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A true icon of Italian design minimalism, this vintage side chairs by Gian Domenico Bellotti for Flyline is a perfect blend of elegance and playfulness. Known as “spaghetti chairs” for their distinctive PVC cord seating and backrest, the chair features a sleek, cubic steel frame lacquered to perfection. The seat and back are hand-strung with flexible cords, creating a comfortable yet visually light silhouette. Their airy design and clean geometry give them a timeless, modern feel. This chair executed in a vibrant red color is showcasing the craftsmanship and style that made 1970s Italian design so sought after. It is in a very well preserved vintage condition, with only minor wear consistent its age and use. Dimensions: Height: 80 cm, Width: 45 cm, Depth: 46 cm, Seat height: 45 cm, Quantity: 1

This amber glass vase is the Marceau model from the Luxval collection by Val Saint Lambert, produced in Belgium during the 1930s–1940s and standing 21 cm high. The vase is made of transparent amber glass and features a bold geometric relief pattern with strong vertical articulation, characteristic of Luxval pressed glass design. The warm colour and crisp texture give the vase a striking architectural presence while remaining elegant and highly decorative. A classic example of Belgian Art Deco–influenced glass design. The vase is in excellent vintage condition. Dimensions: Height 21 Diameters: Top 14,5 Belly 8,5 cm

Very nice authentic large round Cadovius coffee table designed by the artist Susanne Fjeldsoe Mygge for Cado, Denmark in the 1970s. Tulip Aluminium base with an eyecatching handpainted thick top, in deep golden and blackish brown tones. This piece of art is in a very well preserved vintage condition with minimal marks of wear compliant its age and use. Fits perfectly in an eclectic based interior. Dimensions: Height: 52 cm including Top (4 cm thick). , Diameter Top: 118 cm, Pedestal: 62 cm. Quantity: 1

Iconic Bauhaus-inspired cantilever chair, model D44, produced by TECTA and designed by William Dunkel. The chair features a chrome-plated tubular steel frame combined with a robust black plastic mesh seat and backrest, a hallmark of TECTA’s modernist seating from the 1970s.

Its clean lines, floating cantilever construction and graphic, almost architectural presence clearly reflect Bauhaus principles of form following function. The black plastic mesh offers both visual lightness and practical durability, making the chair suitable for both domestic and office interiors.

This model is widely regarded as a design classic and is well documented in international design references, including Pamono.

As with all vintage design items, light signs of use and ageing may be present and contribute to its authentic character. The chair is structurally sound and in good vintage condition. Dimensions: Height 68 Width 55 Depth 50 Seating height 43 cm.

Large and luxurious very comfortable lounge chairs manufactured by the renowned Dutch Design producer Leolux in the 1970s. This sturdy set is upholstered in a well preserved seal brown leather. Leolux is well-known for its high quality furniture. The set is in a very well-preserved condition, with minor wear consistent its age and use. A matching two-seater sofa is also available in our collection. Dimensions: Height: 70 cm, Width: 100 cm, Depth: 90 cm, Seat height: 40 cm, Quantity: 1

Rectangular vintage kitchen table with a solid wooden frame and light beechwood legs, featuring a grey Formica tabletop with a subtle linen-like texture. The table includes a practical drawer beneath the top, finished with a decorative floral knob, adding a charming and functional detail. A compact and honest mid-century kitchen table, ideal for smaller kitchens or breakfast corners. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 73 Width 90 Depth 60 cm.

Vintage Norwegian lounge chair with matching ottoman, known as the iconic “Kengu” model, designed by Elsa & Nordahl Solheim and produced by Rybo Rykken & Co. The chair features a sculptural curved laminated wooden frame combined with smooth brown leather upholstery. The floating seat construction provides excellent ergonomic support and outstanding seating comfort. Both chair and ottoman are in well preserved vintage condition, with minor wear consistent with age and careful use. A timeless and highly collectable example of Scandinavian Mid-Century design. Dimensions Chair: Height 75 cm, Width 60 cm, Depth 80 cm, Seating Height 48 cm
Ottoman Dimensions: Height 48 cm, Width 60 cm, Depth 60 cm

Set of six rare Italian mid-Century modern 'Trieste' folding chairs designed by Aldo Jacober for Alberto Bazzani in the 1960s. Crafted from solid wood with a sculptural, architectural frame and beautifully aged warm patina. The desifgn combines functional ingenuity with minimalist elegance, resulting in a timeless and highly collectible seating solution. An early modern reinterpretation of the folding chair, emblematic of post-war Italian design innovation. Exceptional as a dining set, design statement, or for collectors of authentic mid-century furniture. Dimensions: Height 76 Width 50 Depth 45 Seating Height 45 cm.

Set of 5 original vintage issues of Domus Magazine, dating from 1982. This bundle includes the following issue numbers: 625, 626, 630, 632 and 633. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

This refined German desk lamp was produced by Kaiser Leuchten in the 1960s and exemplifies understated mid-century elegance. Executed in lacquered brass, the lamp features a distinctive disc-shaped shade that provides soft, focused light while maintaining a sculptural presence. The gently curved arm and weighted base give the lamp both visual balance and functional stability. Subtly adjustable and beautifully proportioned, this is a high-quality piece suited to a desk, side table or reading corner. The lamp is in very good vintage condition, with a warm patina consistent with age. Wiring needs to be checked. Dimensions: Height: 45 cm, Diameter Shade: 35 cm

This refined German desk lamp was produced by Kaiser Leuchten in the 1960s and exemplifies understated mid-century elegance. Executed in lacquered brass, the lamp features a distinctive disc-shaped shade that provides soft, focused light while maintaining a sculptural presence. The gently curved arm and weighted base give the lamp both visual balance and functional stability. Subtly adjustable and beautifully proportioned, this is a high-quality piece suited to a desk, side table or reading corner. The lamp is in very good vintage condition, with a warm patina consistent with age.
Dimensions: Height: 45 cm, Diameter Shade: 35 cm

Decorative round vintage bamboo side table with a woven bamboo rim and a clouded translucent glass top, set on a black lacquered metal tripod base with characteristic white-tipped feet. The combination of natural bamboo, soft glass and the graphic metal frame gives this table a light and elegant mid-century modern appearance. A simple yet charming accent piece, ideal as a side table, plant stand or occasional table.

The table is in good vintage condition with light signs of use consistent with age, contributing to its authentic character. Dimensions: Height 45 Width 59,5 Depth 59,5 Seating height cm.

Beautiful set of four vintage design kitchen chairs manufactured by Brabantia, The Netherlands, dating from the 1960s. The chairs feature black Formica seats and backrests with a striking marble-effect finish, detailed with elegant white veining.The Formica elements are finished with a black edge and a subtle light gold-colored trim, adding a refined decorative accent that enhances the graphic character of the design. The chairs are supported by chromed tubular steel frames, typical of Brabantia’s well-made and durable kitchen furniture from the mid-century period.A particularly attractive and characterful set that combines everyday functionality with a bold yet timeless vintage aesthetic — ideal for both modern and classic interiors.The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 78,5 Width 40 Depth 46 Seating height 49 cm.

