short, directional brushstrokes define texture and surface while a limited chromatic range (dominantly blue with warm highlights) unifies the scene. The scale and composition give the work an intimate, “folk-modern” quality — a mid-century domestic painting that balances narrative suggestion with graphic surface patterning.

No firm biographical record for W. Scheijgrond was available at time of cataloguing; the attribution is therefore presented cautiously. The work should be regarded as a representative example of regional mid-20th-century figurative practice—charming and decorative, suitable for interiors and collectors of mid-century vernacular painting. Dimensions Frame: Height 62 Width 85 cm. Visual: Height 60,5 Width 83,5 cm.

Very comfortable and elegant two seater sofa, model 'Aura'by the top-level brand Wittmann. This high quality design sofa is upholstered with smooth petrol blue leather and features short black legs. It was designed in the 1980s by the renowned Italian designer and architect Paolo Piva, who was famous for his refined style and craftsmanship. The sofa is in a very well preserved vintage condition with hardly any wear which is consistent its age and use. Dimensions: Height: 79 cm, Width: 186 cm, Depth: 95 cm, Seating Height: 40 cm, Seating Width: 140 cm, Seating Depth: 57 cm, Quantity: 1

This abstract painting, signed by “Baards”, is attributed to a Dutch artist active during the 1960s–1970s. Executed in oil on canvas, the work presents a vivid and loosely structured composition dominated by a central explosion of color.

The painting is characterized by blended pigment, soft transitions, and smudged passages in which color appears to be wiped or diffused across the surface. The composition lacks defined forms, instead relying on intuitive gesture and chromatic interaction. The overall effect resembles a color constellation or chromatic burst, with energy concentrated toward the center of the canvas.

Stylistically, the work aligns with a broad category of decorative abstraction common in the Netherlands during the post-war decades, when many studio painters experimented with expressive color fields and informal techniques without pursuing strict compositional or conceptual frameworks.

While visually energetic, the painting does not demonstrate a distinctive personal style or advanced technical refinement. It should therefore be regarded as a modest example of mid-20th-century Dutch abstract painting, representative of its period rather than of individual artistic significance.
Dimensions Frame: Height 51 Width 61,5 cm. Visual: Height 38,5 Width 49 cm.

Mid-Century Italian Design Bitossi Rimini Blu Glazed Ceramic Vase. Ceramiche artistiche I. Frassinesi, Pisa, Italy 1960s. Dimensions: Height 22 cm Diameters: Top 6 Opening 4,5 Belly 9,5 cm.

Set of two vintage kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. These chairs feature white Formica seats and backrests with a subtle grey linear and lightly textured pattern, giving the surface depth and visual softness rather than a plain white appearance.The seats and backrests are finished with a black rim, providing a clean graphic contrast that is characteristic of Brabantia’s mid-century kitchen furniture. Both chairs are fitted with original bakelite armrests, adding comfort and reinforcing their authentic period character.The chrome tubular steel frames underline the functional yet elegant design language Brabantia is known for, making these chairs well suited for kitchen, dining, or even light workspace use.The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 79 Width 55,5 Depth 47 Seating height 43 cm.

This highly desirable DS31 black leather three-seat sofa, is built by De Sede, Switzerland in the late 1960s. The sofa guarantees a great seating comfort and sits on nice designed polished chrome-plated legs. The DS-31 combines design, craftsmanship, and leather expertise to create a timelessly beautiful upholstered model. The passion for craftsmanship is reflected in the strap stitching, which is artfully applied by hand and with the utmost care to the upholstery edges and armrests. This iconic model is in a very well preserved vintage condition with some minor wear consistent its age and use. Dimensions: Height: 75 cm, Width: 215 cm, Depth: 70 cm, Seating Height: 40 cm, Quantity: 1

Rare first edition set of patented Dico folding chairs from the 1950s. Featuring chromed tubular steel frames and deep blue leatherette seats, these chairs are designed with a sprung seating system for enhanced comfort. An original label on the underside reads “Dico Patented 753532.” The set is in very well preserved vintage condition and offers a stylish and practical solution for accommodating extra guests. Dimensions: Height 78 Width 44 Depth 50 cm.

