Kunst en decoratie
Gesloten Kavels
Kavel 311-200-SS104-A4: Mid-Century Design Artifort 2-Seat Cubistic Sofa with Steel Frame and Blue Fabric Upholstery
A striking piece of Dutch design from the 1980s, the
Transformation Model 952 two-seat sofa was designed by Hans de Wit
for Artifort. With its minimalist, cubist-inspired metal frame and
sky-blue upholstery, this sofa is a true modernist statement piece.
The crisp geometric lines are softened by the inviting comfort of
its generous cushioning, making it as pleasant to sit on as it is
to admire. The sky-blue fabric gives it a fresh, airy presence,
while the high-quality construction ensures it has stood the test
of time. So it remains in a well preserved vintage condition, with
only minor wear consistent its age and use. This model is sometimes
referred to as the “Red Dot Sofa,” a nickname that
comes from the small red circular detail set into the end of each
armrest. Dimensions: Height: 70 cm, Width: 134 cm
Depth: 75 cm, Seating height: 38 cm, Seating depth: 52 cm,
Quantity: 1
Kavel 311-202-1055: Vintage Design Spindle-Back Kitchen Chair, Solid Wood, The Netherlands, 1950s–1960s
Classic vintage spindle-back kitchen chair crafted from solid wood, featuring an elegant curved backrest with a decorative carved central splat. The warm wood tone and gently tapered legs give the chair a timeless, honest character typical of Northern European kitchen furniture from the post-war period. A sturdy and well-balanced design that works equally well as a dining chair, desk chair or accent piece.
As with all vintage design items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 84 Width 43 Depth 52 Seating height 45 cm.
Kavel 311-203-PF013-S3: De winnaar (The Victor) – Pieter het Hart, The Netherlands, 1977.
De winnaar (The Victor) – Pieter het Hart, The Netherlands, 1977. Mixed media on board. (probable hardboard panel). Signed and dated lower right: “p t H 77”. Dutch School, 20th century.
This powerful abstract-figurative composition by Pieter het Hart (1925–1987) exemplifies the mature phase of the artist’s development in the 1970s, when his work evolved from darker, figurative expressions toward more liberated, symbolic and abstract constructions.Born in 1925 in IJmuiden into a fishing family, Het Hart developed his artistic practice alongside a technical profession. From the 1950s onward, he pursued formal art education and gradually established himself as a registered BKR artist, educator, and gallery owner in IJmuiden. His oeuvre spans figurative scenes, still lifes, harbour views, and increasingly abstract compositions, marked by a distinctive visual language of strong contours and expressive form.De winnaar presents a dense, symbolic visual field in which fragmented figures emerge through thick, rounded black contour lines. The composition oscillates between abstraction and figuration: animal forms (including equine and canine shapes), anthropomorphic figures, and hybrid creatures appear layered within a dynamic structure. A dominant central figure, positioned atop an elephant-like form, reinforces the thematic suggestion of triumph, power, and symbolic ascension.The chromatic palette is restrained yet expressive: deep blacks structure the composition, while a diffused background of yellowed ground tones is interwoven with green, orange, and brown hues, creating a softened atmospheric field behind the bold linear framework. The painterly surface and material character suggest a mixed-media technique, likely combining oil-based and synthetic binders on a hardboard support, consistent with studio practices of the period.Signed and dated “p t H 77”, the work reflects Het Hart’s mature visual language: rhythmic line work, symbolic figuration, and a narrative abstraction that resists literal interpretation while maintaining strong associative imagery. The composition embodies both personal mythology and broader post-war European abstract-figurative traditions.De winnaar stands as a representative example of post-war Dutch abstract figuration, combining expressive structure, symbolic narrative, and formal autonomy into a visually commanding and conceptually layered work. Dimensions Frame: Height 82 Width 63,5 cm. Visual: Height 80 Width 62 cm.
Kavel 311-204-CH247: Mid-Century Wittmann Petrol Blue Soft Leather Wing Chair, Model Aura Designed by Paolo Piva. Austria, 1980s.
Very comfortable and elegant Mid-Century Wittmann Wing Chair, model Aura. This high quality design chair is upholstered with smooth petrol blue leather and features short black legs. It was designed in the 1980s by the renowned Italian designer and architect Paolo Piva, who was famous for his refined style and craftsmanship. The wing chair is in a very well preserved vintage condition with hardly any wear which is consistent its age and use. Dimensions: Height: 103 cm, Width: 67 cm, Depth: 75 cm, Seat height: 45 cm, Armrest height: 65 cm, Quantity: 1
Kavel 311-205-CT741-1-A: Mid-Century Design Rectangle Teak Wooden Coffee Table Attributed to Louis Van Teeffelen for Wébé, The Netherlands, 1960s.