24 Carat gold display unit with glass shelves. Ramiro Tarazona. Spain. 1980s. Very exclusive and high quality Spanish mid-century design display unit by Ramiro Tarazona. There are three identical units available. Suits perfect in a shop interior of luxury goods. Each display unit contains four high quality glass shelves and one mirror shelve on the bottom (size width 80 cm., depth 23 cm.) that fit in a 24 carat gold plated beautifully designed frame. Each original unit is in a very well preserved authentic vintage condition. The glass and ground mirror is in a very good condition without damage.
Dimensions unit: Height 172 cm/67,7″ Width 98 cm/38,6″ Depth 40 cm/15,8″
Sizes glass/mirror shelves: Width 80 cm/31,5″ Depth 23 cm/9,1″

Mid-Century Gispen Dutch Design Lounge Chair by Martin de Wit, The Netherlands, 1960s. Authentic Gispen vintage comfortable Lounge Chair designed in the 1960s by Martin de Wit. This very nice lazy arm chair features a chromed tubular steel frame, bakelite armrests and is upholstered with a high quality sandy coloured fabric. Dimensions: Height: 77 cm, Width: 58 cm, Depth: 45 cm, Seat height: 38,5 cm, Armrest height: 64 cm, Quantity: 1

Set of 8 Multicolor Carnivals Glasses K7 Designed by Max Verboeket for Kristaluniek Maastricht. The Netherlands, 1960s.The glasses feature tall, elegant bowls in a vivid spectrum of jewel tones—emerald green, cobalt blue, amber yellow, smoky grey, soft violet and related hues—each subtly graduating into a clear stem and foot. The variation of colors within a uniform form creates a rhythmic, sculptural table presence typical of Verboeket’s modernist design language. One glass retains its original factory label, confirming authenticity. A visually strong and highly decorative ensemble, equally suited for use or display. The set is in mint condition. Dimensions: Height 18 Diameter 7 cm

Set of 2 Wickered Stools. The frames are made of beech wood and feature elegant slim tapered legs. The set is designed in Style of Arno Lambrecht and is manufactured with great craftsmanship in the 1950s. Both stools are in a well preserved vintage condition with some minor wear consistent its age and use. Dimensions: Height: 47 cm, Width: 50,5 cm, Depth: 37 cm, Seating height: 47 cm, Quantity: 2

This elegant mid-century desk lamp was produced by Hala in The Netherlands during the 1960s and represents a classic example of functional Dutch lighting design. Finished in glossy black lacquer, the lamp features a beautifully shaped metal shade mounted on a flexible, chrome-plated gooseneck stem, allowing the light to be directed precisely where needed. The compact base enhances its practicality, while the refined proportions give the lamp a timeless, understated presence. Designed as a work and reading light, this model combines durability with elegance, reflecting Hala’s reputation for high-quality industrial production. Its minimalist design fits seamlessly into both mid-century and contemporary interiors. A well-preserved and highly usable vintage desk lamp with strong character and enduring appeal. The lamp is in excellent vintage condition and appears exceptionally well preserved. The black lacquered surfaces are clean and glossy, with minimal to no signs of wear. The chrome gooseneck is bright and intact. Overall, the lamp presents almost as if it were newly produced, while remaining entirely original. Dimensions: Height: 40 cm, Depth: 22 cm, Diameter shade: 12 cm

This striking wall sconce was produced by Sölken Leuchten in Germany during the 1960s and exemplifies the solid craftsmanship and sculptural approach characteristic of mid-century German lighting. The sconce is constructed from heavy brass and consists of three cylindrical brass tubes mounted on a thick, circular backplate. Each tube is fitted with inset bulbs at both ends, creating a balanced and architectural lighting effect. The clean geometry and strong material presence give the lamp a distinctly brutalist yet elegant character. When illuminated, the light is emitted both upwards and downwards, producing a warm, atmospheric glow that enhances walls and architectural surfaces. Thanks to its compact proportions and substantial weight, the lamp functions equally well as a decorative accent or as a statement wall light. A high-quality and timeless design. The wall sconce is in a very well preserved vintage condition. As with all vintage pieces, they may show light signs of use, which add to their authentic character. Dimensions: Height: 28 cm, Width: 14 cm, Depth: 10 cm

This striking wall sconce was produced by Sölken Leuchten in Germany during the 1960s and exemplifies the solid craftsmanship and sculptural approach characteristic of mid-century German lighting. The sconce is constructed from heavy brass and consists of three cylindrical brass tubes mounted on a thick, circular backplate. Each tube is fitted with inset bulbs at both ends, creating a balanced and architectural lighting effect. The clean geometry and strong material presence give the lamp a distinctly brutalist yet elegant character. When illuminated, the light is emitted both upwards and downwards, producing a warm, atmospheric glow that enhances walls and architectural surfaces. Thanks to its compact proportions and substantial weight, the lamp functions equally well as a decorative accent or as a statement wall light. A high-quality and timeless design. The wall sconce is in a very well preserved vintage condition. As with all vintage pieces, they may show light signs of use, which add to their authentic character. Dimensions: Height: 28 cm, Width: 14 cm, Depth: 10 cm

This piece is from late in the fabulous Atomic Space Age design movement. The cobalt blue resign glass ball is interspersed with clear glass facet circular 'windows' and finished with the brass accents. Designed by a young Marita Voigt during the design period where the architecture, industrial design, commercial design, interior design, and fine arts were all heavily influenced by the themes of atomic science, as well as the Space Age. This faceted design series was an icon of GDR design by Voigt for Harzkristall in the early Seventies. In 1946, Sudeten Germans were expelled from their homeland and founded the Hohlglasveredelungsgenossenschaft Wernigerode as a 'resettler cooperative'. The glassworks is the only and northernmost glassworks in Saxony-Anhalt, Germany and today, is one of the few glassworks in Germany that produces mouth-blown products. Areas of expertise include vases, glass lights and the production of glass parts and lamps for the preservation of monuments and glass art products in collaboration with renowned artists. Since 2013, Harzkristall has been part of the Gerhard Bürger Foundation, which promotes the promotion of science and research, art and culture, preservation and preservation of monuments as well as the promotion of education, vocational training and student support. The piece is in excellent condition, with minor patina on the brass parts of the item.

Large Brutalist Metal and Ceramic Wall Sculpture, Abstract Architectural Art, 1960s. Monumental brutalist wall relief executed in heavy welded metal with integrated glazed ceramic elements. The horizontally oriented composition combines sharp architectural forms with organic ceramic inserts in yellow, cream, and green glazes. The rough, tactile surface and sculptural depth create a powerful visual tension. Stylistically aligned with the brutalist wall reliefs of Henrik Horst, reflecting the bold material experimentation of the 1960s. It can be displayed indoors or mounted on an exterior wall, reflecting mid-20th-century brutalist aesthetics and sculptural form. Dimensions: Height 80 cm, Width 130 cm, Thick 8 cm.

Beautiful marked tapestry of the Spanish artist/painter Joan Miró based on his painting Femme et Oiseaux (1966). A playful, experimental approach of art is characteristic for Mirós work. Joan Miró stood literally at the base of the founding of the famous CoBrA movement which arose during an exposition of his work in Paris, where the artists Karel Appel, Asger Jorn en Constant Nieuwenhuis coincidentally met each other. Experimenting with all kinds of materials, colours, forms and techniques were a source of knowledge and renewal for Miró as well as the other CoBrA-artists.
This very decorative rug cq. wall carpet, produced in France, is in excellent condition and measures 160 x 110 cm. Width: 160 cm, Depth: 110 cm

This elegant yet playful wall sconce, designed by Pierre Guariche in 1960s France, is a striking example of mid-century modern lighting. The lamp is crafted from brass and acrylic, featuring a softly curved translucent shade with subtle brass detailing. A vivid red accent stem adds a distinctive graphic touch, giving the piece its unique, lively character. When lit, it produces a warm, atmospheric glow, making it ideal as accent lighting in both modern and eclectic interiors. Compact in size yet rich in visual presence, this wall lamp functions equally well as a sculptural object and a refined source of ambient light. As with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 36 cm, Width: 15 cm, Depth: 12 cm

This elegant yet playful wall sconce, designed by Pierre Guariche in 1960s France, is a striking example of mid-century modern lighting. The lamp is crafted from brass and acrylic, featuring a softly curved translucent shade with subtle brass detailing. A vivid red accent stem adds a distinctive graphic touch, giving the piece its unique, lively character. When lit, it produces a warm, atmospheric glow, making it ideal as accent lighting in both modern and eclectic interiors. Compact in size yet rich in visual presence, this wall lamp functions equally well as a sculptural object and a refined source of ambient light. As with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 36 cm, Width: 15 cm, Depth: 12 cm

Set of four rosewood spindle back Scandinavian design dining chairs. This solid set features caramel leatherette seatings. Manufactured in the 1960s. All chairs are in a very well preserved vintage condition with some minor wear consistent its age and use and offer a great seating comfort. Dimensions: Height: 87 cm, Width: 50 cm, Depth: 45 cm, Seating height: 45 cm, Quantity: 4

Elegant set of 2 gilded cobra barstools newly upholstered in a fresh lime green velvet fabric. The forged and gilded frames show great craftsmanship and the golden cobras are nicely sculptured on the front and backside of the backrest. These very well preserved and glamorous stools fit really good in a Hollywood Regency oriented interior or club setting. (4 stools already have been sold). Height: 110 cm, Width: 40 cm, Depth: 45 cm, Seat height: 85 cm

Iconic Dutch vintage design chair, commonly known as the “Cow Horn Chair”, designed by Louis van Teeffelen and produced by Mah Jongg. This example features a solid teak wood frame with a sculptural backrest in black leatherette, forming the distinctive horn-shaped arm details. The expressive silhouette and organic lines are characteristic of progressive Dutch furniture design from the 1960s.

