Kunst en decoratie

Abstract Composition in Red, Yellow and Blue by Arty Grimm, screenprint (silkscreen), 2004. This screenprint by Arty Grimm
created in 2004 and numbered 179 from an edition of 200, presents a bold abstract composition executed in primary colors. Dominated by red, yellow, and deep blue tones, the work demonstrates a strong sense of balance between color fields, texture, and form.

The composition is structured around layered vertical elements, with dense dark passages contrasting against a luminous yellow ground. At the upper section, two red organic forms introduce visual tension, while the lower portion features textured, circular motifs that add rhythmic variation to the surface. The use of roughened textures and irregular edges gives the print a tactile, expressive quality despite the graphic medium.

Although executed as a screenprint, the work retains a painterly presence through its layered application of color and its emphasis on material surface. The restrained palette and abstract language place the work firmly within contemporary graphic abstraction, where color and form function independently of narrative or representation.

Arty Grimm is known for abstract compositions that explore contrast, structure, and chromatic interaction. His graphic works are appreciated for their strong visual impact and disciplined use of color, making them accessible yet conceptually grounded examples of contemporary printmaking. Dimensions Frame: Height 49 Width 39 cm. Visual: Height 26 Width 16 cm.

Reclamation (Ontginning) by M. Bollen, mixed media (airbrush and drawing), Western Europe, late 20th century.
This work, titled Ontginning (Reclamation), depicts a meticulously ordered suburban garden scene rendered with striking technical precision. A rectangular lawn, neatly arranged garden furniture, and a modest garden shed are enclosed by a concrete fence, beyond which tall cornfields and flat agricultural land stretch into the distance.

Executed in a combination of airbrush and fine drawing, the image is smooth, controlled, and highly detailed, lending it an almost photographic clarity. Despite its realism, the scene conveys a sense of unease and emotional distance. The contrast between domestic order and vast cultivated land creates a subtly alienating atmosphere, aligning the work with late-20th-century conceptual realism. Dimensions Frame: Height 66 Width 82 cm. Visual: Height 43,5 Width 64 cm.

The Cleopatra sofa daybed breaks with the design of all previous beds. A.R. (Dick) Cordemeijer is commissioned by Auping to design ‘something beautiful’. In the 1950s, the design of the bedroom changed. The elegant design of the Cleopatra fits in perfectly here. With the arrival of the Cleopatra you could speak of true industrial design, the first bed to be produced in series. The bed is made of steel with a wooden ornament. The Cleopatra was produced until 1982, which is a remarkable long time and reflects the great success of this bed. A mattress of 80 x 190 cm is suitable for this white lacquered daybed. This bed is in a well preserved vintage condition with some minor wear consistent its age and use. Dimensions: Height: 26 cm, Width: 197 cm, Depth: 84 cm, Quantity: 1

This striking table lamp was produced in the 1960s by the Belgian van Rupel glass factory. Made entirely of glass, it features a beautiful lilac-purple hue that gives the piece an elegant and sculptural presence. The lamp is designed with two independent light sources: one integrated into the glass base and a second light positioned in the upper section. The top light is operated via a discrete side push button, while both lights can be switched on and off separately, allowing for different lighting effects. The lamp is in excellent vintage condition and is a fine example of mid-century Belgian art Dimensions: Height: 35 cm, Width: 20 cm, Depth: 20 cm

Straightforward and timeless rectangle Brabantia kitchen table featuring a woodlook Formica top finished with a black edge trim, set on slender chromed metal legs. The clean, functional design is typical of Dutch 1960s kitchen furniture: practical, durable and visually calm, with a warm woodgrain appearance that works easily in both vintage and contemporary interiors. In good vintage condition, showing light, honest wear consistent with age and use. Dimensions: Height 74 Width 71 Depth 100 cm.

Large and slim Denisco rectangle ceramic coffee table with chromed and wooden frame. Manufactured in Belgium in the 1970s. The slim top creates a spacious effect and the color splendor of the combination silver, green, red and a touch of white is dazzling. The table is in a well preserved vintage condition, with some minor non disturbing wear on the chrome base. Dimensions: Height: 40 cm, Width: 149 cm, Depth: 45 cm, Quantity: 1

Rectangular vintage Brabantia kitchen table featuring a vivid orange Formica top with a matching extendable leaf, allowing the table to be extended from approx. 111 cm to 146 cm in length. The table is fitted with slender chrome-plated tubular steel legs and has a clean, functional mid-century design that is both practical and visually striking. A classic and lively piece that adds colour and character to any kitchen or dining space. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 75/73 Width 146/111 Depth 71 cm.

Honest and minimalist vintage industrial chairs, executed entirely in white-painted wood and metal. The set features slender metal legs, wooden seats and backrests, and a clean, functional silhouette that is very much in line with 1950s utilitarian design. The all-white finish gives the chairs a light, understated presence, making them easy to combine in a kitchen, dining area or studio setting.

The chairs are in good vintage condition, with visible paint wear and small losses to the white finish on the frames and seats, consistent with age and use. This patina adds to their authentic industrial character without affecting structural quality. Dimensions: Height 77 Width 37 Depth 46 Seating height 45 cm.

Set of four Dutch Design ‘quattro colori’ dining chairs.
Designed in style of Cees Braakman. Manufactured in the 1960s.
Well designed model with elegant curved teak seating with leatherette upholstery in four colors on a slim teak base with ladder shaped backrest. The set is in fair condition, but there's some wear visible on the leatherette seatings.
Dimensions: Height: 98 cm, Width: 48 cm, Depth: 48 cm, Seat height: 46 cm, Quantity: 4

A substantial teak coffee table dating from the 1960s, distinguished by its sculptural, flattened U-shaped frame. The gently splayed uprights rise from the floor and curve inward to support the tabletop, creating the visual effect of a floating surface. The base is unified by a single horizontal stretcher, enhancing both stability and visual rhythm. Executed in richly grained teak, the table combines architectural clarity with organic softness, a hallmark of Scandinavian modernism. The frame construction and proportions recall Danish design of the period, closely related in spirit to works by Niels Bach and contemporaries exploring sculptural wooden bases. The table presents in a good vintage condition, with minor surface wear consistent with age. A confident and elegant centrepiece for a modern or mid-century interior. Dimensions: Height 49 Width 145 Depth 71 cm.