Mid-Century Design Rectangle Teak Wooden Coffee Table Attributed to Louis Van Teeffelen for Wébé, The Netherlands, 1960s. Elegant mid-century teak wooden coffee table attributed to Louis Van Teeffelen for Wébé, produced in The Netherlands during the 1960s. The table features slender solid teak legs and a reversible tabletop with teak veneer on one side and faux-wood formica on the other. Beneath the top, an integrated teak shelf provides practical storage for magazines or books.
A refined example of Dutch mid-century modern design, combining clean lines with everyday functionality. The table is in well-maintained condition, showing only minor wear consistent with age and use. Dimensions: Height 44 Width 119,5 Depth 51 cm.
Kavel 311-206-DO-106: Vintage Design BAJONG High-Pile Shag Rug in Green Camouflage Tones, Netherlands 1970s
This striking vintage design shag rug was produced by BAJONG, a well-known Dutch rug manufacturer, and dates to the 1970s. Characterized by its deep, long pile and rich layered green palette, the rug features an abstract, almost camouflage-like pattern reminiscent of forest and army tones typical of the era. The rug is composed of two original BAJONG rugs (each approx. 130 × 185 cm) that were professionally joined, resulting in one generous and visually cohesive piece measuring approximately 185 × 260 cm. The seams are subtle and do not detract from the overall appearance or use. Made in the Netherlands, this rug perfectly reflects 1970s interior design trends, combining bold texture with earthy, organic coloration. It offers both strong visual impact and a soft, tactile surface, ideal for a living room, lounge, or statement interior. The carpet has been professionally cleaned and is in good vintage condition. Dimensions: 185 x 260 cm
Kavel 311-201-1027: Vintage Design Rectangular Dining Table in Beech Wood, Northern Europe, 1960s
Simple and functional vintage dining / kitchen table with a
rectangular top and straight tapered legs. Crafted in light-toned
beech wood; the legs are solid wood, while the tabletop appears to
be veneered beech, showing a calm and even grain pattern typical of
mid-century utilitarian design.
A clean, honest table with a timeless look, suitable for everyday use in kitchen or dining settings. As with all vintage furniture, light signs of use may be present and contribute to its authentic character. Dimensions: Height 73 Width 110 Depth 70 Seating height cm.
Kavel 311-209-CH192: Ahrend De Cirkel Industrial Design Desk Chair with Orange Fabric Upholstery on a Grey Steel Frame. The Netherlands, 1950s.
Authentic Ahrend De Cirkel Industrial Grey Steel Desk Chair from the 1950s. The grey frame is upholstered with an orange quality fabric. The height from this Dutch Design chair is adjustable. This chair is in a good vintage condition with some minor wear consistent its age and use. A nice piece of furniture for lovers of Dutch Design Industrial originals. Dimensions: Height: 90 cm, Width: 40 cm, Depth: 44 cm, Seat height: 56 cm, Quantity: 1
Kavel 311-210-1014: Vintage Design Brabantia Kitchen Table – Red Formica Top, The Netherlands, 1960s
Rectangular vintage Brabantia kitchen table featuring a vibrant red Formica tabletop with a subtle mottled pattern in warm tonal variations. The top is finished with a black edge band and supported by elegant, slender chrome-plated legs with a slight taper, giving the table a light and refined mid-century look. A lively yet balanced piece that pairs beautifully with classic Brabantia kitchen chairs and adds instant colour and character to a kitchen or dining space. As with all vintage items, light signs of use may be present and contribute to its authentic character. Dimensions: Height 73 Width 79 Depth 49 Seating height cm.
Kavel 311-211-903CH-C1b: Set of 4 Vintage Design Kitchen Chairs with Metal Spindle Backs and Red Leatherette Seats, The Netherlands, 1960s
Set of four vintage design kitchen chairs produced in The Netherlands during the 1960s. The chairs feature chromed tubular steel frames with distinctive metal spindle backrests, combined with red leatherette upholstered seats.
The open metal backs give the chairs a light and graphic appearance, while the padded seats add comfort and a touch of color. This type of construction was typical for practical kitchen seating of the period, emphasizing durability, ease of maintenance, and everyday functionality.
Although the exact manufacturer is unknown, the chairs reflect the solid build quality and utilitarian design language associated with Dutch kitchen furniture from the mid-20th century. A straightforward and characterful set, suitable for both vintage and contemporary interiors. The chairs are in very well-preserved vintage condition. As with all vintage seating, they may show light signs of use, which add to their authentic character. Dimensions: Height 86,5 Width 41,5 Depth 57,5 Seating height 46 cm.

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