As with all vintage design items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 77 Width 55 Depth 50 Seating height 43 cm.

Set of four Scandinavian spindle-back kitchen chairs, designed in style of Ilmari Tapiovara. Featuring black-painted wooden frames and spindles, combined with solid natural wood seats. A sober and functional mid-century design, typical of Northern European kitchen furniture from the 1960s.As with all vintage furniture, light signs of use may be present and contribute to its authentic character. Dimensions: Height 83 Width 40,5 Depth 48 Seating height 46 cm.

Unique Handpainted Modernistic Art Coffee Table Designed by the Dutch-Indonesian Artist Tiong Ang, The Netherlands 1970s. Unique handcrafted coffee table by Dutch-Indonesian artist Tiongh Ang, hand-painted with a striking optical illusion composition. One side features three abstract bowl-like forms in nuanced grey tones, contrasted by a freeform aperture set within a deep black surface that enhances its artistic presence. Ang’s work reflects his early engagement with painterly expression and philosophy of balance, perception, and spatial interaction, blurring the boundary between functional furniture and autonomous art. A rare and expressive mid-century art furniture piece. Dimensions: Height 46 cm, Width 190 cm, Depth 70 cm

Ceramic Matte Enamel White Porcelain Vase with Floral Decorations Designed by M. Frey for A.K. Kaiser. Germany, 1960s. Model 1332/3. The vase is executed in matte white porcelain with a fine textured surface and delicately modelled floral relief motifs that rise softly from the vertically ribbed body. The restrained decoration and subtle surface detailing give the vase a calm, refined presence, characteristic of mid-century German porcelain design. A graceful decorative object with a timeless aesthetic. The vase is in very good vintage condition.
Dimensions: Height 26 Width 11 Depth 7 cm

This elegant Italian glass bud vase was produced in Italy during the 1960s–1970s and stands 23.5 cm high. The vase is made of amethyst-toned glass and features a refined interplay of matte and glossy surfaces. Delicately hand-painted gold accents decorate the exterior, including a subtle gilded rim, adding a sense of craftsmanship and luxury. The copper-toned areas appear as a rich, highly glossy finish within the glass, creating depth and a warm metallic effect without visible brushwork. When viewed through the neck, the interior reveals a translucent bluish-purple glow, while the base transitions into clear opaline glass. A refined and decorative piece, ideally suited as a rose or bud vase. The vase is in very good vintage condition. Dimensions: Height 23,5 Diameters: Top 8 Opening 3 Belly 11 cm

Mid-Century Design High Quality Wilkhahn Desk Chair of the 'Delta Design Program 2000' Series. Featuring a polished aluminium non-swivel base and a fiberglass shell upholstered in premium black leather.
The leather shows an attractive natural patina. This model is known for its ergonomic comfort and architectural appearance. In very good vintage condition with light wear consistent with age. Dimensions: Height 88 cm, Width 63 cm, Depth 70 cm, Seating Height 48 cm, Arm Rests 66 cm

An impressive and rare large-scale studio pottery vase by Armogres (Bouffi), featuring a striking hand-decorated penguin motif rendered in rich, earthy tones. The vase is exceptionally tall at 43 cm, with a generous, rounded body that gives it a strong sculptural presence.

The surface is finished in layered ochre, amber, brown and deep black glazes, creating a tactile, almost volcanic texture typical of high-quality French studio ceramics of the period. Two stylised penguins are depicted in relief-like form, their silhouettes emerging organically from the glaze, giving the piece both narrative charm and strong graphic impact.

This vase is entirely handmade, with visible artisanal character and subtle glaze variations that enhance its uniqueness. The thickly potted form and balanced proportions reflect the confident, expressive approach associated with Armogres production, which is highly regarded and increasingly sought after by collectors of European studio pottery.

The vase is in an excellent preserved condition with expected signs of age and firing-related glaze nuances consistent with hand-crafted ceramics. No structural damage observed. Due to its size, subject matter and decorative strength, this vase stands out as a statement piece suitable for both collectors and interior-focused display. Dimensions: Height 43 Diameters: Top 17 Opening 12 Belly 26 cm.

Vintage 1960s Portuguese Rooster Trapezoid Ceramid Wall/Serving Plate. Portugal 1960s. A charming plate featuring a colorful Portuguese rooster with vibrant feathers. Designed for decorative display or as a serving plate, with a hanging cord on the back for wall mounting. A lively example of mid-century Portuguese ceramics. H 3 W 28-35 D 28 cm.

Set of 2 original vintage issues of Domus Magazine, dating from 1984. This bundle includes the following issue numbers: 648 and 653. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

A well-made pair of mid-century swivel office chairs with a sturdy five-star pedestal base, bakelite armrests and subtly blackish-brown melange upholstery, giving the fabric more depth and warmth than a flat brown tone. The seats are height-adjustable and supported by a solid metal column with chrome-finished elements, reflecting the functional and durable design language of post-war office furniture.

In terms of construction, materials and proportions, these chairs are strongly reminiscent of Gispen models from the 1960s—particularly in the use of bakelite armrests, sober upholstery and the technical pedestal base—though no maker’s marks are present, so attribution remains cautious. Both chairs are in good vintage condition, with light wear consistent with age, and remain fully functional and comfortable. Dimensions: Height 85 Width 56 Depth 52 Seating height 53 cm.

Pair of mid-century Italian design minimalistic side chair designed after Carlo Ratti for Legni Carvati around the 1950s. This set of elegant chair features a plywood teak veneer seating and backrest with elegant black metal feet. The chair is in a good vintage condition with some minor wear consistent its age and use. Dimensions: Height: 89 cm, Width: 53 cm, Depth: 42 cm, Seat height: 47 cm, Quantity: 2

Large distinctive swivel lounge chair produced by Westnofa. Featuring a natural wooden round base and a padded red leather seat and vivid green backrest.

