Art and decoration

This large-format ceramic wall plaquette depicts a stylized Madonna figure in elongated relief, surrounded by a softly recessed almond-shaped halo. The composition is distinctly vertical and monumental, giving the figure a calm, contemplative presence that reads clearly from a distance. The glazing is subdued and earthy: warm stone-beige tones dominate the background, contrasted by a muted grey-blue robe and a soft ochre-yellow halo. The surface shows intentional speckling and textural variation, characteristic of 1960s European studio or small-workshop religious ceramics, where modernist restraint was applied to traditional devotional imagery. The modeling is simplified yet expressive, with flowing drapery lines and a bowed head that emphasize serenity and introspection rather than ornament. This places the work firmly within the post-war modern sacred art movement, popular in churches, chapels, and refined domestic interiors during the mid-20th century. Although unsigned, the scale, glazing, and stylistic language strongly suggest Western European production, 1960s. Dimensions: Height 47,5 Width 36,5 Thick 2 cm.

A rare and striking armchair by the renowned Dutch designer Bas van Pelt for My Home, crafted in the 1940s in a solid oak with a hand-woven rush seat. It’s bold, robust form and substantial frame exemplify early Dutch modernism with a touch of brutalist strenth: clean, architectural lines combined with a tactile natural seat. Far from fragile, this chair stands as a sculptural yet functional object of enduring presence. Armchairs in oak with rush by Van Pelt/My Home are documented in period and dealer references from the 1930s–40s, like this one, often carrying the My Home mark. The sculptural arms and slightly canted stance reflect Van Pelt’s signature approach: functional rigor married with natural texture, now resonating with today’s interest in brutalist furniture and bold, robust interiors. This piece would perfectly match as a stand-alone item in an interior in style of the designs from Charlotte Perriand, Pierre Jeanneret and Jean Prouve or any other eclectic environment. Pairs beautifully with minimalist, industrial, or modernist interiors. The warm oak and woven rush add both material depth and visual weight, making it a commanding centerpiece without losing elegance. The chair is in a very well preserved condition; strong, clean frame with minor age-consistent wear; rush seat firm and well-presented. Dimensions: Height: 84 cm, Width: 60 cm, Depth: 57 cm, Seat height: 41 cm, Quantity: 1

Set of three charming vintage spindle-back kitchen chairs Tapiovaara style crafted from solid teak wood, featuring elegant tapered legs and classic vertical spindles in the backrests. The seats are upholstered in black leatherette, neatly finished and fixed with decorative brass-coloured upholstery nails, giving the set a warm and graphic mid-century character.

The combination of natural beech wood and the bold red upholstery creates a lively yet balanced look, perfectly suited for a kitchen or dining area. As with all vintage seating, light signs of use may be present and contribute to the authentic character of the chairs. Dimensions: Height 85 Width 41,5 Depth 46,5 Seating height 46 cm.

The Four Seasons' - Set of Four Vietnamese Lacquer Panels with Mother-of-Pearl Inlay, Vietnam, 1970s.

This decorative set of four Vietnamese lacquer panels represents the traditional theme of The Four Seasons, a subject frequently depicted in Southeast Asian decorative arts. Each vertical panel portrays a distinct seasonal landscape, characterized by a different tree or plant species and accompanied by animal life.

The compositions feature finely rendered natural scenes, with variations in flora and fauna distinguishing each season. Two panels include butterflies, while the other two depict birds, each rendered with subtle individual differences rather than repetition. These motifs symbolize cyclical change, renewal, and harmony with nature.

Executed in lacquer on wood, the panels are enriched with mother-of-pearl inlay, whose iridescent surface contrasts elegantly with the deep black lacquered ground. Gilt paint accents further enhance the visual richness of the scenes, highlighting branches, foliage, and natural details. The combination of glossy lacquer, shimmering inlay, and gold-toned accents creates a refined decorative effect characteristic of Vietnamese lacquer work from the mid- to late 20th century.

Such sets were often produced for both domestic interiors and export markets during the 1960s–1970s, drawing upon traditional iconography while adapting to contemporary decorative tastes. The panels function equally well as individual decorative elements or as a complete ensemble, emphasizing continuity and seasonal progression. Dimensions each Panel: Height 49 Width 19 cm.

A stunning black lacquered coffee table, constructed from four bent plywood panels, seamlessly forming both tabletop and legs in one continuous gesture. Each panel curves downward at the ends to serve as a leg, and together they create a central rectangular opening, into which a smoked glass insert is set. The result is a minimalist, archtitectural piece with a sculptural presence in style of Ake Fribyter, a refined expression of Scandinavian modernism from the seventies. The table is in a very well preserved vintage condition with only minor wear consistent its age and use. Dimensions: Height: 45 cm, Width: 106,5 cm, Depth: 76,5 cm, Glass inlay: 60x30 cm. Quantity: 1

An elegant and atmospheric vintage glass pendant lamp produced by Raak, identified as the Meerpaal model B-1048. The lamp features a beautifully shaped transparent glass shade with a subtle bubble and textured structure, creating a warm, diffused light effect when illuminated. The sculptural glass form is suspended from a restrained metal cap, a hallmark of Raak’s refined mid-century lighting designs. This model is representative of Raak’s experimental approach to glass in the 1960s, balancing functional clarity with strong visual presence. The light effect is soft and ambient, making it ideal for dining areas, hallways or living spaces. The lamp is completely original, has been tested and is fully functional. As with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 25 cm, Diameter: 28 cm

This striking coffee table by the renowned German designer Knut Hesterberg features a sculptural brass finished aluminium base composed of three interlocking rings, elegantly welded together and resting of small feet for balance and stability. Topped with a round smoked glass surface, the design blends bold geometric form with airy lightness. The glass surface, the design blends bold geometric form with airy lightness. The glass top shows a tiny, almost invisible chip along the edge and the brass finish on the frame displays some light wear in areas, subtle traces of use that add character and are consistent with the piece’s age. Overall, the table is in a fair vintage condition and remains a rare and timeless example of 1970s European design. Dimensions: Height: 100 cm, Width: 82 cm, Depth: 70 cm, Quantity: 1

Sculpture 'Sultry Awakening' Designed by Klara Sever for Austin Productions, USA 1970s. A dynamic black patinated plaster sculpture, depicting a nude female figure in a flowing, elongated pose with hair cascading to the base. Signed and dated 1979. A distinctive collectible from the late 20th centurey Austin Productions Line. Dimensions: Height 40 cm Width 28 Depth 14 cm

Exceptional comfortable leather modular sofa by top level brand Walter Knoll, Germany. The sofa -consisting of 7 elements- is designed by Bernd Münzebrock and upholstered in a soft and smooth high quality buffalo sandy tone leather, which is in a wonderful condition. This together with the aluminium metal base, provides an unparalleled appearance that has effortlessly stood the test of time. This sofa offers a customizable seating experience that adapts seamlessly to any space or style. The complete set feature two corner elements and five straight elements which all are in a very well preserved vintage condition, with only minor wear consistent age and use. In fact the leather has been expertly refinished in its original sandy tone – with exceptional care and craftsmanship – restoring its authentic color near to perfection. This lovely modular sofa features timeless elegance. Dimensions: Height: 66 cm, Width: 65cm (straight element), 90 cm (corner element), Depth: 90 cm, Seating Height: 38 cm

These stylish and extremely comfortable high back Ry-wing lounge chairs with armrests from the 1960s were designed by the Norwegian design duo Elsa and Nordahl Solheim and produced by Rybo Rykken. A classic of Scandinavian design, characterized by an organically shaped wooden frame and high-quality materials. The frame is crafted from bentwood and finished with warm teak veneer. Thanks to its slightly springy construction, the lounge chairs offer a relaxing seating experience. The seat and backrest consist of a sturdy canvas fabric shell, upholstered in supple, high-quality olivegreen capitonated leather. The leather is in good vintage condition with some minor wear consistent its age and use. A timeless eye-catcher that elevates both comfort and design to a higher level. Dimensions: Height: 95 cm, Width: 82 cm, Depth: 95 cm, Seat height: 37 cm, Quantity: 1