Authentic Victorian style Dexter coil spring spooled platform rocking chair. The white and gold lacquered wooden frame is upholstered with a jolly white flower design on a black backgrond. Presumably the chair is from American origin. It's an eyecathing stand-alone piece of furniture that still rocks comfortably. Dimensions: Height: 118 cm, Width: 57 cm, Depth: 60 cm, Seat height: 44 cm, Armrest height: 68 cm, Quantity: 1

Large mid-century Dutch design solid teak wooden highboard manufactured by Webe in the 1960s. This high quality teak sideboard features on the left side a closed bar unit with a mirror on the back wall and a small storage part with a tiny drawer. Underneath this left part there’s an open space to expose some of your favourite things or photos. The right side consists of two doors which can be locked with a matching key, decorated with 4 beautiful ceramic tiles by the artist Jaap Ravelli. Inside you’ll find two large shelves to divide this storage part. Finally, there are 4 drawers next to each other with an elegant handcrafted wooden grip. This nice and sturdy sideboard contains a lot of storage space and is truly in a very well preserved vintage condition with only some minor wear on the top of the sideboard as shown on the photos. Dimensions: Height: 118 cm, Width: 200 cm, Depth: 45 cm, Quantity: 1

Set of four mid-century design dining chairs by Niels Otto Moller, Model 77. Manufactured by J.L. Mollers Mobelfabrik, Denmark, 1968. The seating of the elegant teak wooden frame is upholstered with smooth black leather.
The set is in a very good vintage condition, with very minor wear, consistent its age and use. Dimensions: Height: 77 cm, Width: 50 cm, Depth: 42 cm, Seating height: 44 cm, Quantity: 4

Domus Magazine March 1984 Number 648 - Monthly Review of Architecture Interiors Design and Art . Original vintage issue of Domus, the renowned Italian architecture, interior design and art magazine. Domus is internationally respected as a Monthly Review of Architecture, Interior Design and Art, and is known for its influential role in documenting international architectural and design developments. Issues from the 1980s reflect a dynamic decade marked by post-modern architecture, experimental design approaches, and an expanding international perspective. Content typically includes contemporary architectural projects, architectural theory, interior and product design, urban planning, and artistic movements of the period, presented through critical essays, drawings and high-quality photography. Highly sought after by collectors, architects, designers and scholars, especially vintage issues no longer in print. A significant reference document illustrating architectural and design culture of the late 20th century. Original Italian/English edition. In well preserved vintage condition consistent with age and use.

Charlotte Perriand Style Beech Wood Easy Chairs with Sisal Rope Wickerwork, 1960s. A rare easy lounge chair in the style of Charlotte Perriand. The frame of the chairs are build out of ashwood and come with a woven sisal rope seat and backrest. The wickerwork of the chair is made with great craftsmanship.
It perfectly matches in an interior with the designs from Charlotte Perriand, Pierre Jeanneret and Jean Prouve or in any eclectic interior. Dimensions: Height 83 cm, Width 60 cm, Depth 73 cm, Seating Height 34 cm, Arm Rests 54 cm

The Serpente table lamp is an iconic example of Italian mid-century modern lighting, designed in 1965 by Elio Martinelli for Martinelli Luce. This sculptural lamp is characterized by its bold, architectural form: a heavy black base supports a sweeping, curved stem that appears to “hold” a large white mushroom-shaped diffuser. The generously sized shade, made of opaline methacrylate, softly diffuses the light, creating an even and atmospheric glow. The visual contrast between the dark base and the luminous dome enhances the lamp’s futuristic yet timeless presence. The Serpente is celebrated for its balance of weight and lightness, function and sculpture. It exemplifies Martinelli’s forward-thinking approach to lighting design, where form, material, and light interact as a unified whole. Today, the lamp is regarded as one of the most recognizable and enduring designs by Martinelli Luce. A true design classic, equally suited as a statement piece in a modern interior or as a collectible example of Italian design history. The lamp is in excellent vintage condition. The base and stem retain their deep black finish, and the white diffuser is clean and well preserved, with no cracks or damage. The lamp is fully functional and presents exceptionally well, showing only minimal signs of age. Dimensions: Height: 50 cm, Diamater shade: 42 cm, diameter foot: 23 cm