Completed with a semi-oval leather head cushion in yellow. Well preserved with minor wear consistent with age. Dimensions: Height 114 cm, Width 82 cm, Depth 60 cm, Seating Height 40 cm

Set of 2 Dutch design nesting tables with smokey glass top on wenge with chrome frame. Manufactured with great craftsmanship and quality by Fristho, The Netherlands in the 1960s. It’s a timeless design that matches with any interior. The set is in well preserved vintage condition with some wear consistent its age and use. Minimalistic modern elegant mid-century design from the Netherlands, Dimensions: Height: 40 - 28 cm, Width: 53 - 40 cm, Depth: 35,5 - 35,5 cm, Quantity: 1 set

Impressive Mid-Century Drexel Illuminated Vitrine Cabinet with Refined Integrated Brass Inlaid Hardware, USA 1960s. An exceptional vitrine cabinet by Drexel, distinguished by its refined craftsmanship and architectural presence. The cabinet features an illuminated display interior with transparent doors and shelving, an internal drawer, and finely integrated brass inlaid handles set flush into the woodwork. Rising to over 200 cm in height, the piece exemplifies Drexel's mastery of precision finishing, functional elegance, and enduring quality. Dimensions: Height 207 (70 + 137) cm, Width 153 cm, Depth 42 cm

Set of five original vintage issues of Domus Magazine, dating from the 1970s. This bundle includes the following issue numbers: 515 (March 1972), 520 (March 1973), 522 (May 1973), 544 (March 1975), and 567 (February 1977). Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Mid-Century Two-seat sofa in the style of Åke Fribytter, upholstered in smooth black leather. Features an integrated headrest and offers excellent seating comfort.
Well preserved vintage condition with a clean and elegant silhouette. Dimensions: Height 102 cm, Width 160 cm, Depth 80 cm, Seating Height 38 cm, Arm Rests 52 cm

This striking pendant lamp was produced in Italy during the late 1960s to early 1970s and is attributed to Murano glass production. The lamp features a beautifully sculpted glass shade composed of two layers: a thick, vibrant orange outer layer and a white inner glass core that softly diffuses the light. The glass is held in place by an internal metal cross-shaped structure, inserted through four integrated glass lugs at the top of the shade—an elegant and characteristic construction detail. When illuminated, the lamp emits a warm, glowing light, with the white inner layer preventing glare while enhancing the depth and richness of the orange glass. The rounded, sculptural form gives the piece a strong visual presence, making it ideal as a statement light above a table, in a living space, or as an accent in a modern interior. The lamp is in very good vintage condition. The lamp has been tested and is fully functional. However no damage has been observed, it may show light signs of use. Dimensions: Height: 26 cm, Diameter: 27 cm

Heinz Lilienthal Slate Blackstone Rectangle Coffee Table, Model ‘Bogota’. Manufactured in Germany in the 1970s. The coffee table features a thick solid slate hard stone top of 3 cm (!) with ‘soft’ edges. The elegant chromed base creates a spacious effect. The table is in a very well preserved vintage condition. Dimensions: Height: 46 cm, Width: 141 cm, Depth: 81 cm, Quantity: 1

This small yet substantial glass bud vase was produced in Italy during the 1970s and stands 11 cm high. Made of thick, hand-blown glass, the vase features bold black and white vertical stripes embedded within the glass, creating a striking graphic effect. The softly rounded body and narrow neck give it the proportions of a classic rose vase, while the weight and finish reflect high-quality Murano glassmaking. A refined and sculptural miniature object with strong visual presence. The vase is in perfect condition. Dimensions Height 17,5 Diameters: Top 3,5 Opening 1,5 Belly 9,5 cm

This beautiful high quality finished midcentury Dutch design rosewood cabinet is attributed to the German designer Rudolf Bernd Glatzel. It’s  and manufactured by Fristho Franeker in the Netherlands. It features two tall storage compartments with two shelves per side. The doors with the original Fristho brand inside are provided with a subtle and elegant detailed glass handgrip. The two drawers are situated underneath the two compartments The design can be described as subtle and minimalistic. The cabinet is in a very well preserved vintage condition, with minor wear consistent its age and use. It fits perfectly in an eclectic oriented interior. Dimensions: Height: 126 cm, Width: 123 cm, Depth: 45 cm, Quantity: 1

Set of two vintage design kitchen chairs manufactured by Brabantia in The Netherlands, dating from the 1960s. The chairs feature light-colored Formica seats and backrests with a delicate checkered pattern in soft grey and pale pink tones, giving the set a subtle and charming graphic appearance.

Combined with chromed tubular steel frames, the chairs reflect Brabantia’s well-known focus on practical design, durability, and everyday usability. The gentle color palette and refined checkered pattern make this pair particularly appealing as accent seating, suitable for a kitchen corner, breakfast nook, or smaller dining space.

The chairs are in a well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character.
Dimensions: Height 80 Width 40,5 Depth 48,5 Seating height 47 cm.

Mid-Century Scandinavian cheerful 3-seat sofa, model Dymling designed by Yngve Ekstrom in the 1970s by Swedese. The colorful quality fabric of all cushions is in a very well preserved condition and each cushion has a removable head cushion. The frame of the sofa is made of solid pinewood. The proof of authenticity is branded on the wooden frame. This original Swedish sofa is overall in a well preserved vintage condition, with some light wear on the frame according its age and use. The seating comfort is great and the fresh color combination of the fabric gives this sofa a radiant look. Dimensions: Height: 100 cm, Width: 200 cm, Depth: 90 cm, Seat height: 42 cm, Armrest height: 45 cm, Quantity: 1

Beautiful and very comfortable leather De Sede lounge chair DS101. Crafted in the 1970s by the renowned Swiss manufacturer De Sede. This striking chair is an example of timeless design and exceptional craftsmanship. Upholstered in thick, high-quality cognac colored leather, the chair boasts a beautifully aged patina that enhances its vintage character. Its generous , low-slung silhouette invites relaxition, while the softly padded cushions and subtly reclining seat ensure lasting comfort. One of the stand-out features is the unique hand-laced leather stitching along the seams, a signature of De Sede’s artisanal excellence. The sturdy construction, combined with elegant detailing and a rich sense of materiality, makes this piece not just a lounge chair but a true design statement. It remains in a good vintage condition, with some consistent wear in line with age and use, and offers both functional comfort and distintive visual appeal. Dimensions: H 72 cm, W 112 cm, D 95 cm, SH 40 cm. Quantity: 1

This elegant mid-century table lamp dates from the 1960s and is most likely of Scandinavian origin. The design combines a turned wooden base with a slender frosted glass tube, evoking the silhouette of a traditional hand-held candlestick reinterpreted as an electric lamp. The result is a warm, graphic and understated object with a strong sense of atmosphere. Beautifully balanced in proportion and material, this lamp works equally well as an accent light or bedside lamp. The lamp is in good vintage condition, as with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 32 cm, Width: 15 cm, Depth: 15 cm

This elegant ceramic jug by Leckchen was produced in West Germany during the 1960s and features a beautifully balanced form with a softly rounded body, subtle pouring lip and sculptural handle. The jug is finished in a rich earthy glaze with warm golden tones and darker accents, giving the surface depth and a refined, organic appearance. With a height of 21 cm, it is a decorative yet practical size and a fine example of mid-century West German pottery. The jug is in excellent vintage condition. Dimensions: Height 21 Diameters: Top 21,5 Opening 9 cm

Mid-Century Dutch Design TU04 Coffee Table, Japanese Series by Cees Braakman for Pastoe, The Netherlands, 1960s. Minimalist coffee table model TU04 from the Japanese Series, designed by Cees Braakman for Pastoe in the 1960s. The table features a reversible rectangular top with teak veneer on one side and a white laminated surface on the other, offering both warmth and graphic clarity.

Beneath the top, integrated open storage compartments run along the long sides of the table, accessible from both faces, creating a balanced and functional design. The top is supported by a black lacquered metal frame, emphasizing the table’s light, architectural character.

An elegant and practical example of Dutch modernist design from The Netherlands. Dimensions: Height 28,5 Width 120 Depth 52 cm.

This striking pendant lamp, model “High Chaparral” (B-1052), was produced by Raak Amsterdam in the 1960s and is a fine example of mid-century Dutch design. The lamp features a sculptural shade made of grey smoked glass, characterized by its elegant, bowl-like form and distinctive central drop. The organic silhouette gives the piece a strong yet refined presence, while the smoked glass softly diffuses the light, creating a warm and atmospheric effect. A gold-coloured / brass metal fitting completes the design, adding a subtle contrast and a touch of luxury. The “High Chaparral” series is known for its expressive glasswork and bold modernist character, making this lamp both a functional light source and a sculptural statement. It is particularly well suited for use above a dining table, in a living space, or as an eye-catching feature in an entryway. A beautifully balanced vintage pendant lamp that reflects Raak Amsterdam’s reputation for innovative lighting and high-quality craftsmanship during the mid-century period. The lamp is in acwell preserved vintage condition. The glass shade is in excellent shape, with no cracks or chips, and presents beautifully. Minor signs of age consistent with vintage design may be present. The lamp has not been recently tested; however, no visible issues are observed. Dimensions: Height: 32 cm, Diameter Foot: 33 cm

Elegant Scandinavian mid-century coffee table from the 1960s, crafted entirely in teak wood. The design is defined by its refined simplicity: softly rounded corners of the tabletop with subtle cut-outs, allowing the gently rounded tops of the legs to fit seamlessly into the frame. A harmonious and well-balanced piece, where construction and detail are quietly celebrated. Warm patina and fine grain throughout. A timeless example of understated Scandinavian modern design.
Dimensions: Height 45 Width 125 Depth 45 cm.