Large-format ceramic wall tile by Ruscha Keramik, produced in West Germany during the 1960s. This striking elongated plaque features two stylised floral forms rendered in high-gloss enamel, with a vibrant palette of aqua, olive green and turquoise tones, contrasted by intense orange-red petals and enriched with genuine gold accents. Unlike Ruscha’s matte Fat Lava works, this piece showcases a lustrous, glassy glaze finish, giving the colours exceptional clarity and depth. The floral relief is framed by a dark ground, further amplifying contrast and visual impact. The generous vertical format gives the tile a distinctly architectural presence, making it ideal as a standalone wall statement. Ruscha was a key innovator within the West Germany Pottery movement, producing both matte Fat Lava ceramics and highly expressive gloss-enamelled wall works. Floral motifs with rich colour layering and gold accents belong to the more decorative and collectible side of their production, prized for their painterly quality and sculptural depth. This is a premium Ruscha wall piece. The large vertical format, high-gloss enamel surface, intense colour contrasts, and the use of real gold accents clearly place this work above standard Ruscha decorative tiles, positioning it firmly as a statement wall artwork within any West Germany Pottery or mid-century collection. Dimensions: Height 46,5 W idth 18, Thick 2 cm

Vintage Ceramic Wall Plaquette with Folk Maiden in Traditional Costume, 1960s. A vibrant 1960s ceramic wall tile panel, featuring a woman in traditional attire with a flowing pink and turquoise robe highlighted with yellow accents holding a small red object,, rendered incharming relief with graphic seventies flair. Dimensions panel: L 60 x W 25,5 x Thcik 0,8 cm

The richly textured glass shade is composed of rounded bubble-like forms that softly diffuse the light, creating a warm and inviting glow. The brass suspension adds an elegant contrast and enhances the lamp’s refined, decorative presence. Both illuminated and unlit, the piece has a strong sculptural quality. Presented in very good vintage condition, with a well-preserved brass fixture and an intact glass shade showing only minimal signs of age-related wear. A highly desirable Mid-Century lighting object, suitable as a statement piece in a living space, hallway or above a dining area. Dimensions: Total Height 30 Shade: Height 14 Diameter 25 cm

This table lamp is handmade by Laque Line in France in the 1970s. The marbled art crystal glass foot shows nice color glows of silver, white, lilac, anthracite and gold dust. It is labeled by Lacque Line, France and is in an excellent condition. The pedestal is perfect match with the lilac colored lampshades but can be also easily combined with other shapes and colors. The lampshade is in good condition although they show some small stains. The price is for one lamp. Dimensions: Height: 38 cm Diameter 70 cm.

This table lamp is handmade by Laque Line in France in the 1970s. The marbled art crystal glass foot shows nice color glows of silver, white, lilac, anthracite and gold dust. It is labeled by Lacque Line, France and is in an excellent condition. The pedestal is perfect match with the lilac colored lampshades but can be also easily combined with other shapes and colors. The lampshade is in good condition although they show some small stains. The price is for one lamp. Dimensions: Height: 38 cm Diameter 70 cm.

A generous and inviting vintage bamboo and rattan armchair, beautifully crafted and richly detailed, offering both comfort and visual warmth. This is a substantial, well-proportioned chair with a relaxed yet elegant presence.

The frame is made of handwoven bamboo and rattan, showcasing refined craftsmanship in the way the materials are bent, layered, and woven together. The armrests, backrest and base structure feature decorative lattice and wrapped detailing, giving the chair a sculptural, almost architectural quality.

The chair comes with a luxurious, thickly padded cushion set, upholstered in a warm stone-red / terracotta fabric with a classic floral pattern in soft ochre, cream and muted green tones. The upholstery enhances the chair’s rich, natural character and provides excellent seating comfort.

This type of chair fits beautifully in a sunroom, conservatory, veranda or covered outdoor space, but also works very well indoors as a statement lounge chair. Dimensions: Height 104 Width 71 Depth 94 Seating height 44 cm.

A refined mid-century ashwood commode, designed in the spirit of early Dutch modernist furniture, closely related in form and detailing to early Pastoe designs of the 1950s. The cabinet features two shallow drawers above a storage compartment fitted with twin sliding doors. Distinctive cylindrical wooden drawer pulls mounted beneath the drawer fronts introduce a subtle late Art Deco influence, characteristic of the transitional period between pre-war modernism and post-war functionalism. Raised side panels form a practical gallery top, reinforcing its intended use as a dressing or changing commode. Executed in light-toned ash with a clear, expressive grain, the piece is well-proportioned, elegant and restrained, and presents in very good vintage condition with only minor age-related wear. An understated yet sophisticated example of Northern European mid-century design. Dimensions: Height 89 Width 100 Depth 49 cm.

Designed in 1975, the Giorgetti Gallery Collection features exquisite wooden lounge chairs that exemplify timeless craftsmanship and elegant design. These chairs are distinguished by their beautifully carved wooden frames, showcasing a unique scroll-like detail seamlessly integrated into the armrest and backrest. This model is designed by two of Giorgetti’s top designers: Umberto Asnago and Ambrogio Pozzi. This intricate woodwork highlights Giorgetti’s dedication to artisanal quality and refined aesthetics.This set of Gallery Collection chairs are upholstered with luxurious Gobelin fabric, adding a rich, textured finish that complements the warm tones of the wood. Designed for comfort and style, these lounge chairs offer a perfect blend of classic sophistication and functional elegance, making them iconic pieces of mid-century Italian furniture design. This set is in good condition, showing only minor wear consistent with its age and use. It is perfectly suited for elegant settings such as a hotel lobby or any other classic or eclectic interiors. Dimensions: Height: 88 cm, Width: 58 cm, Depth: 45 cm, Seat height: 46 cm, Armrest height: 66 cm, Quantity: 2

Classic set of four dining chairs designed by Niels Otto Møller, Model 75. Executed in solid teak with elegant organic lines and refined craftsmanship, these chairs are an icon of Danish mid-century design. The wood shows a beautiful grain pattern, and the seats have been upholstered with hand-woven paper cord, ensuring comfort and durability. A timeless and highly collectible dining set.Denmark, 1960s. Dimensions: Height 75 cm, Width 50 cm, Depth 47 cm, Seating Height 43 cm

Set of four vintage design kitchen chairs manufactured by Brabantia in The Netherlands, dating from the 1960s. The chairs feature cream-colored Formica seats and backrests, combined with chromed tubular steel frames — a classic and functional design typical of Dutch kitchens from this period.

The clean, rounded shapes and practical materials reflect Brabantia’s reputation for durable, well-made household furniture. The light-colored Formica surfaces give the chairs a fresh, understated appearance, while the chrome frames provide a subtle modern contrast.

A straightforward and appealing set of mid-century kitchen chairs, suitable for everyday use and easy to integrate into both vintage and contemporary interiors. The chairs are in very well-preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 77 Width 37,5 Depth 51 Seating height 43,5 cm.

A striking piece of Dutch design from the 1980s, the Transformation Model 952 two-seat sofa was designed by Hans de Wit for Artifort. With its minimalist, cubist-inspired metal frame and sky-blue upholstery, this sofa is a true modernist statement piece. The crisp geometric lines are softened by the inviting comfort of its generous cushioning, making it as pleasant to sit on as it is to admire. The sky-blue fabric gives it a fresh, airy presence, while the high-quality construction ensures it has stood the test of time. So it remains in a well preserved vintage condition, with only minor wear consistent its age and use. This model is sometimes referred to as the “Red Dot Sofa,” a nickname that comes from the small red circular detail set into the end of each armrest. Dimensions: Height: 70 cm, Width: 134 cm
Depth: 75 cm, Seating height: 38 cm, Seating depth: 52 cm, Quantity: 1

Classic vintage spindle-back kitchen chair crafted from solid wood, featuring an elegant curved backrest with a decorative carved central splat. The warm wood tone and gently tapered legs give the chair a timeless, honest character typical of Northern European kitchen furniture from the post-war period. A sturdy and well-balanced design that works equally well as a dining chair, desk chair or accent piece.

