Kunst en decoratie

Set of 3 original vintage issues of Domus Magazine, dating from 1983. This bundle includes the following issue numbers: 637, 640 and 645. Domus is internationally regarded as one of the most influential monthly reviews of architecture, interior design, and art, and has played a key role in shaping modern architectural and design discourse. Domus was founded in 1928 by the architect Gio Ponti, together with publisher Gianni Mazzocchi — two leading figures in Italian architecture and publishing whose collaboration helped establish Domus as a leading voice in 20th-century design. Issues from the 1970s reflect a period of architectural experimentation and cultural transition. Typical content includes contemporary architectural projects, urban and residential design, theoretical essays, interior concepts, and explorations of new materials and construction methods, alongside contributions related to art and visual culture. Each issue is documented with individual cover photography and interior spread images, providing a clear and transparent visual overview of the condition and content of the magazines. Offered as a cohesive set, these original vintage issues are no longer in print and are highly sought after by collectors, architects, designers, and scholars. Together, they form a valuable reference archive capturing the spirit of late 20th-century European and international design culture.

Bright Youth, inspired by Maurice Dupont, oil on canvas, Western Europe, mid–late 20th century. This figurative portrait titled Bright Youth is a stylistic homage to the work of Maurice Dupont. The painting depicts a youthful figure rendered in bright, optimistic colors and simplified forms, emphasizing vitality and mood rather than strict realism.

The composition and handling clearly reference mid-20th-century modernist portraiture, with flattened pictorial space, stylized facial features, and a light, expressive palette. Brushwork is confident and fluent, suggesting familiarity with the visual language it draws upon.

The painting is signed with the name “Dupont,” accompanied by a second, different name, indicating that the work should be understood as inspired by rather than authored by Maurice Dupont. It is therefore offered as a derivative or homage work, not as an original by the named artist.

Despite its derivative nature, the painting has clear decorative appeal and is competently executed, making it a charming and accessible example of modernist-inspired figurative painting. Dimensions Frame: Height 63 Width 52 cm. Visual: Height 60 Width 49 cm.

Set of six armchairs model Galateo, designed by Pascal Mourgue for Scarabat in 1980. These sculptural mid-century chairs reflect Mourgue’s distinctive design language, characterized by soft, organic lines and relaxed modern elegance. The chairs offer excellent seating comfort and embody the refined, expressive spirit of late 20th-century French design. A stylish and increasingly sought-after designer chair suitable for both contemporary and vintage-oriented interiors. Condition note: These remarkable chairs need some TLC. Dimensions: Height 78 Width 68 Depth 55 cm.

Mid-Century Dutch Design TU04 Coffee Table, Japanese Series by Cees Braakman for Pastoe, The Netherlands, 1960s. Minimalist coffee table model TU04 from the Japanese Series, designed by Cees Braakman for Pastoe in the 1960s. The table features a reversible rectangular top with teak veneer on one side and a white laminated surface on the other, offering both warmth and graphic clarity.

Beneath the top, integrated open storage compartments run along the long sides of the table, accessible from both faces, creating a balanced and functional design. The top is supported by a black lacquered metal frame, emphasizing the table’s light, architectural character.

An elegant and practical example of Dutch modernist design from The Netherlands. Dimensions: Height 28,5 Width 120 Depth 52 cm.

Elegant Scandinavian mid-century coffee table from the 1960s, crafted entirely in teak wood. The design is defined by its refined simplicity: softly rounded corners of the tabletop with subtle cut-outs, allowing the gently rounded tops of the legs to fit seamlessly into the frame. A harmonious and well-balanced piece, where construction and detail are quietly celebrated. Warm patina and fine grain throughout. A timeless example of understated Scandinavian modern design.
Dimensions: Height 45 Width 125 Depth 45 cm.