Mid-Century Vintage Swedish Glass Water Jug by Kosta Boda 1970s. The jug has a slender cylindrical form (height 22.5 cm), with an applied clear glass handle and a softly formed pouring spout. The surface is decorated with a tactile relief pattern: vertical striations combined with rounded, bubble-like impressions concentrated toward the lower section, creating depth and a lively interaction with light. The jug is in a very well preserved vintage condition. A strong example of Scandinavian modern glassware where functionality and subtle sculptural surface design are combined. Kosta Boda is one of Sweden’s most prestigious glass manufacturers, originating from the Kosta glassworks founded in 1742, later merged with Boda Glasbruk. During the 1960s and 1970s, Kosta Boda became internationally known for modern, textural glass design intended for everyday use as well as artistic expression. Pieces from this period are valued for their durability, clarity of form, and characteristic Scandinavian restraint. Dimensions: Height 22,5 |Diameter 9,3 cm

Artisania Rinconada Handcrafted Ceramic Horse Sculpture. Uruguay, 1960s. Artisania Rinconada horse sculpture from Uruguay. Beautiful mid-century handcrafted South American ceramic horse sculpture with inscripted signature. Style of decor and base markings of this very decorative piece with Kaleidoscoop patterns are very easily recognized and identified. Dimensions: H 22 W 20 D 7,5 cm.

Seated Nudy signed by Daron. Mixed media on canvas. 1970s. This large-scale figurative painting, signed “Daron”, represents a typical example of European studio practice from the 1970s. Executed in mixed media on canvas, the work depicts a seated female nude rendered in bold primary colors, including yellow, red, blue, and green.

The figure is defined by strong black contour lines, while areas of shading appear to be executed with a wax-based medium, possibly oil pastel or crayon, resulting in a dry, graphic surface texture. The woman’s blue hair creates a striking contrast with the surrounding color fields, reinforcing the emphasis on flat color, simplified form, and direct figuration.

The construction of the work suggests a collage-like process: the nude figure appears to have been painted separately, cut out, and subsequently applied onto a painted red and green background. This layered approach reflects an experimental but informal working method characteristic of the period.

The composition remains firmly figurative and decorative in nature, prioritizing visual immediacy over conceptual depth. While the work shows period-specific stylistic traits and material experimentation, it does not present the level of technical refinement or compositional complexity associated with academically trained or widely recognized artists.

Signed but otherwise undocumented, the painting stands as a modest, period-typical example of 1970s figurative mixed-media painting.Dimensions Visual: Height 100 Width 80 cm.

Elegant vintage swivel chair designed by Geoffrey Harcourt and produced by Artifort. This model features a sculptural, generously upholstered seat and backrest, mounted on a cast aluminium five-star pedestal base. The chair is upholstered in a grey textured plush fabric, complemented by matching upholstered armrests and a distinctive red piping detail along the sides, adding a subtle graphic accent.

Originally conceived as an office or conference chair, it also works beautifully as a compact lounge or reading chair.

As with all vintage design items, light signs of use and wear may be present and contribute to its authentic character. Dimensions: Height 85 Width 63 Depth 70 Seating height 50 cm.

Large Mid-Century Sculptural Vibrant Murano Glass Face Vase with Applied Features. Italy, 1970s-1980s. A striking Murano Glass Vase in vibrant colors, featuring an expressive sculpted face motif. Its swirling Mediterranean hues and artisanal Italian craftsmanship make it an eye-catching decorative piece and a distinctive gift. Dimensions: Height 38 Width 25 Depth 12 cm.

Elegant French mid-century cocktail table in the Hollywood Regency style, executed in brass with a removable inset top of grey-veined white marble. The slender brass legs are connected by an X-shaped stretcher, giving the table a refined architectural balance and a distinctly cosmopolitan character associated with Maison Jansen–style interiors of the 1960s. A timeless and glamorous accent piece with strong decorative appeal which can function as a side table or plant stand. Dimensions: Height 47 cm, Width 30 cm, Depth 30 cm

Set of 3 original vintage issues of Domus Magazine, dating from 1983. This bundle includes the following issue numbers: 637, 640 and 645. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Bright Youth, inspired by Maurice Dupont, oil on canvas, Western Europe, mid–late 20th century. This figurative portrait titled Bright Youth is a stylistic homage to the work of Maurice Dupont. The painting depicts a youthful figure rendered in bright, optimistic colors and simplified forms, emphasizing vitality and mood rather than strict realism.

The composition and handling clearly reference mid-20th-century modernist portraiture, with flattened pictorial space, stylized facial features, and a light, expressive palette. Brushwork is confident and fluent, suggesting familiarity with the visual language it draws upon.

The painting is signed with the name “Dupont,” accompanied by a second, different name, indicating that the work should be understood as inspired by rather than authored by Maurice Dupont. It is therefore offered as a derivative or homage work, not as an original by the named artist.

Despite its derivative nature, the painting has clear decorative appeal and is competently executed, making it a charming and accessible example of modernist-inspired figurative painting. Dimensions Frame: Height 63 Width 52 cm. Visual: Height 60 Width 49 cm.

Set of six armchairs model Galateo, designed by Pascal Mourgue for Scarabat in 1980. These sculptural mid-century chairs reflect Mourgue’s distinctive design language, characterized by soft, organic lines and relaxed modern elegance. The chairs offer excellent seating comfort and embody the refined, expressive spirit of late 20th-century French design. A stylish and increasingly sought-after designer chair suitable for both contemporary and vintage-oriented interiors. Condition note: These remarkable chairs need some TLC. Dimensions: Height 78 Width 68 Depth 55 cm.

Sparkling vintage hand-cut lead crystal ice bucket attributed to C.A.L.P., Europe, circa 1980s. The bucket features a sharp geometric diamond-cut pattern with a heavy, faceted base, combined with a clean stainless steel (inox) rim and swing handle. The contrast between brilliant cut crystal and restrained metal hardware reflects late-modern European barware design focused on clarity, weight, and functionality. Dimensions: H 14 DM Bucket 11 cm.

This atmospheric mid-century design pendant lamp is attributed to Doria, Germany, circa 1960s, and reflects the elegant material combinations typical of mid-century German lighting. The lamp features a warm brass frame paired with a generously shaped glass shade reminiscent of a soft, pudding-like form. The rounded silhouette gives the lamp a gentle, sculptural presence, while the clear glass beautifully diffuses the light, creating a rich and inviting ambiance. When illuminated, the light feels warm and decorative rather than harsh, making it particularly suitable for living spaces, dining areas, or hallways. Comparable designs by Doria are known both as pendant lamps and ceiling-mounted plafonniers, reinforcing the attribution and period. This hanging version stands out for its balanced proportions and timeless appeal. The lamp is in fair vintage condition. The glass shade is in excellent condition, with no cracks or chips. The brass frame shows visible signs of age, including light corrosion and surface wear, consistent with use over time. The wiring has not been recently tested and should be checked before installation. Overall, the lamp remains structurally sound and visually attractive. Dimensions: Height: 42 cm, Diameter Foot: 28 cm

Brutalist Dutch desk executed in solid pinewood, featuring three drawers and an integrated storage compartment. The design reflects the sculptural, honest construction associated with Dutch brutalist furniture of the 1970s, in the style of Ate van Apeldoorn. Dimensions: Height 73 cm, Width 140 cm, Depth 60 cm

Coastal Dunes – Jurriaan van Hesseling, The Netherlands, 1960s–1970s. Medium: Oil or mixed media on canvas / board. Dutch School, 20th century. This vintage painting by Jurriaan van Hesseling belongs to the tradition of Dutch post-war painting from the 1960s–1970s, a period marked by expressive freedom, painterly experimentation, and a renewed focus on subjective interpretation of landscape and form.