Mid-century Modern Brass Decorative Nut Cracker in Walnut Shape, 1970s. This is a solid brass nutcracker, sculpted in the naturalistic form of a walnut. The two-part hinged construction opens smoothly to reveal a functional interior designed for cracking nuts, while the exterior features a richly textured shell surface. The warm golden patina shows authentic age and use, enhancing its sculptural presence rather than detracting from it. Both practical and decorative, this piece sits comfortably within mid-century modern tableware and object design, when everyday tools were often elevated into tactile design objects. Its substantial weight and solid casting confirm quality manufacture rather than later lightweight decorative reproductions. A highly decorative object for display in a kitchen, bar setting, or design-focused interior, equally appealing to collectors of brass objects and mid-century utilitarian design. It’s in an excellent condition. Dimensions: Height 7 Width 13 Depth 9 cm

Vintage Design Brutalist Bentwood Bamboo Love Seat Sofa. This lovely two-seater is upholstered with smooth caramel leather. Manufactured in the 1960s, this sofa is still in a well preserved condition, with some wear consistent its age and use. Dimensions: Height: 84 cm, Width: 140 cm, Depth: 85 cm, Seating height: 38 cm, Arm Rests: 45 cm. Quantity: 1

This refined French table lamp, dating from the 1960s, is attributed to Adrien Audoux & Frida Minet and exemplifies the designers’ distinctive use of natural materials and elegant proportions. The lamp features a finely crafted brass tripod base supporting a slender wooden stem, fitted with a classic pull-cord switch. The shade is composed of two subtle rings wrapped in paper cord, creating a warm, textured surface that softly diffuses the light and gives the lamp its unmistakable organic character. Both sculptural and understated, the lamp emits a gentle, atmospheric glow and functions beautifully as accent lighting in both modern and mid-century interiors. The combination of brass, wood, and paper cord reflects the refined, handcrafted aesthetic for which Audoux-Minet became internationally renowned. A rare and highly decorative piece of French mid-century design. The lamp is in a very well preserved vintage condition, as with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 45 cm, Diameter Foot: 32 cm

A refined example of 1960s Dutch design by Stiemsma: a square side table with a wengé wooden top resting on a minimalist black-lacquered metal frame. Clean, sculptural lines and warm, tactile grain make it equally suited to a living room or study. The table is in a very well preserved vintage condition with light some minor wear consistent with age and use. Dimensions: Height 36 Weight 60 Depth 60 cm.

Gebroeders De Wit, Set of Three Dutch Design Arm Chairs with Vivid Blue Leatherette Upholstery. The Netherlands, 1960s. The chairs feature a tubular steel chromed frame with fresh blue leatherette upholstery and authentic bakelite armrests. The set offers a great seating comfort. Dimensions: Height: 90 cm, Width: 58 cm, Depth: 50 cm, Seat height: 46 cm, Armrest height: 70 cm, Quantity: 3

Set of two vintage design kitchen chairs produced in The Netherlands during the 1960s. The chairs feature faux wood Formica seats and backrests with a particularly attractive and pronounced wood-grain pattern, giving them a warm and natural appearance.

The seating elements are riveted to a brown lacquered tubular steel frame, a construction method typical of practical kitchen furniture from this period. The combination of the dark lacquered frame and the richly patterned faux wood surfaces creates a well-balanced and characterful mid-century look.

Although the exact manufacturer is unknown, the chairs reflect the solid build quality, functionality, and understated design language associated with everyday Dutch kitchen furniture of the time. A charming and versatile vintage pair, suitable as kitchen seating, accent chairs, or complementary pieces in a retro or eclectic interior.

The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 78 Width 40 Depth 49 Seating height 46,5 cm.

Rectangular vintage kitchen table featuring a striking marble-effect Formica tabletop in a white base with mustard yellow and soft grey veining. The table is fitted with a practical drawer beneath the top, finished in matching Formica and equipped with an original internal cutlery tray, adding both charm and functionality. The table stands on slender chrome-plated metal legs, finished with black plastic caps. A lively and decorative mid-century kitchen table with strong period character. As with all vintage items, light signs of use may be present and contribute to its authentic character; one leg shows minor wear to the chrome finish. Dimensions: Height 75 Width 80 Depth 50 Seating height cm.