As with all vintage design items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 84 Width 43 Depth 52 Seating height 45 cm.

De winnaar (The Victor) – Pieter het Hart, The Netherlands, 1977. Mixed media on board. (probable hardboard panel). Signed and dated lower right: “p t H 77”. Dutch School, 20th century.

This powerful abstract-figurative composition by Pieter het Hart (1925–1987) exemplifies the mature phase of the artist’s development in the 1970s, when his work evolved from darker, figurative expressions toward more liberated, symbolic and abstract constructions.Born in 1925 in IJmuiden into a fishing family, Het Hart developed his artistic practice alongside a technical profession. From the 1950s onward, he pursued formal art education and gradually established himself as a registered BKR artist, educator, and gallery owner in IJmuiden. His oeuvre spans figurative scenes, still lifes, harbour views, and increasingly abstract compositions, marked by a distinctive visual language of strong contours and expressive form.De winnaar presents a dense, symbolic visual field in which fragmented figures emerge through thick, rounded black contour lines. The composition oscillates between abstraction and figuration: animal forms (including equine and canine shapes), anthropomorphic figures, and hybrid creatures appear layered within a dynamic structure. A dominant central figure, positioned atop an elephant-like form, reinforces the thematic suggestion of triumph, power, and symbolic ascension.The chromatic palette is restrained yet expressive: deep blacks structure the composition, while a diffused background of yellowed ground tones is interwoven with green, orange, and brown hues, creating a softened atmospheric field behind the bold linear framework. The painterly surface and material character suggest a mixed-media technique, likely combining oil-based and synthetic binders on a hardboard support, consistent with studio practices of the period.Signed and dated “p t H 77”, the work reflects Het Hart’s mature visual language: rhythmic line work, symbolic figuration, and a narrative abstraction that resists literal interpretation while maintaining strong associative imagery. The composition embodies both personal mythology and broader post-war European abstract-figurative traditions.De winnaar stands as a representative example of post-war Dutch abstract figuration, combining expressive structure, symbolic narrative, and formal autonomy into a visually commanding and conceptually layered work. Dimensions Frame: Height 82 Width 63,5 cm. Visual: Height 80 Width 62 cm.

Very comfortable and elegant Mid-Century Wittmann Wing Chair, model Aura. This high quality design chair is upholstered with smooth petrol blue leather and features short black legs. It was designed in the 1980s by the renowned Italian designer and architect Paolo Piva, who was famous for his refined style and craftsmanship. The wing chair is in a very well preserved vintage condition with hardly any wear which is consistent its age and use. Dimensions: Height: 103 cm, Width: 67 cm, Depth: 75 cm, Seat height: 45 cm, Armrest height: 65 cm, Quantity: 1

Mid-Century Design Rectangle Teak Wooden Coffee Table Attributed to Louis Van Teeffelen for Wébé, The Netherlands, 1960s. Elegant mid-century teak wooden coffee table attributed to Louis Van Teeffelen for Wébé, produced in The Netherlands during the 1960s. The table features slender solid teak legs and a reversible tabletop with teak veneer on one side and faux-wood formica on the other. Beneath the top, an integrated teak shelf provides practical storage for magazines or books.

A refined example of Dutch mid-century modern design, combining clean lines with everyday functionality. The table is in well-maintained condition, showing only minor wear consistent with age and use. Dimensions: Height 44 Width 119,5 Depth 51 cm.

This striking vintage design shag rug was produced by BAJONG, a well-known Dutch rug manufacturer, and dates to the 1970s. Characterized by its deep, long pile and rich layered green palette, the rug features an abstract, almost camouflage-like pattern reminiscent of forest and army tones typical of the era. The rug is composed of two original BAJONG rugs (each approx. 130 × 185 cm) that were professionally joined, resulting in one generous and visually cohesive piece measuring approximately 185 × 260 cm. The seams are subtle and do not detract from the overall appearance or use. Made in the Netherlands, this rug perfectly reflects 1970s interior design trends, combining bold texture with earthy, organic coloration. It offers both strong visual impact and a soft, tactile surface, ideal for a living room, lounge, or statement interior. The carpet has been professionally cleaned and is in good vintage condition. Dimensions: 185 x 260 cm

Simple and functional vintage dining / kitchen table with a rectangular top and straight tapered legs. Crafted in light-toned beech wood; the legs are solid wood, while the tabletop appears to be veneered beech, showing a calm and even grain pattern typical of mid-century utilitarian design.

A clean, honest table with a timeless look, suitable for everyday use in kitchen or dining settings. As with all vintage furniture, light signs of use may be present and contribute to its authentic character. Dimensions: Height 73 Width 110 Depth 70 Seating height cm.

Authentic Ahrend De Cirkel Industrial Grey Steel Desk Chair from the 1950s. The grey frame is upholstered with an orange quality fabric. The height from this Dutch Design chair is adjustable. This chair is in a good vintage condition with some minor wear consistent its age and use. A nice piece of furniture for lovers of Dutch Design Industrial originals. Dimensions: Height: 90 cm, Width: 40 cm, Depth: 44 cm, Seat height: 56 cm, Quantity: 1

Rectangular vintage Brabantia kitchen table featuring a vibrant red Formica tabletop with a subtle mottled pattern in warm tonal variations. The top is finished with a black edge band and supported by elegant, slender chrome-plated legs with a slight taper, giving the table a light and refined mid-century look. A lively yet balanced piece that pairs beautifully with classic Brabantia kitchen chairs and adds instant colour and character to a kitchen or dining space. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 73 Width 79 Depth 49 Seating height cm.

Set of four vintage design kitchen chairs produced in The Netherlands during the 1960s. The chairs feature chromed tubular steel frames with distinctive metal spindle backrests, combined with red leatherette upholstered seats.

The open metal backs give the chairs a light and graphic appearance, while the padded seats add comfort and a touch of color. This type of construction was typical for practical kitchen seating of the period, emphasizing durability, ease of maintenance, and everyday functionality.

Although the exact manufacturer is unknown, the chairs reflect the solid build quality and utilitarian design language associated with Dutch kitchen furniture from the mid-20th century. A straightforward and characterful set, suitable for both vintage and contemporary interiors. The chairs are in very well-preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 86,5 Width 41,5 Depth 57,5 Seating height 46 cm.

This striking table lamp was produced in the 1960s by the Belgian van Rupel glass factory. Made entirely of glass, it features a beautiful lilac-purple hue that gives the piece an elegant and sculptural presence. The lamp is designed with two independent light sources: one integrated into the glass base and a second light positioned in the upper section. The top light is operated via a discrete side push button, while both lights can be switched on and off separately, allowing for different lighting effects. The lamp is in excellent vintage condition and is a fine example of mid-century Belgian art Dimensions: Height: 35 cm, Width: 20 cm, Depth: 20 cm

Large mid-century Danish design solid teak wooden highboard manufactured by HP Hansen in the 1960s. This high quality Scandinavian sideboard features two big teak sliding doors covering two compartments with three shelves. Between the left and write compartment there is a writing desk with a shelve within and four drawers beneath. This elegant yet sturdy sideboard contains a lot of storage space and is truly in excellent condition. Height: 130 cm, Width: 218 cm, Depth: 50 cm, Quantity: 1

Mid-Century Scandinavian design coffee table by Yngve Ekstrom, model Dymling. Manufactured by Swedese in the 1970s. The coffee table is made of solid pinewood. The proof of authenticity is branded on the wooden frame. This original Swedish coffee table is overall in a well preserved vintage condition, with some wear on the top according its age and use. Dimensions: Height: 44 cm, Width: 140 cm, Depth: 84 cm, Quantity: 1

Set of 4 original vintage issues of Domus Magazine, dating from 1980. This bundle includes the following issue numbers: 605, 611, 612 and the 1980s special Prefab 4. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Large Vintage mirror with Elegant Brass Frame and Faceted Freeform Mirror Glass, 1960s. This elegant mid-century mirror exemplifies the refined decorative design language of the 1960s, combining sculptural form with understated luxury. The mirror features a freeform, softly contoured glass panel with gently faceted edges, set within a slim brass wire frame. The frame is enriched with small spherical brass accents, adding rhythm and a subtle decorative punctuation without overwhelming the clean silhouette. At the top, the delicate double-scroll brass detail introduces a light ornamental flourish that balances modern restraint with a hint of classic elegance. The mirror glass itself has a slightly softened, aged surface, consistent with authentic vintage production, giving it warmth and character rather than the sharp reflectivity of contemporary glass. The overall impression is airy, refined, and highly versatile—equally at home in a mid-century interior, a Parisian-style hallway, or a modern eclectic setting. A graceful and timeless mid-century mirror, combining sculptural brass work with softly faceted freeform glass. Decorative yet restrained, this piece -which is in perfect condition- works beautifully as a statement mirror while remaining elegant and easy to place in a wide range of interiors. Dimensions: Height 72 Width 46 cm.