Although biographical documentation on the artist remains limited, the clearly legible signature confirms authorship, situating Van Hesseling as an identifiable Dutch painter active during the mid-20th century. The work demonstrates a confident, expressive handling of paint, suggesting an artist working within the broader context of post-Impressionist and expressionist influence that remained prominent in Dutch painting during this period.

The composition presents a coastal landscape characterized by rolling dune formations and restless surf beneath a brooding, overcast sky. Thick, energetic brushstrokes and a vigorous application of paint animate the surface, creating a dynamic interplay between land, sea, and atmosphere. Color is employed expressively rather than descriptively, reinforcing movement and emotional intensity rather than strict naturalism.

The painterly surface, marked by textured layers and visible gesture, reflects a practice rooted in expressive realism and post-Impressionist sensibilities, evoking associations with artists who emphasized emotional resonance and material presence over literal representation. The landscape functions not merely as a depiction of place, but as an experiential field shaped by wind, light, and motion.

This work stands as a representative example of mid-20th-century Dutch expressive landscape painting, combining recognizable motifs with a free, intuitive painterly language characteristic of the era. Dimensions Frame: Height 80 Width 99 cm. Visual: Height 61 Width 80 cm.

Ceramic High Gloss White Porcelain Vase with Graphic Design Pattern by Königlich privilegierte Porzellanfabrik Tettau. Germany, 1960s. This large white porcelain vase was produced in Germany during the 1960s by Königlich Privilegierte Porzellanfabrik Tettau and stands 33 cm high. The vase features a striking sculptural form with a crisp geometric relief pattern, creating a strong graphic effect across the surface. Finished in a high-gloss white glaze, the sharply defined facets catch the light beautifully and emphasize the modernist character of the design. A refined and elegant example of mid-century German porcelain. The vase is in very good vintage condition. Dimensions: H 33 DMO: 7,5 DMB: 20 cm

This decorative ceramic wall tile is a classic example of mid-century Ruscha wall design, combining tactile relief with bold glaze contrasts that are instantly recognisable to collectors of West German pottery. The composition centres on a raised abstract floral / cellular motif, built from rounded, bubble-like forms in high-gloss orange and amber enamel. These glossy elements sit in strong contrast against a matte, earth-toned background in mottled brown, beige, and olive hues—creating depth, shadow, and a rich volcanic surface effect reminiscent of Fat Lava aesthetics, though executed here with more precision and gloss. The tile’s relief is pronounced, giving it a sculptural presence despite its compact size. At approximately 3 cm thick, it projects confidently from the wall and works equally well as a standalone accent or as part of a grouped wall installation. The piece is in a very well preserved condition. This piece sits firmly within Ruscha’s decorative wall tile production, valued for its expressive glaze chemistry, strong colour contrast, and architectural relief. The vivid orange enamel—warm, saturated, and reflective—elevates the tile above more subdued examples and makes it especially attractive for collectors and interior designers alike. Dimensions: Height 24 Width 18 Depth 3 cm.

Vintage Ceramic Wall Tile with Three White Flowers on Wooden Panel, 1960s. Dimensions: H 35 W 35 Thick 3,5 cm.

Elegant elliptical bowl carved from solid onyx marble (also known as calcite onyx), featuring richly layered green, amber and honey-toned veining with natural banding throughout. The bowl is sculpted from a single block and finely polished, giving the surface a soft translucency and depth characteristic of onyx-based stones. The organic, flowing silhouette and emphasis on natural pattern align with mid-century decorative stone objects, where material beauty was the primary design element. This bowl is in a very well preserved condition, with no damage observed. Dimensions: Height 4 Width 32 Depth 19 cm

Elegant mid-century wall lamp attributed to Svend Aage Holm Sørensen for ASEA, produced in Sweden in the 1960s.

The lamp features a brass fixture with a gently tapering frosted glass candle-shaped diffuser, set against a curved metal backplate that creates a warm, indirect light effect.

A refined Scandinavian design with clean lines and timeless proportions, ideal for use as accent lighting in a hallway, bedroom, or living space.

Offered individually; a matching second lamp is available separately.

Condition
Excellent vintage condition. No damage or chips to the glass, no dents to the metal. Fully functional.

Elegant mid-century wall lamp attributed to Svend Aage Holm Sørensen for ASEA, produced in Sweden in the 1960s.

The lamp features a brass fixture with a gently tapering frosted glass candle-shaped diffuser, set against a curved metal backplate that creates a warm, indirect light effect.

A refined Scandinavian design with clean lines and timeless proportions, ideal for use as accent lighting in a hallway, bedroom, or living space.

Offered individually; a matching second lamp is available separately.

Condition
Excellent vintage condition. No damage or chips to the glass, no dents to the metal. Fully functional.

Vintage Foldable and Mobile Chrome Steel ‘Dinett’ Serving Trolley with 2 White Layers by Gerlinol, Germany, 1970s. This elegant and highly functional serving trolley features a chrome-plated tubular steel frame combined with 2 layers of white laminated surfaces, characteristic of practical German design from the 1970s. This variant is relatively rare.

The trolley is equipped with two foldable side panels, allowing for multiple configurations:

• fully opened on both sides as a generous dinette or serving trolley,

• opened on one side only, making it ideal as a slim side table placed against a wall,

• or fully folded down, transforming into a compact unit that can easily be stored when not in use.

Mounted on original castors, the trolley is fully mobile and can be moved effortlessly, making it particularly suitable for flexible interiors and smaller living spaces. When folded, it occupies minimal space while retaining its sculptural, modernist appearance.

A versatile and clever design object that works equally well as a serving trolley, bar cart, breakfast table, side table or occasional workspace.

A fine example of functional vintage German design, combining mobility, adaptability and timeless aesthetics. Dimensions: Height 78 Width 64 Depth 41,5 cm.

Set of two white ‘Modus’ desk side chairs.
Designed by Osvaldo Borsani. Produced by Tecno, Italy. 1970s. The chairs feature a white fiberglass shaped shell and a beautifully shaped aluminium pedestal. Dimensions: Height: 72 cm, Width: 48 cm, Depth: 42 cm, Seat height: 44 cm, Quantity: 1

Elegant vintage design chair by Brabantia, produced in The Netherlands during the 1960s. This model is distinguished by its integrated armrests finished with black Bakelite pads, giving the chair a slightly more generous and comfortable presence than standard kitchen seating.The seat and backrest are executed in a dark brown Formica with a rich woodgrain pattern reminiscent of rosewood, offering a warm, refined appearance typical of mid-century interiors. Both elements are neatly finished with a black edge trim, while the chair stands on a chromed tubular steel frame.Originally designed as a kitchen or dining chair, this piece also works beautifully as a compact desk or occasional chair, combining practicality with understated vintage character.The chair is in very well preserved vintage condition. As with all vintage seating, it may show light signs of use, which add to its authentic character. Dimensions: Height 79 Width 55 Depth 45 Seating height 46 cm.