Vintage Artisan Made Fidrio Vase in Indian Summer Colors with Scalloped Rim, The Netherlands, 1990s. Rounded base, slender neck and flared opening. Handblown using a traditional wooden mold technique. Featuring warm Indian Summer hues and a charming scalloped opening. This piece radiates individuality. Dimensions: Height 24 Diameters: Top 7 Opening 3 Belly 12 cm

Set of three black ‘Nero Carrara’ marble side / nesting tables with a decorative oblique angle. Italian design of the 1970s. The table top and pedestal are made of solid black marble with white veins. This exclusive set of side tables is in a marvelous condition with minor wear consistent its age and use. The top of the middle size table shows a very small non disturbing dimple which is hardly visible because of the black and white veined pattern in the table top. The table tops are equally sized, the pedestals differ in height. Dimensions: Height: 44 - 35 - 30 cm
Width: 3x 60 cm, Depth: 3x 60 cm, Quantity: 1

A mid-century magazine table dating from the 1960s, featuring a slim metal frame supporting a rectangular teak top above an integrated magazine rack. The lower section is fitted with a black leatherette sling, providing functional storage for books and periodicals while maintaining a light, open structure. The contrast between the warm teak surface and the cool metal frame reflects the understated functionalism characteristic of Scandinavian and Northern European design of the period. Compact yet elegant in proportion, the table is ideally suited as a side table, occasional table or reading companion. Presented in good vintage condition, with minor surface wear consistent with age and use. Dimensions: Height 44,5 Width 47,5 Depth 18,5 cm.

Mid-Century Danish Modern Design Teak Wooden Coffee Table with Sculptural Plywood Legs. Denmark, 1960s. Mid-Century Danish Modern Design Teak Wooden Coffee Table featuring a thick rectangular teak-veneered top with softly rounded edges. The table is distinguished by its sculptural, symmetrical legs, likely executed in bent plywood, giving the design a strong architectural presence while remaining visually light.

The warm teak surface contrasts beautifully with the expressive leg construction, a hallmark of Scandinavian design from the mid-20th century. Clean lines, balanced proportions, and refined craftsmanship make this table both functional and highly decorative.

A timeless Danish design piece that works effortlessly in both modern and classic interiors. Dimensions: Height 43,5 Width 148 Depth 52 cm.

Early vintage decorative bobbin (knobbel) armchair, dating from approximately 1920–1940. The chair features a distinctive turned wooden frame composed of rounded, bead-like elements, giving it a strong sculptural presence and a rich, tactile character.

The seat is upholstered in a soft, silky fabric with a subtle floral pattern in muted pastel grey tones, which contrasts beautifully with the dark-stained wood. With its compact proportions and integrated armrests, this chair works perfectly as an accent chair, hall chair, or decorative statement piece.

The chair is in a well preserved vintage condition. The frame is solid and stable, with light wear consistent with age. The upholstery is clean and presentable. As with all vintage seating, minor signs of use may be present and add to its authentic character. Dimensions: Height 71 Width 53 Depth 45 Seating height 34 cm.

Mixed set of four vintage design kitchen chairs manufactured by Brabantia in The Netherlands, dating from the 1960s. The chairs feature wood-effect Formica seats and backrests combined with chromed tubular steel frames, characteristic of Brabantia’s well-known quality and practical design approach.This set is composed of four matching Brabantia models with subtle variations in wood-grain direction, color tone, and minor differences in frame shape. While not identical, the chairs work well together and create a playful, informal look — ideal for those who appreciate variation and character rather than uniformity.A charming and functional vintage set that reflects everyday Dutch kitchen design from the mid-20th century and offers flexibility in styling for both retro and contemporary interiors. The chairs are in very well-preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 78 Width 38,5 Depth 49 Seating height 45 cm.

Exceptional Danish highboard designed by E.W. Bach and manufactured by Sejling Skabe. Executed in beautifully grained teak, this piece showcases superior materials and craftsmanship. The layout includes two sliding doors, a central bar compartment, three drawers, and three internal shelves. Produced by a renowned Møbelfabrik with over 35 years of woodworking expertise. Dimensions: Height: 117 cm, Width: 220 cm, Depth: 42 cm

Simple and attractive vintage industrial chairs, featuring painted wooden seats, backrests and metal frames, all in black. The slender metal legs and plywood elements reflect a clear 1950s utilitarian design aesthetic. Ideal for a kitchen, studio or informal dining setting where character matters more than formality.

Both chairs are in good vintage condition, showing some wear and small signs of use consistent with age, which enhance their honest industrial appeal. Dimensions: Height 74 Width 39 Depth 50 Seating height 43 cm.