A beautiful vintage German rectangular enamel tray with rounded corners and a white border. Features a charming figurative design of a blue toned bottle, a green-and-yellow carafe and an orange circle on a deep red richly colored background. Minor chip on the edge. A highly decorative mid-century piece. Dimensions: H 3,5 W 33 D 26 cm.

Set of 2 original vintage issues of Domus Magazine, dating from 1981. This bundle includes the following issue numbers: 614 and 621. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Set of two Result chairs, designed by Friso Kramer for Gispen, produced in The Netherlands during the 1960s. The Result chair is one of the most iconic designs of post-war Dutch modernism and is widely regarded as a benchmark in functional, democratic design.

This particular set features upholstered seats and backrests in two complementary tones: one in a muted moss green and the other in a brown-grey fabric upholstery. Both chairs are supported by black lacquered metal frames, emphasizing the sober, utilitarian character that defines Kramer’s work.

Originally developed for educational and institutional environments, the Result chair was designed to be robust, comfortable, and economical in production. Over time, it has become a highly collectible design classic, appreciated not only for its historical significance but also for its timeless aesthetic and versatility in contemporary interiors.

The chairs are in good vintage condition, showing light signs of use consistent with age and original use. These traces contribute to their authentic character and underline their honest, functional origins. Dimensions: Height 80 Width 46 Depth 48 Seating height 47 cm.

Elegant Mid-century Italian design side chair in style of Augusto Bozzi. This minimalistic chair features a black metal frame with tipped brass feet and is upholstered with a sparkling lemon color yellow soft fabric. This 1950’s chair is in a well preserved condition, with some minor wear, consistent its age and use. Dimensions: Height: 88 cm, Width: 44 cm, Depth: 48 cm, Seat height: 44 cm, Quantity: 1

An elegant vintage bamboo side table with softly curved legs, a finely woven rattan magazine shelf and a transparent textured (hammered) glass top. The flowing lines and lighter proportions give this table a more refined appearance than standard bamboo models, while the natural materials add warmth and character. The construction is solid and well-balanced, making it both decorative and practical as a side or occasional table. In good vintage condition, with light wear consistent with age. Dimensions: Height 56 Width 75 Depth 75 cm.

This very comfortable mid-century ‘Rock’ style sofa is attributed to Gerard van de Berg for Montis. The seating part with two headrest leather cushions is placed in a fancy cane frame. The patchwork leather shows a very nice patine. However one of the leather parts (on the front) has been professionally renewed, the sofa is in a well preserved condition with some wear consistent its age and use. The origin of this authentic 2-seater is Dutch and is manufactured in the 1970s. The sofa with its Bohemian look fits perfectly in an eclectic setting. Dimensions: Height: 110 cm, Width: 155 cm, Depth: 74 cm, Quantity: 1

Set of four charming vintage spindle-back kitchen chairs Tapiovaara style crafted from solid beech wood, featuring elegant tapered legs and classic vertical spindles in the backrests. The seats are upholstered in vivid red leatherette, neatly finished and fixed with decorative brass-coloured upholstery nails, giving the set a warm and graphic mid-century character.

The combination of natural beech wood and the bold red upholstery creates a lively yet balanced look, perfectly suited for a kitchen or dining area. As with all vintage seating, light signs of use may be present and contribute to the authentic character of the chairs. Dimensions: Height 85 Width 42 Depth 50 Seating height 46 cm.

Set of four vintage design night blue leatherette kitchen chairs, manufactured in Belgium. These blue chairs on chromed steel tubular legs are typically manufactured in the 1960s. Unlike most other kitchen sets of this era, these chairs features a very elegant and refined design. Dimensions: Height: 83 cm, Width: 46 cm, Depth: 52 cm, Seat height: 44 cm, Quantity: 1

Brutalist-style Bonanza lounge chair designed by Esko Pajamies for Asko in 1966. Constructed from solid oak with pronounced finger-joint detailing on the armrests, this robust and expressive design embodies Scandinavian Brutalism. Upholstered in cognac leather, the Bonanza series became highly popular throughout the 1960s and 1970s. Dimensions: Height 75 cm, Width 80 cm, Depth 75 cm, Seating Height 40 cm, Arm Rests 50 cm

Authentic set of three first-edition Alvar Aalto Model 69 dining chairs with nice patina, produced by Artek Finland. Originally designed in 1935, this set dates from the 1950s and features beautifully executed bentwood construction. A notable detail is the visible wood joint in the seat, confirming the early production period. These chairs are in good vintage condition and embody Aalto’s timeless philosophy: organic form, functionality, and human warmth. This unique set is in a fair condition, showing signs of wear consistent its age and use. Dimensions: Height: 73 cm, Width: 40 cm, Depth: 50 cm, Seating Height: 43.5 cm

Tuscany' signed by Dick Nijzink, acrylic on canvas, The Netherlands, 1993. This large-scale painting titled Toscane was created in 1993 by Dutch artist Dick Nijzink. The work presents an abstract interpretation of the Tuscan landscape, immediately recognizable through its rolling hills and the rhythmic presence of cypress trees, a defining motif of the region.

Nijzink employs flowing, gestural lines and harmoniously layered color fields to evoke the undulating terrain of Tuscany. Rather than focusing on literal representation, the artist translates the landscape into a dynamic composition of movement and color. The brushwork is confident and fluid, conveying a sense of light, warmth, and spatial depth through painterly abstraction.

Dick Nijzink is known for his expressive style and vibrant use of color, often working within the boundary between abstraction and landscape. His paintings frequently explore atmosphere and emotional resonance, drawing inspiration from natural environments while maintaining a distinctly personal visual language. His work has been presented through galleries and art rental institutions, reflecting steady recognition within the Dutch contemporary art scene.

The square format and substantial scale of this painting enhance its visual impact, making it a strong statement piece suitable for both private and public interiors. Toscane stands as a representative example of Nijzink’s work from the early 1990s, combining expressive abstraction with a recognizable landscape reference. Dimensions: Height 100,5 Width 100,5 cm.

Dutch Design coffee table produced by Topform, The Netherlands in the 1960s. The table has solid rosewood legs and the top is made of wood with rosewood veneer. The tabletop of this piece features a very nice wood structure. This coffee table can be considered as a charming and warm piece of furniture that still remains in a very well preserved condition. Dimensions: Height: 44 cm, Width: 156,5 cm, Depth: 56,5 cm, Quantity: 1

Street Scene in Quito by Mario Ronquillo, Oil on Canvas, Ecuador, 1970s. This oil painting by Ecuadorian artist Mario Ronquillo depicts an urban street scene believed to be set in Quito, capturing a moment of everyday life within a historic architectural setting. Framed by an arched passageway, the composition opens onto a sunlit street populated by figures moving through a modest neighborhood environment.

Ronquillo employs a loose, confident brushwork, using swift, expressive strokes to suggest figures, buildings, and spatial depth rather than defining them in detail. Light plays a central role in the painting, illuminating façades and streets while contrasting with shaded architectural elements beneath the arch. The clear blue sky and warm tonal palette contribute to a vivid, lively atmosphere.

The work reflects a figurative approach rooted in observation and immediacy, emphasizing daily life and urban rhythm over narrative specificity. Such street scenes are characteristic of mid-20th-century Latin American painting, where artists often combined local subject matter with an accessible, painterly style.