A rare and highly restrained early electric wall lamp, dating to the early decades of domestic electrification. Due to its early date, fragile construction and transitional character, this lamp should be regarded as a true collector’s piece rather than a purely functional object. The design is striking in its functional minimalism: a black metal wall construction with delicate linear arms, paired with a softly diffusing frosted glass shade. The visible fabric-covered power cord and simple mounting clearly point to an early production period, when electric lighting was still transitioning from gas and oil. The composition is almost graphic in character and strongly anticipates later Dutch modernist design, with affinities to early utilitarian makers such as Tomado, though no definitive attribution can be made. This piece feels closer to an object of industrial history than mere decoration. A quiet, honest example of early modern lighting design. The lamp has been tested and is in working condition. As with all vintage items or lighting, this piece may show light signs of use, which add to its authentic character. Dimensions: Height: 29 cm, Width: 17 cm, Depth: 11 cm

Decorative Long Mid-Century Style Hall Runner, Indigo & Earh Tones. 470 x 70 cm. A long vintage-style hall runner with a distinctly mid-twentieth century aesthetic, featuring a bold graphic design and a rich decorative presence. The runner features a deep indigo blu field with repeating geometric medaillons and stylized tribal-inspired motifs in brick, red, ivory, soft green and ochre tones. Subtle irregularities in the pattern add visual depth and character, giving the piece an authentic vintage look. Its exceptional length makes it particularly suitable for a long hallway, corridor or gallery space, where it creates rhythm and continuity without overwhelming the interior. Presented in a very good condition, with a well preserved pile and strong, vibrant colors throughout. The runner has been professionally cleaned.

Set of four mid-century modern danish design dining chairs, model 84 by Niels Otto Moller. Manufactured by J.L. Moller Mobelfabrik, Denmark, 1960s. The solid beech wooden frame is newly upholstered with a high quality subtle greyish blue velvet fabric. The branded set is in a very good vintage condition, with minor wear consistent its age and use. Height: 76 cm / 29,9 inch, Width: 50 cm / 20 inch, Depth: 50 cm / 20 inch, Quantity: 4

Magical Realist Kettle and Jug Still Life by Ferdinand Vercnocke, oil on canvas, Belgium, mid-20th century. This still life by Belgian painter Ferdinand Vercnocke presents a carefully composed interior scene imbued with a quiet, timeless atmosphere. The composition features a copper kettle and copper pan, a glass wine jug, and a small pewter oil lamp, arranged on terracotta floor tiles against a textured wall.

Executed in oil on canvas, the painting exemplifies Vercnocke’s distinctive magical realist approach. Everyday objects are rendered with meticulous clarity and material sensitivity, yet the scene transcends simple realism through its controlled lighting, stillness, and contemplative mood. The warm glow of copper, the translucency of glass, and the muted metallic surface of the oil lamp are handled with refined precision.

The restrained architectural setting and balanced composition evoke a medieval or timeless interior, emphasizing silence and introspection rather than narrative action. Such qualities are characteristic of Vercnocke’s work, in which domestic objects become carriers of atmosphere and symbolic presence.

Ferdinand Vercnocke is known for his refined, symbolist-inflected realism, often described as magical or metaphysical. His oeuvre includes still lifes, interiors, and figurative compositions that combine technical mastery with a subdued sense of mystery. This work represents a strong example of his mid-20th-century production.
Dimensions Frame: Height 52,5 Width 63 cm. Visual: Height 38 Width 48,5 cm.

Set of 4 Mid-Century Dutch Design Teak Dining Chairs by Thereca. The Netherlands, 1960s. Elegant set of four Dutch mid-century modern armchairs produced by Thereca in the 1960s.
These chairs are crafted from solid teak and feature refined wooden armrests paired with a slender metal frame, creating a sophisticated balance between warmth and lightness.

The seats and gently curved backrests are upholstered in a rich green fabric, which enhances the natural tone of the teak and gives the set a calm yet distinctive modernist character. The open construction and well-proportioned silhouette are typical of high-quality post-war Dutch design, combining functionality with understated elegance. The set is in a very well preserved condition.

A versatile and highly decorative set, ideal for use around a dining table, in a meeting or conference setting, or as statement seating in a refined residential or professional interior. A strong example of authentic mid-century modern design from the Netherlands.

Charming set of two vintage kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. The seats and backrests are finished in white Formica featuring a subtle soft-grey striated pattern, creating a refined, lightly textured appearance rather than a flat white surface.Both seat and backrest are neatly finished with a black rim, providing a crisp graphic contrast that is characteristic of mid-century Dutch kitchen furniture. The chairs stand on a chromed tubular steel frame, combining durability with a clean, timeless silhouette.These chairs are typical examples of Brabantia’s well-designed everyday furniture, originally intended for kitchen or dining use, but equally suitable for modern interiors seeking authentic mid-century character.The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 79 Width 38,5 Depth 46 Seating height 46 cm.

Substantial and heavy patchwork leather pouf, attributed to De Sede. Crafted from high-quality leather panels stitched in compartments, creating a sculptural and tactile presence.
Exceptionally well preserved and perfectly suited as a companion piece to iconic De Sede sofas such as the DS-11. Dimensions: Height 32 cm, Width 65 cm, Depth 65 cm

Iconic 'Lucifer' Wall Sconce by Raak Holland, The Netherlands 1960s. The 'Lucifer' exemplifies the brand's signature blend of minimalism and architectural clarity. It's clean geometric form and precise light control make it a striking yet understated design piece, reflecting the innovative spirit of mid-cewntury Dutch lighting design. Dimensions: TH 39, Shade: H 32 DM 13 cm

An especially charming and visually playful set of six vintage kitchen chairs by Brabantia, produced in The Netherlands during the 1960s. This set stands out for its deliberately varied composition, featuring a harmonious mix of colours and finishes: white, cream, orange, red, woodlook, and a darker rosewood-style woodgrain.

All chairs share the same classic Brabantia design language — Formica seats and backrests with black edging, combined with sturdy chrome tubular steel frames — ensuring visual coherence despite the colour variation. The result is a lively yet balanced ensemble, perfect for those who enjoy character, individuality, and a relaxed, eclectic look around the kitchen or dining table.

Rather than a uniform set, this group celebrates variation and personality, making it ideal for creative interiors, family kitchens, or informal dining spaces where warmth and originality matter more than strict symmetry.

The chairs are in very well preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 79 Width 40 Depth 48 Seating height 44 cm.

Vintage Foldable and Mobile Chrome Steel 3 Faux Wood Layers ‘Dinett’ Serving Trolley by Gerlinol, Germany, 1970s. This elegant and highly functional serving trolley features a chrome-plated tubular steel frame combined with 3 layers of faux wood laminated surfaces, characteristic of practical German design from the 1970s. This variant is relatively rare.

The trolley is equipped with two foldable side panels, allowing for multiple configurations:

• fully opened on both sides as a generous dinette or serving trolley,

• opened on one side only, making it ideal as a slim side table placed against a wall,

• or fully folded down, transforming into a compact unit that can easily be stored when not in use.

Mounted on original castors, the trolley is fully mobile and can be moved effortlessly, making it particularly suitable for flexible interiors and smaller living spaces. When folded, it occupies minimal space while retaining its sculptural, modernist appearance.

A versatile and clever design object that works equally well as a serving trolley, bar cart, breakfast table, side table or occasional workspace. Dimensions: Height 88 Width 66 Depth 41,5 cm.

This charming adjustable mid-century desk and night lamp, model 8802, was produced by Bahag AG in Germany during the 1970s. The lamp features a clean, geometric design with a softly rounded, cube-shaped base in white, paired with a telescopic chrome arm that allows the height to be easily adjusted. The lamp head is fully rotatable, offering flexible light direction for various uses, from bedside lighting to desk or reading light. Designed to fold down into a compact form, the lamp was conceived as a practical and space-saving solution. A switch located on the base allows the light to be adjusted in two brightness levels, adding to its functional appeal. Minimal, intelligent, and distinctly utilitarian, this lamp is a fine example of German functional design from the 1970s. The lamp is in fully functional and very well preserved vintage condition. Dimensions: Height: 27 - 44 cm, Width: 7 cm Depth: 21 cm

Vintage Brutalist Organic Murano Glass Bowl, Italy 1960s. A striking Murano glass bowl/ashtray featuring a vivid gradient from green to amber-brown. It's sculptural biomorphic silhouette is accented by four deep notches that function as cigarette rests or bod decorative contours. It reflects the region's renowned glassmaking tradition while leaning into an almost brutalist aesthetic through its weighty form and expressive folds. The glass shows characteristics associated with Murano production, including rich color saturation, heavy weight, smooth hand-finished edges and an organic free-form design typical of mid-century Italian decorative glass. This piece of glass art is in an excellent preserved condition; no chips or cracks observed. Dimensions: Height 7 Width 17 Depth 17 cm.