Sparkling vintage hand-cut lead crystal ice bucket attributed to C.A.L.P., Europe, circa 1980s. The bucket features a sharp geometric diamond-cut pattern with a heavy, faceted base, combined with a clean stainless steel (inox) rim and swing handle. The contrast between brilliant cut crystal and restrained metal hardware reflects late-modern European barware design focused on clarity, weight, and functionality. Dimensions: H 14 DM Bucket 11 cm.

This atmospheric mid-century design pendant lamp is attributed to Doria, Germany, circa 1960s, and reflects the elegant material combinations typical of mid-century German lighting. The lamp features a warm brass frame paired with a generously shaped glass shade reminiscent of a soft, pudding-like form. The rounded silhouette gives the lamp a gentle, sculptural presence, while the clear glass beautifully diffuses the light, creating a rich and inviting ambiance. When illuminated, the light feels warm and decorative rather than harsh, making it particularly suitable for living spaces, dining areas, or hallways. Comparable designs by Doria are known both as pendant lamps and ceiling-mounted plafonniers, reinforcing the attribution and period. This hanging version stands out for its balanced proportions and timeless appeal. The lamp is in fair vintage condition. The glass shade is in excellent condition, with no cracks or chips. The brass frame shows visible signs of age, including light corrosion and surface wear, consistent with use over time. The wiring has not been recently tested and should be checked before installation. Overall, the lamp remains structurally sound and visually attractive. Dimensions: Height: 42 cm, Diameter Foot: 28 cm

Brutalist Dutch desk executed in solid pinewood, featuring three drawers and an integrated storage compartment. The design reflects the sculptural, honest construction associated with Dutch brutalist furniture of the 1970s, in the style of Ate van Apeldoorn. Dimensions: Height 73 cm, Width 140 cm, Depth 60 cm

Coastal Dunes – Jurriaan van Hesseling, The Netherlands, 1960s–1970s. Medium: Oil or mixed media on canvas / board. Dutch School, 20th century. This vintage painting by Jurriaan van Hesseling belongs to the tradition of Dutch post-war painting from the 1960s–1970s, a period marked by expressive freedom, painterly experimentation, and a renewed focus on subjective interpretation of landscape and form.

Although biographical documentation on the artist remains limited, the clearly legible signature confirms authorship, situating Van Hesseling as an identifiable Dutch painter active during the mid-20th century. The work demonstrates a confident, expressive handling of paint, suggesting an artist working within the broader context of post-Impressionist and expressionist influence that remained prominent in Dutch painting during this period.

The composition presents a coastal landscape characterized by rolling dune formations and restless surf beneath a brooding, overcast sky. Thick, energetic brushstrokes and a vigorous application of paint animate the surface, creating a dynamic interplay between land, sea, and atmosphere. Color is employed expressively rather than descriptively, reinforcing movement and emotional intensity rather than strict naturalism.

The painterly surface, marked by textured layers and visible gesture, reflects a practice rooted in expressive realism and post-Impressionist sensibilities, evoking associations with artists who emphasized emotional resonance and material presence over literal representation. The landscape functions not merely as a depiction of place, but as an experiential field shaped by wind, light, and motion.

This work stands as a representative example of mid-20th-century Dutch expressive landscape painting, combining recognizable motifs with a free, intuitive painterly language characteristic of the era. Dimensions Frame: Height 80 Width 99 cm. Visual: Height 61 Width 80 cm.

Ceramic High Gloss White Porcelain Vase with Graphic Design Pattern by Königlich privilegierte Porzellanfabrik Tettau. Germany, 1960s. This large white porcelain vase was produced in Germany during the 1960s by Königlich Privilegierte Porzellanfabrik Tettau and stands 33 cm high. The vase features a striking sculptural form with a crisp geometric relief pattern, creating a strong graphic effect across the surface. Finished in a high-gloss white glaze, the sharply defined facets catch the light beautifully and emphasize the modernist character of the design. A refined and elegant example of mid-century German porcelain. The vase is in very good vintage condition. Dimensions: H 33 DMO: 7,5 DMB: 20 cm