Born in Ecuador in 1943, Mario Ronquillo developed a visual language centered on everyday scenes, urban life, and architectural environments. His work is representative of a broader post-war figurative tradition in Latin American art, valued primarily for its atmosphere, spontaneity, and decorative appeal rather than for conceptual ambition.

This painting stands as a pleasant and approachable example of mid-20th-century Ecuadorian figurative painting, offering insight into daily urban life through a lively and informal painterly execution. Dimensions Frame: Height 51 Width 42 cm. Visual: Height 38 Width 29 cm.

Vintage Foldable and Mobile Chrome Steel ‘Dinett’ Serving Trolley with 2 Red Layers by Gerlinol, Germany, 1970s. This elegant and highly functional serving trolley features a chrome-plated tubular steel frame combined with 2 layers of red laminated surfaces, characteristic of practical German design from the 1970s. This variant is relatively rare.

The trolley is equipped with two foldable side panels, allowing for multiple configurations:

• fully opened on both sides as a generous dinette or serving trolley,

• opened on one side only, making it ideal as a slim side table placed against a wall,

• or fully folded down, transforming into a compact unit that can easily be stored when not in use.

Mounted on original castors, the trolley is fully mobile and can be moved effortlessly, making it particularly suitable for flexible interiors and smaller living spaces. When folded, it occupies minimal space while retaining its sculptural, modernist appearance.

A versatile and clever design object that works equally well as a serving trolley, bar cart, breakfast table, side table or occasional workspace. Dimensions: Height 80 Width 65 Depth 41,5 cm.

Very well preserved sturdy DS47 Extendable Loveseat Sofa. Manufactured by De Sede, Switzerland in the 1970s. Executed in a deep brown indestructible sadle leather (Neck Leder!). The special feature of this sofa special is that the seat is 20 cm extendable.The sofa is in a brilliant condition, with minor wear of age and use. Dimensions: Height: 78 cm, Width: 130 cm, Depth: 90+20 extension cm, Seating height: 43 cm, Quantity: 2

Set of four spindle back dining chairs designed by Bengt Åkerblom and Gunnar Eklöf for Åkerblom. Executed in solid birch with a warm golden tone, these chairs were developed according to ergonomic principles researched by Swedish doctor Bengt Åkerblom. The design promotes a relaxed seating posture and is renowned for its exceptional comfort, even during long periods of use. A classic example of functional Scandinavian Mid-Century design. Dimensions: Height 90 cm, Width 50 cm, Depth 45 cm, Seating Height 42 cm

A warm and elegant Mid-Century pendant lamp featuring a hand-blown amber glass globe with an organic, softly mottled surface texture. The spherical shade is suspended from a brass fixture with a slender stem, giving the lamp a refined and well-balanced silhouette. When illuminated, the amber glass produces a rich, atmospheric glow that enhances the depth and tonal variation of the glass. The brass elements add a subtle decorative contrast and reinforce the lamp’s classic Mid-Century character. Both functional and sculptural, this pendant works beautifully as ambient lighting in a living space, hallway or above a dining table. Presented in very good vintage condition, with well-preserved glass and brass showing only minor signs of age-related wear consistent with use. Dimensions: Height 55 Diameter ball 25 cm.

Single vintage bar low stool featuring a chrome tubular steel frame with a four-legged base and round seat upholstered in orange leatherette. A simple and functional mid-century design with an industrial character, typical of European interiors from the 1960s.

As with all vintage design items, light signs of use may be present and add to their authentic character. Dimensions: Height 47 Width 34 Depth 34 cm.

Simple and attractive vintage industrial chairs, featuring painted wooden seats in a warm salmon-peach tone combined with softly light grey painted wooden backrests and metal frames. The restrained colour palette gives this set a subtle yet cheerful mid-century character, while the slender metal legs and plywood elements reflect a clear 1950s utilitarian design aesthetic. Ideal for a kitchen, studio or informal dining setting where character matters more than formality.

Both chairs are in good vintage condition, showing some wear and small signs of use consistent with age, which enhance their honest industrial appeal. Dimensions: Height 80 Width 39 Depth 54 Seating height 45 cm.

Comfortable swivel lounge chair by Leolux, featuring cognac brown leather upholstery and a sculptural bentwood frame. A solid example of Dutch vintage design with generous proportions and a relaxed seating position. Suitable as a statement piece in both modern and vintage interiors. Height 100 cm, Width 90 cm, Depth 90 cm, Seating Height 52 cm, Arm Rests 60 cm

Vibrant Floral Composition with Layered Blossoms and Expressive Brushwork, Oil on Canvas by Unknown Artist, 1960s. This floral still life presents a rich and expressive composition, centered on a bouquet of flowers arranged loosely within the picture plane. The flowers are rendered in a vibrant palette dominated by warm reds, pinks, yellows, and soft whites, contrasted against cooler blues and greens in the background.

The composition feels dynamic rather than static: blossoms overlap and extend outward, creating depth and movement. The painter uses broad, confident brushstrokes, allowing colors to blend organically while retaining enough structure to distinguish individual petals and stems. Rather than focusing on botanical precision, the work emphasizes atmosphere and painterly expression.

The background is treated more freely, with visible brushwork and softened transitions that push the floral arrangement forward. Light appears to be diffused rather than directional, giving the painting an overall luminous quality. Subtle variations in tone and texture create visual rhythm across the surface.

The painting style can be described as expressive and decorative, balancing figurative recognizability with a loose, almost abstract handling of paint. The result is a lively and engaging floral composition that prioritizes color harmony, movement, and visual energy over strict realism. Dimensions Frame: Height 65 Width 85 cm. Visual: Height 47,5 Width 68 cm.

Large Mid-Century Design Spindle Back Bench with Rush Wickered Seatings. The frame is made of beech wood and feature elegant slim tapered legs. The bench is designed in Style of Arno Lambrecht and is manufactured with great craftsmanship in the 1950s. The bench with Scandinavian looks is in a well preserved vintage condition with some wear consistent its age and use. Dimensions: Height: 85 cm, Width: 200 cm, Depth: 47 cm, Seating height: 44 cm, Quantity: 1

Set of four mid-century vintage design labeled (!) dining chairs by Severin Hansen. Manufactured by Bovenkamp, The Netherlands in the 1960s. The seating of this rare and elegant set is upholstered with smooth green leather. The complete set is in a very good vintage condition, with hardly any visible wear, which is consistent its age and use. Dimensions: Height: 81 cm, Width: 50 cm, Depth: 45 cm, Seating height: 44 cm, Quantity: 4

Set of four vintage design kitchen chairs manufactured by Brabantia in The Netherlands, dating from the 1960s. The chairs feature faux wood Formica seats and backrests, combined with chromed tubular steel frames — a classic and functional design typical of Dutch kitchens from this period.

The clean, rounded shapes and practical materials reflect Brabantia's reputation for durable, well-made household furniture. The wood-look Formica surfaces give the chairs a warm appearance, while the chrome frames provide a subtle modern contrast.

A straightforward and appealing set of mid-century kitchen chairs, suitable for everyday use and easy to integrate into both vintage and contemporary interiors. The chairs are in very well-preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 79 Width 39,5 Depth 48 Seating height 45,5 cm.