Large and luxurious ultra comfortable lounge chairs manufactured by the renowned producer Durlet in the 1970s. This quality set is upholstered in a well preserved patinated chocolate brown leather. The Belgium manufacturer Durlet is well-known for its high quality furniture. At some spots there is some visible damage in the leather of the seating. Furthermore both chairs are in a well-preserved condition. The nice patine is accordingly its age and use. Dimensions: Height: 75 cm, Width: 90 cm, Depth: 85 cm, Seat height: 42 cm, Armrest height: 45 cm, Quantity: 2

Stunning rectangular beautifully G shaped gold plated coffee- sidetable from Dewulf Selection by Belgo-Chrom. Featuring on the bottom level a smoked mirror glass top and on the upper level a transparant massive glass table top. The frame of this mid-century G-Table is 23-carat gilded, which is marked underneath the frame with brief maintenance instructions. A very eye-catching minimalistic design from the 1970s. Dimensions: Height: 38 cm, Width: 120 cm, Depth: 75 cm

Solid brass square coffee table with smokey glass top. This very decorative coffee table is attributed to Peter Ghyczy and manufactured in the 1970s. It is in a very well preserved vintage condition, with some non disturbing wear consistent its age and use. Dimensions: Height: 45 cm, Width: 74 cm, Depth: 74 cm, Quantity: 1

Dutch Design coffee table designed by the famous cabinet maker Fristho for Topform in the Netherlands around the 1960s. The table has solid rosewood legs and the top is made of wood with rosewood veneer. The tabletop of this piece features a very nice wood structure. Although the top shows some non disturbing signs of use, this large coffee table can be considered as a charming and warm piece of furniture that still remains in a well preserved vintage condition. Dimensions: Height: 40 cm, Width: 154 cm, Depth: 52 cm, Quantity: 1

Vintage Opalina Fiorentina Glass Rose Vase with Sculpted Edge Attributed to Stelvia. Italy, 1960s. This elegant opaline glass rose vase was produced in Italy during the 1960s and stands 25 cm. high. Executed in softly translucent opaline glass, the vase features a slender baluster form with a sculpted, scalloped rim that adds a delicate decorative accent. The refined proportions and subtle milky sheen are characteristic of Italian mid-century glass, combining classical elegance with restrained modernity. A graceful and timeless decorative object. The vase is labeled en still in very good vintage condition. Dimensions: Height 25 Diameter: Top 6 Opening 2 Belly 8 cm

Very nice pair of Dutch design minimalistic cubic armchair / sidechair made of solid pinewood. Designed by Ate van Apeldoorn for Houtwerk Hattem. The Netherlands, 1960s. This set of robust armchair features beautifully stitched seat and backrest made of beautiful patinated camel colored leather. Dimensions: Height: 78 cm, Width: 62 cm, Depth: 48 cm, Seat height: 50 cm, Armrest height: 67 cm, Quantity: 2

Geborgenheid (Shelter / Inner Protection) – Ferdinand Vercnocke, Belgian School, signed 1959. Oil on canvas.
Belgian painter Ferdinand Vercnocke is known for his symbolic, surrealist-influenced figurative compositions in which psychological depth, metaphysical symbolism, and refined technical execution converge. His work belongs to the tradition of European post-surrealist symbolic realism, combining narrative clarity with inner, spiritual meaning.

Geborgenheid presents a monumental symbolic composition centered on a maternal figure holding a child, constructed as an archetypal image of protection, safety, and inner shelter. The central female figure is rendered frontally with calm stillness and psychological presence, functioning not as a portrait but as a symbolic embodiment of care and containment. The child, held close to the mother’s face, reinforces themes of vulnerability, trust, and emotional dependence.

The surrounding environment introduces layered symbolic elements: a Buddha-like sculptural presence, ritualistic architectural forms, and structured golden objects, creating a metaphysical spatial framework that suggests spiritual guardianship and transcendental protection. These elements operate as symbolic architecture rather than narrative background, transforming the scene into an inner landscape of psychological and spiritual meaning.

In the foreground, the inclusion of a porcelain jug and cup introduces a domestic still-life element, grounding the metaphysical symbolism in everyday human ritual and intimacy. This contrast between the sacred and the domestic is characteristic of Vercnocke’s visual language, where inner life, spirituality, and human experience coexist within a single symbolic structure.

The work exemplifies Vercnocke’s distinctive artistic approach: a controlled, serene surface concealing a complex symbolic system, merging figurative surrealism, allegorical realism, and metaphysical symbolism. Geborgenheid stands as a contemplative meditation on inner safety, spiritual protection, and psychological containment, expressed through a refined symbolic composition of timeless character. Dimensions Frame: Height 92 Width 82 cm. Visual: Height 79 Width 69 cm.

Striking Fat Lava ceramic wall tile by Ruscha Keramik, produced in West Germany during the 1960s. The tile features a powerful rearing red horse rendered in bold relief against an intense deep azure blue (Azurblau) ground. The surface is finished in Ruscha’s characteristic powdery, lava-textured matte glaze, giving the blue an exceptional depth and velvety saturation. With its substantial thickness and architectural scale, this piece reads unmistakably as a statement wall object rather than decorative wall pottery. The dynamic contrast between the sculptural red horse and the richly textured blue field is a hallmark of Ruscha’s strongest figurative designs. This piece is in excellent condition, no damage observed. Ruscha was one of the leading manufacturers of architectural and sculptural wall ceramics within the West Germany Pottery movement. Their figurative wall tiles—especially animal motifs—are among the most sought-after works from their production, valued for their bold relief, expressive glazing, and strong graphic impact. The Azurblau glaze seen here is particularly prized: a deeply saturated, matte blue that intensifies contrast and elevates the sculptural quality of the relief. Dimensions: H 42 W 23, Thick 3 cm

Charming small rectangular enamelled copper dish with rounded corners, decorated in a playful abstract composition of deep blue, green, yellow and red on a black speckled copper ground. The glossy enamel surface shows lively colour contrasts and painterly transitions, typical of mid-century Italian enamel work. The compact size suggests use as a pin dish, ring tray or small decorative object. Unmarked, but stylistically consistent with Italian enamel studios active in the post-war period. This small decorative item is inna very well preserved vintage condition. Dimensions: Height 1 Width 10 Depth 7 cm.

A refined Mid-Century pendant lamp featuring an amber-colored glass globe with a distinctive diamond-patterned texture. Inside the outer shade, a transparent ribbled glass inner cylinder softly diffuses the light, creating a warm and atmospheric glow. The combination of textured amber glass and the inner frosted element gives the lamp both visual depth and functional elegance, typical of European lighting design from the 1960s. When illuminated, the layered glass structure produces a rich, inviting light effect, while unlit it remains a strong sculptural presence. Presented in very good vintage condition, with well-preserved glass and only minimal signs of age-related wear. An elegant and versatile Mid-Century lighting piece, suitable for use in a living space, hallway or above a dining table. Dimensions: Diameter globe: 30 cm

Exceptional large rectangular enamelled copper tray by Studio Laurana,, Pesaro Italy, 1960s. Including signature and brand label. The slightly concave form with softly rounded corners is finished in transparent enamel layers in warm amber and deep green tones, enriched with vivid hand-applied red and blue dot accents. Subtly visible in the base is an abstract fish-like motif, emerging through the layered enamel and engraved copper texture. The surface shows fine linear tooling marks beneath the enamel, giving depth and movement to the composition—typical of Studio Laurana’s expressive mid-century work, where craft, colour and symbolism intersect. Produced in Italy by Studio Laurana, known for high-quality mid-century enamel work on copper. Their pieces are characterised by transparent colour fields, engraved substrates, and playful accent colours—often incorporating abstract natural themes such as fish and organic forms. Dimensions: approx. Height 8,5 Width 43 Depth 27 cm