Authentic vintage hand-knotted wool rug featuring a bold tribal design with three stacked diamond medallions set against a deep indigo-blue field. The rug is framed by multiple decorative borders filled with small symbolic motifs, rendered in rich tones of madder red, navy, ivory, ochre, and burnt orange. The slightly irregular shape, natural color variations, and asymmetry in the borders are strong indicators of hand craftsmanship rather than machine production. The design language and color palette point toward tribal Persian or Afghan weaving traditions, often associated with Baluch- or South Persian–influenced rugs made for domestic use rather than export perfection. Woven entirely from wool, this rug has a dense yet flexible handle and a visually striking, graphic presence that works beautifully in both traditional and modern interiors. A strong decorative and collectible piece with genuine vintage character. The carpet has been professionally cleaned. Dimensions: 160 x 200 cm

Set of 10 original vintage issues of Domus Magazine, dating from 1988. This bundle includes the following issue numbers: 701, 702, 703, 705, 706, 707, 708, 709, 710 and 711. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Vintage Elips Form Amethist Violet Murano Glass High Quality Vase 1980s. This high-quality violet Murano glass vase was produced in Italy during the 1980s and stands 18.5 cm high. Executed in thick, heavy glass, the vase features a refined elliptical form and a rich purple colour that subtly deepens toward the rim. Compact yet sculptural, it reflects the modernist elegance characteristic of Italian glass design of the period, where clarity of form and material takes precedence over ornament. Made in Turin, a region renowned for its glassmaking expertise, this vase exemplifies the balance between tradition and innovation that defines Murano glass of the 1980s. A restrained yet powerful decorative object. The vase is in very good vintage condition. Dimensions: Height 18,5 Width 17 Depth 7,5 cm

Italian Design Glass Magazine Rack with Brass Accdents by Gallotti & Radice, Italy 1970s. This elegant mid-century Italian magazine rack was produced by Galotti i Radice, one of the pioneers in high-quality glass furniture design in post-war Italy. The piece features a thick, gently curved glass panel suspended within a sculptural metal frame, creating a refined balance between transparency and structure. The frame combines warm brass elements with metal supports, giving the rack both visual lightness and architectural presence. The flowing, almost bridge-like silhouette is characteristic of Italian modernist design from the 1960s, where functional objects were treated as sculptural statements rather than purely utilitarian items. The substantial glass sheet acts as the main magazine holder, subtly flexed and securely mounted into the frame, while the brass accents add a luxurious contrast to the cool clarity of the glass. This piece works equally well as a functional magazine rack or as a standalone decorative object in a refined interior. Very good vintage condition, no damage observed. Dimensions: Height 29 Width 43 Depth 39 cm

Original solid teakwooden coffee table with ‘boomerang’ legs. This beautifully designed coffee table by the Danish designer Aksel Bender Madsen was manufactured by Bovenkamp in The Netherlands in the 1960s. The table top features very elegant curved edges on the long side and is marked underneath with the original Bovenkamp brand. The table is in good condition with minor wear consistent its age and use. Dimensions: Height 42 Width 150 Depth 50 cm.

Set of four vintage design kitchen chairs produced in The Netherlands during the 1960s. The chairs feature chromed tubular steel frames with a distinctive construction in which the armrests are formed from the bent frame and continue downward beneath the seat, creating a clean and functional silhouette.

The seats and backs are upholstered in red leatherette, paired with black bakelite armrests, adding a cheerful and practical mid-century character. Black plastic caps protect the feet and underline the utilitarian design typical of Dutch kitchen furniture from this period.

A straightforward and appealing set of mid-century design chairs, well suited for a kitchen or casual dining area, offering both comfort and authentic vintage charm. Dimensions: Height 78 Width 56 Depth 42 cm.

Still Life with Lobster and Lemon by R. Viliruvy, Oil on canvas, Belgium, 1951.

This large-format still life, dated 1951 and signed “R. Viliruvy”, presents a carefully balanced composition centered on a vivid red lobster placed on a pewter dish, accompanied by a halved lemon. Additional elements, including a ceramic vessel and a whole piece of fruit, possibly a mango or an uncut citrus, are arranged in the background against a serene, restrained setting.

Executed in oil on canvas, the painting reflects the classical European still-life tradition of the early post-war period. The artist demonstrates a confident handling of color and texture, most notably in the contrast between the intense red of the lobster, the cool metallic sheen of the pewter dish, and the soft translucency of the lemon flesh.

The horizontal format enhances the sense of calm and spatial balance, allowing each object to occupy its own visual space without overcrowding the composition. The muted background reinforces the stillness of the scene, drawing attention to the material qualities of the depicted objects rather than to narrative or symbolism.

Although biographical information on R. Viliruvy remains limited, the signed and dated work is firmly anchored in the mid-20th century. The painting should be regarded as a solid and representative example of post-war European still-life painting, notable for its scale, compositional clarity, and classical subject matter.. Dimensions Frame: Height 62,5 Width 113 cm. Visual: Height 50,5 Width 100 cm.

Authentic Ettore Sottsass 'Mela' Ice Bucket for Rinnovel, Italy 1950s. This brass 'Apple' ice bucket by the famous Italian Designer Ettore Sottsass transforms a utilitarian object into a whimsical conversation piece. This sculptural apple-shaped item is executed in gilded aluminium, with a domed lid and stylised stem handle, the design combines playful symbolism with refined material contrast. The interior retains its original removable perforated insert.
Its form remains minimal and elegant, while the subtly playful form and polished surface showcase Sottsass's signature. This object also exemplifies his early approach to domestic design: functional yet expressive, bridging modernism and the emerging postmodern sensibility. It's in good vintage condition with some visible traces of use. Dimensions: Height 18 Diameter 14 cm.

Impressive large West Germany ceramic vase by Bax, model 92-45, dating from the 1960s.

This striking floor-sized vase features a rich moss green glaze combined with warm cream tones and layered geometric relief decoration. The bold horizontal bands and deep texture are characteristic of classic West German pottery from the mid-century period.

With its substantial height and sculptural presence, this vase is a true statement piece, perfect for collectors of Fat Lava and West Germany ceramics or as a standalone interior object. Dimensions: Height 45 Diameters: Top 16,5 Opening 11 Belly 21 cm

Comfortably patinated De Sede DS-11 modular sofa in olive green patch leather, designed and produced by the Swiss top-level brand De Sede in the 1970s. This genuine six-element sofa consists of one corner element, one left corner element and four straight sections. Each element shows a beautiful, honest patina, reflecting a life well ived rather than wear or damage. All elements are interchangeable, allowing for various configurations. This is a true design piece for mid-century lovers who appreciate character, authenticity and the unique liveliness of a well-crafted, partly restored leather sofa. The smooth olive green leather gives it the presence of a comfortable piece of functional art. The dimensions of the separate elements are:
Corner element and Left end piece: H 62 cm, W 80 cm, D 80 cm, SH 37 cm
Straight elements: H 62 cm, W 65 cm, D 80 cm, SH 37 cm

Elegant French pair of heart shaped side chairs. The bended wooden structured frame is upholstered with a red velvet seating and backrest. Dimensions: Height: 98 cm, Width: 59 cm, Depth: 60 cm, Seat height: 46 cm, Quantity: 2

Abstract Composition in Red, Yellow and Blue by Arty Grimm, screenprint (silkscreen), 2004. This screenprint by Arty Grimm
created in 2004 and numbered 179 from an edition of 200, presents a bold abstract composition executed in primary colors. Dominated by red, yellow, and deep blue tones, the work demonstrates a strong sense of balance between color fields, texture, and form.

The composition is structured around layered vertical elements, with dense dark passages contrasting against a luminous yellow ground. At the upper section, two red organic forms introduce visual tension, while the lower portion features textured, circular motifs that add rhythmic variation to the surface. The use of roughened textures and irregular edges gives the print a tactile, expressive quality despite the graphic medium.

Although executed as a screenprint, the work retains a painterly presence through its layered application of color and its emphasis on material surface. The restrained palette and abstract language place the work firmly within contemporary graphic abstraction, where color and form function independently of narrative or representation.

Arty Grimm is known for abstract compositions that explore contrast, structure, and chromatic interaction. His graphic works are appreciated for their strong visual impact and disciplined use of color, making them accessible yet conceptually grounded examples of contemporary printmaking. Dimensions Frame: Height 49 Width 39 cm. Visual: Height 26 Width 16 cm.

Reclamation (Ontginning) by M. Bollen, mixed media (airbrush and drawing), Western Europe, late 20th century.
This work, titled Ontginning (Reclamation), depicts a meticulously ordered suburban garden scene rendered with striking technical precision. A rectangular lawn, neatly arranged garden furniture, and a modest garden shed are enclosed by a concrete fence, beyond which tall cornfields and flat agricultural land stretch into the distance.

Executed in a combination of airbrush and fine drawing, the image is smooth, controlled, and highly detailed, lending it an almost photographic clarity. Despite its realism, the scene conveys a sense of unease and emotional distance. The contrast between domestic order and vast cultivated land creates a subtly alienating atmosphere, aligning the work with late-20th-century conceptual realism. Dimensions Frame: Height 66 Width 82 cm. Visual: Height 43,5 Width 64 cm.

The Cleopatra sofa daybed breaks with the design of all previous beds. A.R. (Dick) Cordemeijer is commissioned by Auping to design ‘something beautiful’. In the 1950s, the design of the bedroom changed. The elegant design of the Cleopatra fits in perfectly here. With the arrival of the Cleopatra you could speak of true industrial design, the first bed to be produced in series. The bed is made of steel with a wooden ornament. The Cleopatra was produced until 1982, which is a remarkable long time and reflects the great success of this bed. A mattress of 80 x 190 cm is suitable for this white lacquered daybed. This bed is in a well preserved vintage condition with some minor wear consistent its age and use. Dimensions: Height: 26 cm, Width: 197 cm, Depth: 84 cm, Quantity: 1

This striking table lamp was produced in the 1960s by the Belgian van Rupel glass factory. Made entirely of glass, it features a beautiful lilac-purple hue that gives the piece an elegant and sculptural presence. The lamp is designed with two independent light sources: one integrated into the glass base and a second light positioned in the upper section. The top light is operated via a discrete side push button, while both lights can be switched on and off separately, allowing for different lighting effects. The lamp is in excellent vintage condition and is a fine example of mid-century Belgian art Dimensions: Height: 35 cm, Width: 20 cm, Depth: 20 cm

Straightforward and timeless rectangle Brabantia kitchen table featuring a woodlook Formica top finished with a black edge trim, set on slender chromed metal legs. The clean, functional design is typical of Dutch 1960s kitchen furniture: practical, durable and visually calm, with a warm woodgrain appearance that works easily in both vintage and contemporary interiors. In good vintage condition, showing light, honest wear consistent with age and use. Dimensions: Height 74 Width 71 Depth 100 cm.

Large and slim Denisco rectangle ceramic coffee table with chromed and wooden frame. Manufactured in Belgium in the 1970s. The slim top creates a spacious effect and the color splendor of the combination silver, green, red and a touch of white is dazzling. The table is in a well preserved vintage condition, with some minor non disturbing wear on the chrome base. Dimensions: Height: 40 cm, Width: 149 cm, Depth: 45 cm, Quantity: 1

Rectangular vintage Brabantia kitchen table featuring a vivid orange Formica top with a matching extendable leaf, allowing the table to be extended from approx. 111 cm to 146 cm in length. The table is fitted with slender chrome-plated tubular steel legs and has a clean, functional mid-century design that is both practical and visually striking. A classic and lively piece that adds colour and character to any kitchen or dining space. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 75/73 Width 146/111 Depth 71 cm.

Honest and minimalist vintage industrial chairs, executed entirely in white-painted wood and metal. The set features slender metal legs, wooden seats and backrests, and a clean, functional silhouette that is very much in line with 1950s utilitarian design. The all-white finish gives the chairs a light, understated presence, making them easy to combine in a kitchen, dining area or studio setting.

The chairs are in good vintage condition, with visible paint wear and small losses to the white finish on the frames and seats, consistent with age and use. This patina adds to their authentic industrial character without affecting structural quality. Dimensions: Height 77 Width 37 Depth 46 Seating height 45 cm.

Set of four Dutch Design ‘quattro colori’ dining chairs.
Designed in style of Cees Braakman. Manufactured in the 1960s.
Well designed model with elegant curved teak seating with leatherette upholstery in four colors on a slim teak base with ladder shaped backrest. The set is in fair condition, but there's some wear visible on the leatherette seatings.
Dimensions: Height: 98 cm, Width: 48 cm, Depth: 48 cm, Seat height: 46 cm, Quantity: 4

A substantial teak coffee table dating from the 1960s, distinguished by its sculptural, flattened U-shaped frame. The gently splayed uprights rise from the floor and curve inward to support the tabletop, creating the visual effect of a floating surface. The base is unified by a single horizontal stretcher, enhancing both stability and visual rhythm. Executed in richly grained teak, the table combines architectural clarity with organic softness, a hallmark of Scandinavian modernism. The frame construction and proportions recall Danish design of the period, closely related in spirit to works by Niels Bach and contemporaries exploring sculptural wooden bases. The table presents in a good vintage condition, with minor surface wear consistent with age. A confident and elegant centrepiece for a modern or mid-century interior. Dimensions: Height 49 Width 145 Depth 71 cm.

Set of two vintage low bar stools featuring chrome tubular steel frames with four-legged bases and round seats upholstered in brown leatherette. A simple and functional mid-century design with an industrial character, typical of European interiors from the 1960s.

As with all vintage design items, light signs of use may be present and add to their authentic character. Dimensions: Height 47 Width 35 Depth 35 cm.

Large, luxurious and very comfortable two-seater sofa manufactured by the renowned Dutch Design producer Leolux in the 1970s. This sturdy sofa is upholstered in a well preserved seal brown leather. Leolux is well-known for its high quality furniture. The sofa is in a very well-preserved condition, with minor wear consistent its age and use. Dimensions: Height: 70 cm, Width: 160 cm, Depth: 90 cm, Seating Height: 40 cm, Quantity: 1

Italian midcentury design high quality sofa model ‘Lauriana’, designed by Afra and Tobia Scarpa. Manufactured by B&B Italia in the 1970s. The sofa features a chocoate brown leather upholstery. As can be expectefd from B&B Italian, the seating comfort is great! The sofa is in a well preserved vintage condition, with some wear consistent its age and use. Dimensions: Height: 82 cm, Width: 162 cm, Depth: 80 cm, Seating height: 44 cm, Seating width: 110 cm, Seating depth: 57 cm, Arm rests: 56 cm, Quantity: 1

A striking vintage pendant lamp featuring a polished chrome fixture with three clear glass globes, arranged symmetrically around a central vertical stem. The clean, architectural lines and reflective chrome surface give the lamp a distinctly modernist appearance, characteristic of European lighting design from the 1970s. The transparent glass globes create a light and airy visual effect while allowing the bulbs to remain fully visible, enhancing the sculptural quality of the piece. Well-balanced in proportion, this pendant works equally well as a statement light in a living space, hallway or above a dining table. Presented in very good vintage condition, with a well-preserved chrome finish and clear glass globes showing only minimal signs of age-related wear. Dimensions: Total height 47, Width 32, Diameter Glass Balls 13 cm

Brutalist Wabi Sabi Influence Rectangle Solid Oak Nesting Tables / Stools, Set of 3, 1960s. This set of solid oak nesting tables presents a bold, sculptural design defined by mass, simplicity, and honest craftsmanship. Thick tabletops and sturdy, tapered legs create a powerful architectural presence, while the natural grain and visible joinery emphasize the material’s tactile qualities.

The aesthetic closely aligns with mid-20th-century European modernism and brutalist furniture design, showing clear affinities with the work of Pierre Jeanneret, Pierre Chapo, and Charlotte Perriand. Like their designs, this set values function, structural clarity, and the expressive potential of solid wood over ornamentation.

The naturally aged surface and subtle tool marks contribute to a wabi-sabi character, celebrating imperfection and patina as integral elements of the design. Both functional and sculptural, the tables can be nested compactly or used individually, making them versatile pieces suited to contemporary interiors as well as design-focused collections.Great set of tables which is in a good vintage condition with some minor wear consistent its age and use. The wood of this set shows a warm and strong patina. The set features beautiful shaped legs. Dimensions: Height 27,5-32,5-38 Width 29-44-58 Depth 3x 29 cm.

Warm and practical mid-century hallway furniture piece crafted in teak, combining a coat rack, mirror, and bench in one compact vertical design. The back panel features four metal coat hooks arranged across slender teak slats, with an integrated rectangular mirror for everyday convenience.

Below, a low bench offers seating and storage, accented with a distinctive mosaic ceramic inlay composed of small square tiles in white, black, and grey tones, adding a subtle decorative rhythm to the clean-lined form. Raised on small castors, the piece is easy to position and well suited to an entryway or hallway.

A charming and functional example of 1960s design, balancing utility with warm materials and thoughtful detailing. An inviting addition to any interior with a taste for mid-century character. Dimensions: Height 180 Width 89 Depth 25,5 cm.

Charming fish-shaped ceramic dish by Rossello Vallauris, France, 1960s. Finished in a high-gloss glaze with warm ochre and yellow tones enriched by greens, reds and deep olive accents, giving the piece a lively, painterly surface. The softly modelled fins and organic contours are characteristic of Vallauris ceramics from this period, where playful form and expressive colour were central. The piece is in a very well preserved condition, no observed damage. Produced in Vallauris, Southern France, during the 1960s, a period renowned for bold, figurative ceramics and vivid glazes. Rossello pieces are appreciated for their decorative appeal and approachable, joyful design language. Dimensions: Approx. H 4,5 W 23 D 21 cm.

Elegant Minimalistic Solid Brass Side Tables with Smokey Glass Top by Vereinigte Werkstätten. Set of 2. Manuractured in Germany in the 1970s. This wonderful set features sophistication in its execution. The elegant legs show a matte and high gloss finish in a subtile way and the glass top shows some lightness in its smokey transparancy. Can be used either as side tables or coffee tables. Fits very well in a any eclectic interior. The condition may be considered as very well preserved, with a few non disturbing scratches on the glass top. Dimensions: Height: 50 cm, Width: 60 cm, Depth: 60 cm, Quantity: 1

Japanese Embroidered Panel with Cranes, Cherry Blossoms and Rising Sun, 20th century..This richly decorated embroidered panel depicts two cranes set among blooming cherry blossoms, accompanied by a radiant sun and a Japanese inscription traditionally associated with wishes of beauty, longevity, and good fortune. The imagery is deeply rooted in East Asian symbolism: cranes represent long life and fidelity, while cherry blossoms evoke renewal, transience, and elegance.

The embroidery is executed in vibrant, carefully chosen colors, likely on a silk ground, with fine stitching that gives the composition both texture and visual depth. The contrasting tones of the blossoms, plumage, and background create a harmonious yet lively surface, emphasizing the decorative quality of the work.

Such embroidered panels were commonly produced in Japan during the 20th century as decorative wall hangings or ceremonial pieces, valued for their craftsmanship and symbolic meaning. The work combines aesthetic refinement with cultural significance, making it an attractive decorative object as well as a collectible example of traditional textile art. Dimensions Frame: Height 65 Width 48,5 cm. Visual: Height 51,5 Width 35,5 cm.

Set of three vintage design kitchen chairs manufactured by Brabantia in The Netherlands, dating from the 1960s. The chairs feature red Formica seats and backrests combined with chromed tubular steel frames, a classic and functional design typical of Dutch kitchen furniture from this period.

The warm red color adds a lively accent, while the simple, well-balanced construction reflects Brabantia's focus on durability and everyday usability. These chairs are practical, easy to maintain, and visually clear in design, making them suitable for both vintage and contemporary interiors.

A compact and appealing vintage set, ideal for a smaller dining area, kitchen corner, or as occasional seating. The chairs are in very well-preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character.

Lavender Fields in Provence by D. Broussie, screenprint (silkscreen), France, late 20th century. A romantic and richly coloured silkscreen print depicting the iconic lavender fields of Provence, France, by D. Brucy. The composition presents undulating rows of flowering lavender rendered in deep violet and soft lilac tones, set against silvery-green foliage, cypress trees and a sunlit Provençal landscape in the distance. A luminous sky transitions subtly from cool blue to warm golden hues, enhancing the sense of southern light and atmosphere. The work is executed with a painterly sensitivity, combining strong graphic structure with delicate tonal gradations, characteristic of late 20th-century colour printmaking. Signed in pencil by the artist and numbered 16/800, the print conveys a tranquil, idyllic vision of rural Provence and captures the timeless romance associated with the region. Dimensions Frame: Height 62 Width 77 cm. Visual: Height 46,5 Width 60,5 cm.

Set of four Art Collection sled chairs designed by Rudolf Glatzel for Walter Knoll. Upholstered in a chocolate brown leather and supported by brushed aluminium cantilever frames, these chairs exemplify refined German Mid-Century Modern design with excellent seating comfort and architectural presence. Dimensions: Height 85 cm, Width 60 cm, Depth 60 cm, Seating Height 48 cm, Arm Rests 65 cm

Twisted Glass Vintage Vase in Style of Tamara Aladin - Riihimäen Lasi, 1970s. A hand-blown twisted form glass vase echoing the modernist aesthetic associated with Tamara Aladin's designs for Riihimäen Lasi. Executed in warm amber glass with clain lines and a sculptural silhouette, this piece reflects the characteristics Nordic refinement of 1970s Finnish glass artistry. Height 23 Diameters: Top 12 Opening 5 Belly 12 cm.

A striking vintage spiral wall lamp by Raak, produced in the Netherlands during the late 1960s–1970s. The lamp features a sculptural spiral construction with a dark wood-effect exterior and a white interior, designed with circular openings that reveal mirrored reflector bulbs. When illuminated, these apertures cast a dramatic, rhythmic play of light and shadow across the wall. This design is quintessential Raak: bold, architectural, and experimental, with a strong emphasis on light as an active visual element rather than mere illumination. The vertical spiral form gives the lamp a totem-like presence, making it an expressive wall object even when switched off. Particularly effective with mirror-reflex bulbs, as intended in the original design. As with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 44 cm, Width: 7 cm, Depth: 10 cm

Vintage Art Deco Belgian Transparent Glass Rectangle Cake Plate with Elegant Drop Pattern, Belgium 1960s. Dimensions: Height 2 Width 32,5 Depth 15 cm

Ceramic Matte Enamel White Porcelain Vase with Fossil Decorations by HW Porzellan Karlsbader Wertarbeit Model 568/22. Germany, 1960s. This elegant porcelain vase was produced in Germany during the 1960s by HW Porzellan Carlsbader Wirthsarbeit and stands 22 cm high. The vase is executed in matte white porcelain and features a distinctive square form, which is relatively uncommon for vases of this period. Playfully modelled fossil-inspired relief motifs are applied across the surface, creating a tactile and rhythmic pattern that contrasts beautifully with the clean architectural shape. The softly irregular, slightly scalloped rim adds a subtle sense of movement and lightness to the design. A refined yet characterful example of mid-century German porcelain. The vase is in very good vintage condition. Dimensions: Height 22 Width 7 Depth 7 cm

Bold three-seat sofa upholstered in black leather, featuring distinctive cord lacing at the corners and brass button detailing on the backrest. Designed in the spirit of Italian Postmodernism, with stylistic references to Arrigo Arrighi for Busnelli. Generous proportions and comfortable seating are combined with expressive detailing, making this sofa both functional and sculptural. A strong statement piece for a design-driven interior. Dimensions: Height 72 cm, Width 225 cm, Depth 100 cm, Seating Height 38 cm, Arm Rests 45 cm

Set of four vintage design dining chairs designed by Magnus Olesen and manufactured by Durup in Denmark, dating from the late 1960s to early 1970s. The chairs feature distinctive bent plywood frames with softly rounded armrests and legs, reflecting the functional and material-driven approach of Scandinavian design from this period.The seats and backs are executed with woven straps, creating a rhythmic graphic surface while providing flexible seating comfort. The contrast between the warm plywood frames and the darker woven bands gives the chairs a calm and understated character.The woven straps show light wear and minor damage in places, consistent with age and use. Offered as a complete set of four, these chairs represent an honest and approachable example of Danish vintage design, suitable for everyday dining interiors. Dimensions: Height 76 Width 61 Depth 47 cm.

Iconic Meta globe shaped table lamp designed by Stilnovo and distributed in the Netherlands by Artimeta during the 1970s. Featuring a sculptural opaline plexiglass dome, chromed metal structure, and a heavy black lacquered steel base, this lamp strongly reflects Italian Space Age aesthetics. Fully checked and in excellent vintage condition, with minimal wear. Dimensions: Height 40 cm, Width 41 cm, Depth 41 cm